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In Memoriam: Tom Daly

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Tom Daly

In the screening room of the world, a feature-length documentary film winds to a halt, and the overhead lights are abruptly switched on. We blink and wince. Thus we mark the passing of Tom Daly, one of the world’s finest directors of documentary cinema. Tom died at the age of ninety-three in Montreal on Sept. 18, 2011, following a lengthy illness.

In his public life, Tom was one of the mainstays of the National Film Board of Canada. The rudiments of the art and craft of motion-picture production and editing were taught to him by none other than John Grierson, the filmmaker who coined the term “documentary” and who founded the Board in Ottawa in 1939, then and now the world’s largest, government-owned producer of documentary films.

In various capacities over forty-four years, Tom left his mark on hundreds of the Board’s short and feature films, including those created by Norman McLaren (the Glenn Gould of film animation) and his own Unit B productions which introduced innovative techniques and ideas to the nation’s screens. In the 1950s and 1960s it was mandated that an NFB “short” had to be exhibited along with the other “short features” (cartoons, coming attractions) and the American feature film when it was publicly exhibited in a movie theatre in the country. So his productions reached immense national audiences. Often they struck the only note of “reality” on the screen.

I was especially moved in 1960 by his documentary film “Universe” which focused on the night in the life of a Toronto astronomer. We were invited to behold a “cosmic zoom” … an astronomical visualization which parallels the Ray of Creation aka the Great Chain of Being. It was done with spectacular effects and a feeling for the marvels of creation which Stanley Kubrick subsequently acknowledged to be influences on his own feature film “2001: A Space Odyssey.”

Tom was also a mainstay of the work in Canada. He was born into a socially prominent family in Toronto on April 25, 1918, and a graduate of the University of Toronto. Through his mother he met the De Hartmanns who were then temporary residents in Quebec’s Eastern Townships (awaiting papers to settle in the United States). Madame de Hartmann was encouraged to visit Toronto where she established what is now known as the Toronto group. Tom was active in the group until Board work required him to move first to Ottawa and then to Montreal where he led the work there. He married and raised a family and to the members of his family go the commiserations of the present writer (who was personally introduced to the work by Tom and his friend Peter Colgrove).

Tom was a gentleman of the Anglo-Saxon variety and a scholar manqué. I write manqué not in an attempt to circumscribe his talent but with the wish to extend it because he himself saw his art as coextensive with his life and with the work. Readers interested in how he did this are encouraged to read the biographical study The Best Butler in the Business: Tom Daly of the National Film Board of Canad (University of Toronto Press) by the academic D.B. Jones. According to Jones, Tom dealt with a problem the way a lumberjack walks across a log-boom: Step onto the first log, and before it sinks step onto the second log, and before it sinks step onto the third log ….


* * * * * * *  


Tom Daly

I knew him slightly but admired him greatly. He inspired a great many men and women of his generation, not only film-makers but also creative people in many disciplines. There is an expression that is used in the film business (and only in the film business) that applies to him. That expression is “the dailies.” It refers to the “rushes” of the day’s shooting that are available for viewing and reviewing the following day. Tom lived his life from day to day, never failing to reflect on the fine qualities of “the dailies.”

J.R.C., 18 Sept. 2011







I distinctly remember the sensation that I experienced when I first saw in print the name “Lord Pentland.” What I sensed was a loftiness of person and of purpose. What I felt was the emotion of being wafted away from my usual, classless moorings: “Whoever is this fellow?” What I entertained was an heretical thought upon seeing his name in the context of the Work: “Was an English lord actually chosen by Mr. Gurdjieff to head the Work in America?”

I was late in the game. I first encountered the name and title in the early 1960s in the pages of a newly published book of radio talks. Its table of contents listed the contributors of talks and interviews broadcast on Pacifica Radio in California. I have long forgotten the names of the other contributors to this series of addresses, all of them public intellectuals familiar to me at the time. But I remember the name of this English baron who was completely unknown to me at that time. Curious!

I never met Lord Pentland or Henry John Sinclair or just plain John Sinclair, of course, but over the decades I have met with groups of men and women who knew him, attended his talks, and studied under him. They were unanimous in their admiration and respect for the man. I would ask each in turn, “What was his dominant characteristic? Why was he so admired and respected? What made him a dedicated teacher or leader?” People seemed to like the man but there was seldom a feature, chief or not, which I could identify or with which I could identify.

After all, the photographs of the man that I saw reproduced in public print, or at least those taken during his later years, showed a gaunt figure of a man with steel-rimmed glasses and querulous eyes. I once wrote, “To judge by photographs, John Pentland was a cadaverous figure of a man, toweringly tall, with skeletal skull, bushy eyebrows, and beady eyes. He resembles an ascetic, say a Cistercian monk …. “

As well, he seemed quite forbidding, almost formidable (if not slightly comic or ironic). I never could discover what psychological feature or features were so impressive, though every once in a while someone would glance around and mumble about the man’s patrician bearing, the slight condescension in his attitude and manner, etc. But then some people are never satisfied; they will accept the Sermon on the Mount only if delivered by Jesus Christ in person.

Over the years I watched out for references to Lord Pentland in the literature of the Work, especially in the “Gurdjieff Review.” I bought and read a copy of the book “Exchanges Within” which is subtitled “Questions from Everyday Life Selected from Gurdjieff Group Meetings with John Pentland in California, 1955-1984.” It was published by Continuum in 1977, and its prose captured some of the qualities of the man, which I take to be a general thoughtfulness or mindfulness coupled with directness and authority.

I found his manner of writing and speaking to be more elusive than evasive, and to this day his prose, whether transcriptions of the talks or of the sessions of questions and answers, continues to remind me of the opaque styles of J. Krishnamurti and Rudolf Steiner. The opacity could be that of some level of being: a disembodied intelligence, perhaps. The texts of the talks themselves read like … radio scripts.

The other day I checked Wikipedia’s entry and I learned a little about the man Henry John Sinclair, but next to nothing about his personality and purpose, his mission and message. He was born in 1907, but where? (The biography says London.) He died in 1984, but where? (The biography says New York City.) He was the 2nd Baron Pentland and a man of means; his wife Lucy was also titled and well-to-do. His daughter, son-in-law, and their child are contributors to the Work.

In the 1930s and 1940s he worked with P.D. Ouspensky in London, and in 1948 he spent about nine months with Mr. Gurdjieff in Paris, who thereupon appointed him to lead the work in America. (“America” means the United States; while he did visit Canada, it was for business meetings in Toronto before he had met Mr. Gurdjieff and for a visit to the rodeo in Calgary afterwards.)

At one point he worked out of an office in Rockefeller Center, representing British-American commercial interests, like an earlier neighbour, spymaster Sir William Stephenson (known as “the Quiet Canadian” before turning garrulous and acquiring the title “the Man Called Intrepid”). I recall reading a warm and memorable description of Lord Pentland at work in his office. The account was written by the youthful William Patrick Patterson who visited the baron there, was much impressed with the man, and studied under him for all of eleven years, before finding another mentor. Patterson went on to establish the Gurdjieff Studies Program and describes himself to this day as a student of Lord Pentland.

Lord Pentland served as president of the Gurdjieff Foundation from its inception in 1953 to his death in 1984, and also as president of the Gurdjieff Foundation of California from its inception in 1955 to his death. He also served as executive editor of Far West Editions from 1969 to his death. I sense that the year of his death marked the end of a phase of the Work in America, as phases of the Work in France and the rest of Europe and the United Kingdom were marked by the death in 1990 of Madame de Salzmann and eleven years later that of her son Michel de Salzmann.

Talks delivered by Lord Pentland at Esalen and on the campuses of American colleges and universities were delivered alike to veteran students and newcomers to the Work and printed in semi-limited editions. In print they seem somewhat abstract or at least abstracted from experience. Indeed, I reviewed three of these publications and summarized their contents for readers of this blog in 2008, where they remain archived for reading or reference.

I have gone into all this detail – peeks at Lord Pentland from a distance – for the reason that many if not most readers of this review will share experiences similar to mine, being one or two steps removed from the man and the manner. Not everyone in the Work has had a first-hand experience of the man. Savour those experiences and conceptions of the man before encountering him in relief in the pages of James Moore’s biography, which has a four-word title: “Eminent Gurdjieffians: Lord Pentland.”

This biography is a handsome volume published by Gurdjieff Studies Ltd. in England. The website is < www . gurdjieff . org. uk >. The book has an attractive dust jacket (designed by Linda Edmonds), card covers, matching coloured endsheets, and well-designed pages which measure 6″ x 9.5″ and which run from xx to 108. There are eighteen black-and-white illustrations. There is also a nominal index (i.e., restricted to personal names, not places or references) and a bibliography best described as sketchy. I wish the pages had been stitched rather than “perfect bound,” i.e., glued, but there are headbands, and the pages once opened almost lie flat on their own. It is a nice edition to hold and to read.

But before I do review its contents, I want to comment on the first two words of the book’s title: “Eminent Gurdjieffians.” Serious readers will catch the significance of the word “eminent,” which was not coined by Lytton Strachey but was certainly trademarked by him. “Eminent Victorians” is the title of this influential composite biography of four leading figures in Victorian England (Cardinal Manning, Florence Nightingale, Matthew Arnold, and General Gordon).

The lady and the three gentlemen were and are indeed “eminent,” though not necessarily pre-eminent for reasons of morality. The book’s appearance in 1918 coincided with the end of the Great War, and as the latter dealt the deathblow to the Kaiser’s designs on Europe, the former ended the idolatry and exposed the morality of leading public figures in Queen Victoria’s England.

Today, “Eminent Victorians” would be regarded as a hatchet-job, but for the fact that Strachey wrote well, researched deeply, and refused to moralize. Indeed, the composite biography appealed to the sceptical Bertrand Russell who read it while imprisoned for civil disobedience. In a letter he described the literary work in these words: “It is brilliant, delicious, exquisitely civilized.”

Do Lord Russell’s words describe the book at hand? I will answer that question but first here is another digression. The digression concerns the author James Moore. His entry in Wikipedia and his own detailed and informative website < www . jamesmoore . org . uk > are so interesting that I could write about the author at some length. Instead, I will write concisely and somewhat cursorily.

Moore, born in Cornwall in 1929, seems to be something of an autodidact, but one who worked with the Admiralty until retirement in 1980, who holds fellowships in at least two Royal Societies, and who is the author of four books of substance and many articles of importance which have appeared in serious journals and as entries in encyclopedias.

As for his Work experience, he studied with Henriette H. Lannes from 1957 to 1978, and thereafter with Henri Tracol and Maurice Desselle. He was closely associated with the Gurdjieff Society in London from 1981 to 1994 when, it seems, he was expelled, if that is the word to use, though “excommunicated” is the one that he himself prefers. (Query: Do Gurdjieffians “shun” like Mormons?) That might be the second-best thing that has ever happened to him, his induction into the Work being the first; the jury is still out on that. Anyway, he renewed himself as an independent scholar and presumably as an independent Gurdjieffian, his status to this day.

I have read his four books: “Gurdjieff and Mansfield” (1980), “Gurdjieff: The Anatomy of a Myth” (1991), “Gurdjieffian Confessions: A Self Remembered” (2005), and now “Eminent Gurdjieffians: Lord Pentland” (2011). His chef d’oeuvre is the second of these books, a biography rivalled only by John Beekman Taylor’s “Gurdjieff: A New Life” (2009), a sturdy and substantial work. I am still divided on the merits of the third of these books, as it adopts the tone of the tabloid press in its whining and winging, though as a human document it is full of fascinating detail.

If anyone in the Work is in a position to write short biographies of Work personalities and their essences, it is James Moore. On an earlier occasion I referred to this biographer as a precisian, an uncommon proper noun for someone who is strict and precise in observing the rules, his own or others’. I suspect that he gives a lot of thought before writing down a word. He is as stylish and exacting as Flaubert, who, it is said, worried so much over his prose that he would spend a morning inserting a comma followed by an afternoon erasing it. Moore is a writer who has to be read closely, and watched.

I have the feeling – it is an idea, really; perhaps a dream – that “Eminent Gurdjieffians” marks the first volume in a series, a series that may set a high watermark for scholarship in the literature of the Work. Such a series is long overdue. Where is there a short biography of Sophie Grigorievna Volochine (aka Madame Ouspensky)? Or a long biography of Jeanne Allemand (aka Madame de Salzmann)? Perhaps these and other biographies are waiting in the wings.

Yet in these pages Moore writes, plangently, “This book is my literary swan-song.” If so, it is sad news. Earlier I quoted Bertrand Russell’s words about Lytton Strachey’s book: “brilliant, delicious, exquisitely civilized.” Do these words apply to Moore and this book? Yes and no is the short answer. The long answer follows.

Moore writes with a stylistic brilliance that is coruscating and hence sometimes blinding. His prose is delicious in the sense that the reader wants to consume more and more pages, though with full knowledge that some passages are going to be hard to digest. But is the work “exquisitely civilized”? The author is certainly a cultured man, but I would not immediately describe him as civilized, at least in terms of what he has written here. He is very hard on his subject and for these reasons one would have to read between the lines.

There is a telling anecdote about a beautiful but impressionable society lady who one day accepted a luncheon invitation from W.E. Gladstone. Asked about the experience, she replied, “I realize that I was in the presence of the most brilliant man in all of England.” The next day she lunched with Benjamin Disraeli. Asked how that lunch had gone, she replied, “I realize that I am the most brilliant woman in all of England.” Reading Moore’s prose I feel that Moore is the most brilliant writer in all of England.

He monopolizes his subject, but to demonstrate this I would have to lead the reader through the book page by page to review Pentland’s life and that would take a great many pages (or “screens”). It is an interesting life that he led, but not a very convincing one, at least to the degree that Pentland was a late developer, and it begs the question whether he developed at all; that makes Moore’s task all the harder.

Medical historian Michael Bliss had the same problem as Moore when he wrote the now-standard biography of Sir William Osler, the clinician and Regius Professor of Medicine, who had no secrets, no scandals, and no enemies. That presents a problem. How does a biographer make decency attractive in its own right? Instead of pursuing this line of inquiry, I will make a few general points.

* Moore devotes no pages at all to Pentland’s talks and interviews, even those that were published in “Exchanges Within.” So the subject’s “take” on the Work is not discussed. Pentland presided over an interesting period in the evolution of the Work – what with the introduction of all of those “sittings” – but while they are mentioned, they are certainly not considered in any detail.

* Moore has hardly anything of an interpretive nature to say about the appeal of P.D. Ouspensky’s “system” to Pentland. There is no speculation as to what Mr. Gurdjieff saw in Pentland’s spirit, mind, or manner. Possibly what he saw in his “American lieutenant” was a respectable man with the ability to relate to men and women on all social levels, which it seems is what Pentland did do.

* Moore devotes no paragraphs at all to Pentland’s business interests, a point he himself makes, as if to exculpate himself. These details would be of some social and intellectual interest. His “war record” seems to be one of evasion rather than duty, but that is not conclusively shown.

* Moore devotes no sentences at all to interpreting the man’s psychology. I am not now referring to “the psychology of man’s possible evolution” but to the dynamics of the man’s personality, his image of himself. For this reason the biography seems to me to be pre-Freudian: the subject is more a mannikin than a man in Moore’s hands.

* Moore seems uncomfortable dealing with the characteristics of the English class system, both its strengths and its weaknesses. Whenever possible he brings Gilbert Harding into the narrative. I found this interesting, but only because I have long been curious about this English broadcaster and polemicist (who spent some time making mischief in Toronto); Moore is always about to compare and contrast the two men whose lives seem to have been lived at cross-purposes.

* Moore might see himself as a social historian, offering brief histories of the decades. For instance, I learned that the year 1957 “was in some senses a funny year. Jack Kerouac published “On the Road”; Samuel Beckett’s “Endgame” was translated into Eskimo and staged in a Perspex igloo …. ” Fascinating tidbits, à la John Dos Passos, but hardly part of Pentland’s world. For a short book, it is long on potted history.

* Moore is a careful researcher. I spotted no errors of consequence; two inconsequential ones are the spelling of the New Brunswick port where Madame Ouspensky disembarked (it is Saint John not St. John’s, New Brunswick); and the indecision as whether or not to hyphenate Rodney Collin-Smith’s name.

* Moore is good on the dissection of imagery. He offers a brilliant comparison of Pentland’s gaunt appearance with that of the elderly farmer in Grant Wood’s classic painting “American Gothic.” He also comments on the surprising photograph taken by Dushka Howarth which catches Pentland and Mr. Gurdjieff at lunch at a roadside café in 1949, the baron gazing into the distance, the “teacher of dance” digging into the food before him.

* In dealing with that photograph, I believe Moore tips his hand when he describes Pentland in terms of his “depthless earnestness.” These two words might well be his final insight into the man and interpretation of his contribution to the development of the Work. It is an most revealing phrase.

Earlier I mentioned in passing that I had no occasion to meet Lord Pentland. In the introductory pages of this book, Moore mentions that he did meet this “eminent Gurdjieffian,” once, almost accidentally, long before the notion of writing the man’s biography occurred to him. After reading his book, I feel that had I had an occasion to meet Pentland, I too might – like Moore – sense the man’s “depthless earnestness.”


JOHN ROBERT COLOMBO reopens his old copy

of Aldous Huxley’s important study

I have always had a soft spot in my heart for a book that I bought by mail from Samuel Weiser Inc., the well-known, used-book dealer, then located in New York City. I made the purchase on 18 July 1957. I know the date of the original purchase because in a firm hand I had inscribed the date on the back end-page of the coveted volume. I read the book shortly after buying it, as its fame had preceded my purchase of this title, and since then its spine has graced many a bookshelf in the houses in which I have since lived and worked.

The edition that I have of “The Perennial Philosophy” is cloth-bound (printers used real cloth in those days) and its distinctive colour (russet) has yet to fade. The edition measures 5.25″ by 8.25″ and there are eight preliminary pages followed by the text of 360 pages. In design the pages are unpretentious and hence attractive to behold, and because they are set in largish type they are quite easy to read. The pages are sewn rather than glued and the paper is cream-coloured and hence it shows no evidence of its age; there is not a mottle in sight. The edition in question is the first edition, or close to it, published by Huxley’s regular London-based publishing house, Chatto & Windus, in 1946. I wish I had the dust jacket but it was not supplied by Samuel Weiser.

The pages may not show their years, but in a great many ways the text of the book is quite dated, almost alarmingly so. Now, Aldous Huxley is an interesting writer who is best (and worst) described as an intellectual, a highbrow, or, to use the terminology that he employs, a “cerebrotonic.” As he explains in these pages, “Cerebrotonics hate to slam doors or raise their voices, and suffer acutely from the unrestrained bellowing and trampling of the somatotonic …. The emotional gush of the viscerotonic strikes them as offensively shallow and even insincere.”

With this vocabulary he is employing the psychology of human types elaborated by the American psychologist William Sheldon, a scheme long out of fashion yet dear to the hearts of students of consciousness studies everywhere. Nothing dates quite as quickly as psychological terminology. Psychical and spiritual terminology like “intellectual centre,” “emotional centre, “moving centre,” etc., seems to age hardly at all!

Huxley died at the age of sixty-nine in 1963, the same day that John F. Kennedy was assassinated. There is about the life and death of the English author and intellectual the sense of the dashing of high hopes, analogous to the early death of the American president. Huxley advanced from being a nihilist in his youth to a psychedelicist in his age. Where would the next twenty or thirty years have taken him? Perhaps to the altar of the nearest Episcopal church. The question is unanswerable.

The jury is still out about which genre is the best for Huxley: Was he finer as a literary artist (remember Point Counterpoint and Brave New World, the novels that ensured his reputation) or was he finer as a literary essayist (required reading in the 1950s was The Doors of Perception and Heaven and Hell, short memoirs that did so much to mark the coming of age of the psychedelic revolution of the late Fifties and early Sixties)? It matters little, but accompanying his migration from England to California was his move the ironic to the mythic levels of discourse, almost as a matter of course.

Everyone interested in consciousness studies has heard of his study called The Perennial Philosophy. It bears such a prescient and memorable title. His use of the title has preempted its use by any other author, neuropsychologist, Traditionalist, or enthusiast for the New Age. The book so nobly named did much to romanticize the notion of “perennialism” and to cast into the shade such long-established timid Christian notions of “ecumenicism” (Protestants dialoguing with Catholics, etc.) or “inter-faith” meetings (Christians encountering non-Christians, etc.). Who would cared about the beliefs of Baptists when one could care about the practices of Tibetans?

Huxley did his best to popularize serious speculation about the nature of man and the constitution of the universe, largely prompted by such speculations found in Vedanta. He was marked by his mid-life study of texts basic to Buddhism, Hinduism, Islam, and Christian mysticism. He knew about shamanism and perhaps about sorcery, alchemy, witchcraft, or wicca, but these aspects of his inquiries went unnoticed in his text. The New Age had yet to dawn.

What precisely is what he calls “the perennial philosophy”? Huxley answers this broad question in an even broader way on the first page of the Introduction to his book. His answer is surprisingly wordy, though his exposition is characteristically well organized. Here goes:

“Philosophia Perennis – the phrase was coined by Leibniz; but the thing – the metaphysic that recognizes a divine Reality substantial to the world of things and lives and minds; the psychology that finds in the soul something similar to, or even identical with, divine Reality; the ethic that places man’s final end in the knowledge of the immanent and transcendent Ground of all being – the thing is immemorial and universal.

“Rudiments of the Perennial Philosophy may be found among the traditionary lore of primitive peoples in every region of the world, and in its fully developed forms it has a place in every one of the higher religions. A version of this Highest Common Factor in all preceding and subsequent theologies was first committed to writing more than twenty-five centuries ago, and since that time the inexhaustible theme has been treated again and again, from the standpoint of every religious tradition and in all the principal languages of Asia and Europe.”

I like the idea of “this Highest Common Factor” because it begs a corresponding discussion on “a Lowest Common Multiple.” Huxley avoids this but then states, neatly, “Knowledge is a function of being.” I could quote more (and will, later), but the sentences that bring his Introduction to a conclusion are worth quoting here and now: “If one is not oneself a sage or saint, the best thing one can do, in the field of metaphysics, is to study the works of those who were, and who, because they had modified their merely human mode of being, were capable of a more than merely human kind and amount of knowledge.”

I first read these words some forty years ago when I was wowed and won by them. Rereading them now I have second thoughts. The book’s chapters are organized by theme, advancing from Chapter 1, “That Art Thou,” to Chapter 27, “Contemplation, Action and Social Utility.” I was not really surprised to find that the book’s contents are quite dated, but I was really surprised to find its arguments and rhetoric quite limited in appeal. The book is hortatory in style and substance, less of a psychological probing and more a hectoring that I had remembered it to be.

The book’s six-page, double-column index is extensive but unscholarly, and there was no need for him to index the word “consciousness” or its cognate terms “unconscious” and “subconscious” because these subjects are given no special treatment. There is no reference to Sigmund Freud; the single reference to Carl Jung draws attention to the psychologist’s use (his coinage, really) of the terms “introvert” and “extravert.” The contribution of Mircea Eliade, the multilingual scholar of shamanism, goes unmentioned. G.I. Gurdjieff and P.D. Ouspensky (whose lectures Huxley attended at Colet Gardens in London) go unremarked.

As well, there is no reference to R.M. Bucke’s monumental, turn-of-the-century tome titled “Cosmic Consciousness,” and details about consciousness-raising or altering drugs and psychedelia in general are all in Huxley’s future. Yet the psychologist William James had much to say about chemically inducted altered states, and also about the field of psychical research in general, to which James donated twenty years of his professional life, speculating on the characteristics of the various levels of consciousness. All these go unappreciated except for one passing reference to James, as if to acknowledge his absence.

“The Perennial Philosophy” is essentially an anthology of short passages taken from traditional Eastern texts and the writings of Western mystics, organized by subject and topic, with short connecting commentaries. No specific sources are given. Paging through the index gives the reader (or non-reader) an idea of who and what Huxley has taken seriously. Here are the entries in the index that warrant two lines of page references or more:

Aquinas, Augustine, St. Bernard, Bhagavad-Gita, Buddha, Jean Pierre Camus, St. Catherine, Christ, Chuang Tzu, “Cloud of Unknowing,” Contemplation, Deliverance, Desire, Eckhart (five lines, the most quoted person), Eternity, Fénelon, François de Sales, Godhead, Humility, Idolatry, St. John of the Cross, Knowledge, Lankavatara Sutra, William Law (another four lines), Logos, Love, Mahayana, Mind, Mortification, Nirvana, Perennial Philosophy (six lines, a total of 40 entries in all), Prayer, Rumi, Ruysbroeck, Self, Shankara, Soul, Spirit, “Theologia Germanica,” Truth, Upanishads (six different ones are quoted), Will, Words.

Painfully absent from these pages are Huxley’s mordant wit and insights into human nature. It is as if his quicksilverish intelligence has been put on hold or has found itself in a deep freeze of his own making. When it comes to selecting short and sometimes long quotations, he is no compiler like John Bartlett of quotation fame, but he does find time to make a few deft personal observations.

Here is a suggestion from Chapter 3, “Personality, Sanctity, Divine Incarnation”: “But surely people would think twice about making or accepting this affirmation if, instead of ‘personality,’ the word employed had been its Teutonic synonym, ‘selfness.’ For ‘selfness,’ though it means precisely the same, carries none of the high-class overtones that go with ‘personality.’ On the contrary, its primary meaning comes to us embedded, as it were, in discords, like the note of a cracked bell.”

Chapter 7, “Truth,” offers the following gem: “Beauty in art or nature is a matter of relationships between things not in themselves intrinsically beautiful. There is nothing beautiful, for example, about the vocables ‘time,’ or ‘syllable.’ But when they are used in such a phrase as ‘to the last syllable of recorded time,’ the relationship between the sound of the component words, between our ideas of the things for which they stand, and between the overtones of association with which each word and the phrase as a whole are charged, is apprehended, by a direct and immediate intuition, as being beautiful.”

Chapter 12, “Time and Eternity,”gives the following caveat about the relative absence of Eastern literature in Western translation: “This display of what, in the twentieth century, is an entirely voluntary and deliberate ignorance is not only absurd and discreditable; it is also socially dangerous. Like any other form of imperialism, theological imperialism is a menace to permanent world peace. The reign of violence will never come to an end until, first, most human beings accept the same, true philosophy of life; until, second, this Perennial Philosophy is recognized as the highest factor common to all the world religions; until, third, the adherents of every religion renounce the idolatrous time-philosophies, with which, in their own particular faith, the Perennial Philosophy of eternity has been overlaid; until, fourth, there is a world-wide rejection of all the political pseudo-religions, which place man’s supreme good in future time and therefore justify and commend the commission of every sort of present iniquity as a means to that end. If these conditions are not fulfilled, no amount of political planning, no economic blue-prints however ingeniously drawn, can prevent the recrudescence of war and revolution.”

That passage was written during the Battle of Britain, so it is perhaps understandable that the essayist has become the preacher, the novelist the moralist. The text of his sermonizing seems to be that knowing about the perennial philosophy will, ipso facto, without further ado, without any other effort on anyone’s behalf, transform man’s bellicose nature into something finer and better!

As a reader of “The Perennial Philosophy,” and now its re-reader, I must admit to experiencing a sense of exhilaration the first time round – and to experiencing a sense of anticlimax and even dismay the second time round. Today the book seems too arch and so idiosyncratic! As well, I could not help but note the author’s lack of generosity and his unwillingness to express any sense of indebtedness to his predecessors. He fails to note two earlier, landmark publications in his chosen field: William James’s “The Varieties of Religious Experience” (1902) and Evelyn Underhill’s “Mysticism” (1911).

Yet these influential works were written decades before the appearance of Huxley’s book; indeed, they have aged far less obviously that has Huxley’s. As well, Underhill refers to James in her book, if only to argue with his thesis, but Huxley’s ignores both of them and their arguments to develop his own semi-thesis. In point of fact, the bibliography has an entry for “Mysticism” (with a reprint year of 1924, instead of 1911, the original year of publication).

In passing, it is interesting to note that the same bibliography draws attention to the publication of three books that were written by René Guénon, though no editorial use is made of even one of these – or of the writings of the leading Traditionalists: A.K. Coomaraswamy, Frithjof Schuon, Titus Burckhardt. To this cabal should be added Whitall Perry, whose tome A Treasury of Traditional Wisdom (1971, 1986, 2000) is rightfully regarded as the principal anthology in this field.

To the extent that he was a follower of any mainstream religion, Huxley was a student of the Hindu system of thought known as Vedanta, which was making its American beachhead in Los Angeles, California, close to Huxley’s residence in Malibu. The text offers four references to Vedanta, the last one being the following observation: “The shortest _mantram_ is OM – a spoken symbol that concentrates within itself the whole Vedanta philosophy. To this and other _mantrams_ Hindus attribute a kind of magical power. The repetition of them is a sacramental act, conferring grace _ex opere operato_.”

In summary, Huxley’s book made an immediate impact upon publication and reverberates to this day, but upon examination the concept of the book is more convincing than is the accomplishment; at the same time, the parts are more intriguing than the whole. If it is a landmark study of anything at all, it takes its place in the eclectic division of the syncretistic field variously known as “religious knowledge,” “religious studies,” “comparative religion,” “Near Eastern studies,” “history of religion” – euphemisms abound! – in drawing the attention of English-speaking readers to the rich mother-lode of philosophical, psychological, and metaphysical thought that is to be found in translations of traditional Eastern texts and in the writings of Christian mystics of the past.

One of the meanings of the word “perennial” is “enduring,” and enduring is what this book is. “The Perennial Philosophy” endures in memory. A week or so ago, I took it down from the place it had graced on my bookshelf and dusted it off; later today I will return it to its rightful place. After all, it occupies a special space in my memory … as well as in the memories of its great many readers over the last six decades.


John Robert Colombo is nationally known for his compilations of Canadiana. These include such studies as “Mysterious Canada” and “UFOs over Canada.” He received the Harbourfront Literary Award and holds honourary D.Litt. from York University, Toronto. He is an Associate of the Northrop Frye Centre, Victoria College, University of Toronto. Check his website < www .colombo – plus . ca > .

If you wish to receive notification of new reviews and commentaries on this web-blog, email the writer:< jrc @ ca . inter. net > .



June 16, 2010 at 3:40 pm



looks at the publications of     SEYMOUR B. GINSBURG

The thought of G.I. Gurdjieff comes to mind whenever I drive into a shopping plaza where there is a sign that says Toys “R” Us. There are almost two dozen of these toy supermarkets in the Greater Toronto Area, where I live, all of them “reminders” of the man and his message. Canada alone has a total of seventy outlets at the present time. If you live in the United States, there are 860 occasions to remember Mr. Gurdjieff, but only seventy-six if you live in the United Kingdom. Non-U.S. outlets around the world offer an additional 716 opportunities for remembering.

All of this may seem a little sly or silly but for the fact that Toys “R” Us acts for me as a reminder to remember myself and it could do the same for other people too. The reason it comes to mind is that there is an interesting connection between the toy store chain and Seymour B. Ginsburg, whose contribution to the Work is an important one. As unlikely as it might seem, Ginsburg was the co-founder of the parent company and the first president of the company we know as Toys “R” Us. That was decades ago so I assume that he is no longer involved with running the highly successful chain of outlets.

Here is some background on the man, all taken from published sources. Sy Ginsburg (as he is usually greeted) was born in Chicago in 1934 and studied accountancy and law at Northwestern University. In addition to his success in the world of commerce, he has made his mark in at least five related fields of endeavour.

First, he served as President of the Theosophical Society in South Florida. Second, he was a co-founder of the Gurdjieff Institute of Florida. Third, he and his wife Dorothy Usiskin have been mainstays of the series of annual All & Everything Conferences, now in their fifteenth year. Fourth, he has drawn attention to the spiritual contribution of a modern-day Indian guru known as Sri Madhava Ashish. Fifth, he is the author of a number of books that are not only interesting but significant.

There is no way for me to survey all of these fields of accomplishment. Instead, I will describe Sy’s publications and focus on Sy Ginsberg’s relationship with “Ashishda” (as he is known). I will do so out of chronological order; I will also note that I met Sy at the A&E Conference held in Toronto in April 2009 and hence took the opportunity to observe him in action. I found him, unlike many students and practitioners of the Work, to be direct and dynamic. He knows his own mind and he understands precisely what he is doing.

These features are characteristic of his most important if overlooked publication, the one titled “Gurdjieff Unveiled.” There is a subtitle “An Overview and Introduction to the Teaching” as well as a sub-subtitle “For the beginning student, for the inquiring seeker, and for the simply curious.” The sub-subtitle covers a lot of ground, as does the text itself. It is a short work, not more than 150 pages in all, and the paperback copy that I purchased  was published in 2005 by Lighthouse Editions, and is still in print on demand format ISBN 1-90499801 0.

From time to time I am asked to recommend a book on the Work. When that happens I automatically nominate P.D. Ouspensky’s “The Psychology of Man’s Possible Evolution,” for it is short, straight-forward, and uncompromising. Along with its companion book “The Cosmology of Man’s Possible Evolution,” it certainly captures the essence of the Work in Europe in the interwar period. Knowledgeable people often recommend books that convey the “taste” of the spirit of the Work since the 1950s, memoirs written by participants like Henri Tracol.

From now on I will recommend Sy’s “Gurdjieff Unveiled” as not only an introductory work but also as a “continuing” work. I recommend it despite its title which I assume reflects the author’s interest in Theosophy, and while I may yearn to behold “Isis Unveiled” (the reference is to H.P. Blavatsky’s major book written prior to “The Secret Doctrine”), I have never lusted to see Mr. Gurdjieff “unveiled.” It certainly offers information on the ins and the outs of the Work in clear and contemporary prose. Indeed, it is something of a handbook.

The work is dedicated to Nicolas Tereshchenko, “A serious seeker, a true scholar, a friend.” In addition to tables and diagrams and four appendices, it offers the reader six chapters, quaintly called “Lessons.” For general interest, I will list the titles of the chapters so the experienced reader will see at a glance where the book begins and ends.

Lesson 1: Who am I?

Lesson 2: The Expansion of Consciousness

Lesson 3: The Transmutation of Energy

Lesson 4: The Conservation of Energy

Lesson 5: Meditation

Lesson 6: Gurdjieff Groups

In these chapters I found considerable information with insights that I had not encountered elsewhere, at least in this form. Fresh material also appears in the four appendices. The first appendix tries to answer the question “Who are you Mister Gurdjieff” and includes detailed information on how the Mahatma Letters, identified with the Theosophical Society, were edited at the Priory at Fontainebleau. The second appendix breaks new ground in relating “the study of dreams” to the Work and offers techniques for remembering dreams, approaches that do work.

The third appendix examines the Exercises in genuine detail and in doing so offers lists of words for human concerns and failings keyed to passages in “Tales.” This is a feature that I have not seen elsewhere in the Canon. As well there are Notes, Bibliography, and a detailed Index. The book is quite a handful, hence I call it a Gurdjieff handbook.

On another occasion I may draw attention to some of the insights that appear in the pages of “Gurdjieff Unveiled,” but on this occasion I want to note Sy’s other books. But even they deserve more time and space than I have at hand. Here goes. The author’s first book bears the daunting title “In Search of the Unitive Vision” and is subtitled “Letters of Sri Madhava Ashish to an American Businessman 1978-1997).” It is a compilation with a commentary and it appeared in a handsome, trade paperback published in 2001 by New Paradigm Books of Boca Raton, Florida.

The text of almost 300 pages consists of the above-mentioned letters but also descriptive passages, narrative accounts, diary entries, personal essays, and a series of questions and answers about spiritual matters. In fact, the book is indexed and I assume that pretty well every subject of interest to the student of consciousness studies is mentioned at some point in these pages.

Sy spent almost twenty years in contact with Madhava Ashish, making annual visits, beginning in the year 1978, to Ashishda’s ashram at Mirtola, near Almora, in the Himalayan foothills of Northern India. Indeed, it was Ashishda who directed the young “American businessman” to seek out the teachings of Gurdjieff. The book is a record of their friendship, not so much between equals as much as it was and remains between fellow-seekers, one of whom was in a position to inspire and direct the other.

To confuse matters a little, “In Search of the Unitive Vision” has been reprinted with another title and subtitle: “The Masters Speak: An American Businessman Encounters Ashish and Gurdjieff.” This is brand-new edition, well printed, published in 2010 by Quest Books: Theosophical Publishing House of Wheaton, Illinois. The differences between the two editions seem minor, mainly matters of presentation.

Whichever edition is used, the portrait that emerges of Ashishda is one that is “in the round.” Judging by the descriptions and photographs that are reproduced in these pages, Sri Madhava Ashish was Central Casting’s ideal guru: tall, dark-haired, handsome … and English. Ashishda was born Alexander Phipps (1920-1997) and educated in English public schools. On a trip to the subcontinent he met and became a disciple of Sri Krishna Prem (1898-1965), another Englishman, this one born Ronald Henry Nixon, a Theosophist in background.

Prem and Ashishda, both sannyasins of the Vaishanava tradition of Hinduism, became influential spiritual leaders, thinkers, and practitioners with much to offer to those Westerners who were drawn to their ashrams. They themselves had been influenced by Theosophy, as is apparent when one reads the essays in “What Is Man?”

“What Is Man?” is subtitled “Selected Writings of Sri Madhava Ashish.” This is another handsome publication, issued in 2010 by Penguin Books, New Delhi. It is also about 300 pages long and begins with a Foreword contributed by Dr. Karan Singh who goes unidentified (but whom Wikipedia informs me was “the last ruler of the princely state of Kashmir and Jammu” and served as India’s Ambassador to the United States in 1990-91). It is a perfunctory Foreword.

The Preface, anything but perfunctory, was written by Sy along with three other compilers: Satish Datt Pandey, Seán Mahoney, Pervin Mahoney. They quote a passage from one of Ashishda’s letters to Sy: “Give me all the teachings about man and the universe and I will accept them only if I can be shown one man who embodies and validates these teachings. One follows the teachings back to their source in the man whose truth affirms the truth of the teachings.” I am sure that most people instinctively feel the same way: validation of the tradition lies in its embodiment and expression in the human being. On this basis, Ashishda is one such embodiment and expression.

The texts are organized in four parts. Part I, called “Introduction,” consists of Ashishda’s appreciative memoir of his teacher, Sri Krishna Prem. Part II is titled “The Path” and it collects seven essays on such subjects as “The Value of Uncertainty” and “The Sadhu in Our Lives.” Part III has been titled “The Inner Inquiry” and contains of eight miscellaneous essays including one called “Big Dreams” and another intriguingly titled “Quacking Oranges and Cloned Einsteins.” Part IV, “The Doctrine,” brings together five essays that will be familiar to Theosophists, notably “‘The Secret Doctrine’ as a Contribution to World Thought” and “The Fifth Race.” Finally, there is an two-page appendix of some historical, textual interest devoted to Madame Blavatsky’s “The Stanzas of Dzyan.”

The well-written copy on the back cover of “What Is Man?” notes how unusual is the message in this book: “It has little to do with conventional religions, but can be called secular spirituality. It points out the folly of viewing the cosmos in material terms alone, encouraging us to open our minds and see that our lives are not restricted to the closed box of purely physical existence.” The copywriters mercifully avoided the words “New Age.”

There is a clarity to Ashishda’s prose is reasonable and at the same time reassuring. He composes the sort of prose that I can imagine Aldous Huxley enjoying or Gerald Heard writing. At times it verges on being a sermon; at times it reminds me of the inspired and inspiring “talks” of J. Krishnamurti. It is a prose addressed to man’s best nature and it resists quotation; there are no high moments, for there is a general level of elevation. It is timeless prose if by that description is meant that it is sounds somewhat old-fashioned.

The essay “Man, Son of Man” sounds this note: “Columbus would never have discovered the Americas had he not disbelieved in the flatness of the world, nor shall we discover this other New World if we do not challenge the equally ‘flat’ world view of our present-day science and set out on a voyage of discovery in a direction and dimension where science sees nothing to discover.”

In summary: Seekers and readers have reasons to be grateful to Seymour B. Ginsburg for his many-fold contributions, including writing a spot-on introduction to the teaching called “Gurdjieff Unveiled” and for introducing readers in the English-speaking world to the traditional yet timely message of Sri Madhava Ashish. Driving past a Toys “R” Us outlet brought all of this to mind!

John Robert Colombo, known as the Master Gatherer for his compilations of Canadiana, reviews books for this blog on “consciousness studies.” Scheduled to appear in the fall is “The Sumuru Omnibus,” his compilation of the five novels written about the villainess Sumuru the English mystery-story writer Sax Rohmer.






Neither the Work nor the expression of the Work in any given time and at any given place is sacrosanct or immune to the ravages and revelations of time. Its demystification involves, in a way, its remythologization, and this is proceeding apace in our time.

Part of the process is the shedding of light on its early history through historical research, and on its recent past through the publication of books of studies and memoirs. The historical classics are “The Harmonious Circle” written by James Webb and the two books by Paul Beekman Taylor titled “A New Life” and “Gurdjieff’s America.” Among modern-day classics is the amazing tome titled “‘It’s Up to Ourselves” written by Jessmin and Dushka Howarth. (I celebrated the publication of the latter volume, largely a scrapbook with a multitude of snapshots, on this blog – Sophia Wellbeloved’s blog – a month or so ago.)

None of these works (or others like them) has ever attain the scriptural status of “All and Everything” or even the canonical status of “Meetings with Remarkable Men” and “In Search of the Miraculous.” Yet the light they shed on the Work is a human glow which does not bathe it in a sense of wonder as much as it does imbue it with a sense of personal gratitude for assistance received and services rendered. Frank R. Sinclair has contributed two books to this class of publication: “Without Benefit of Clergy” and “Of the Life Aligned: Reflections on the Teaching of G.I. Gurdjieff and the Perennial Order.”

I have yet to see a copy of the second of these two books, but after reading the first one I will certainly read the second. The book at hand, the first one, is badly titled and poorly subtitled, but my criticism ends there – at the title page. The other 295 pages are fine by me, anecdotal in the extreme, as I will demonstrate later.

It is a trade paperback. It measures 8″ x 5.5.” and it has a full-colour cover and there are close to forty black-and-white photographs, mainly snapshots, almost all of them new to me and to most readers. The volume has been attractively designed and issued by Xlibris. There are two editions, the first in 2005, the second in 2009, which is the one that I purchased.

The title is “Without Benefit of Clergy.” The subtitle is “Some Personal Footnotes to the Gurdjieff Teaching.” Both title and subtitle give me pause. The title attracted my attention (as should all good titles) so I decided to determine why I feel it is inappropriate. I have always associated the phrase “without benefit of clergy” with immorality – living together in sin, without the sacramental blessing of the church – and I was partially right in doing so, as well as partially wrong.

In English jurisprudence, members of the clergy were not subjected to secular laws, whether criminal or civil, but were permitted to demand to be tried under canon law. This immunity was abolished centuries ago. In 1890, Rudyard Kipling employed the phrase “without benefit of clergy” for the title of a short story set in India about the Englishman named Holden and the Muslim woman named Ameer who “shack up” (1950s expression; the 1980s expression still current is “living together”) and how their unsanctioned union brought wrack and ruin to both conservative communities. The plot proved sufficiently potent and the phrase so popular that in 1921 it became the title of a the silent movie “Without Benefit of Clergy” that starred Boris Karloff, of all people. So my original reaction to the phrase – sexual congress outside the bonds of marriage – is probably that of most people unschooled in the intricacies of English jurisprudence.

I am not convinced that the title of this book of memoirs sheds any light at all on the subject of these memoirs. Is the author telling us that his memoirs are scandalous or shocking? If so, then he is wrong. And then there is the matter of the subtitle which also irks me: “Some Personal Footnotes to the Gurdjieff Teaching.” Is the world of footnotes divided between those that are “personal” and those that are “impersonal”? Not that I am aware. Who would enjoy reading a book of footnotes? (Well, the Argentine poet Jorge Luis Borges may. Stanislaw Lem, the Polish science-fiction writer, may. James Moore, the precisian, who is the author of “Gurdjieffian Confessions: A Self Remembered,” may, as well. But surely not the general reader with a taste for the world of the Work.)

I have done a lot of carping. It is time now for some celebration. Although I have yet to meet the author, I will take the liberty of referring to Frank R. Sinclair by his Christian name. The back-cover photograph of Frank shows him with a straw hat perched on the back of his head, rather like the humourist Stephen Leacock. It seems to give the reader leave to refer to him as Frank. If it does not do that, I have only to turn to the prose itself which is informal and off-the-cuff enough to confer permission. In fact, at one point – when Frank was asked to give the reading from the Bible at Lord Pentland’s funeral service (held in a Roman Catholic church, oddly) – he refers to himself as “a nonentity of the first order.” Now that is excessive!

In this memoir there are thirteen chapters, two pages of acknowledgements, prefaces to the first and the second editions, not to mention three appendices and one index. All of these sections are of some interest. But in the interest of brevity, I am going to short change the first half of the book and concentrate on the second half for it is largely devoted to pen portraits of personalities in the Work who have had an influence on Frank’s inner life and his outlook on life.

Readers who are interested in the early life of a journalist who was born in the shadow of Table Mountain in a suburb of Cape Town, South Africa, in 1929, and who found some twenty-eight years ago that his spiritual quest had taken him to Franklin Farms at Mendham in New Jersey, and Armonk in Westchester Country in New York State, and at the Gurdjieff Foundation on Manhattan Island, will find these early pages to be a treat.

In a sense he never did leave these sheltered communities, yet he emerged in the 1980s as the successor of Dr. William Welch as the President of the Gurdjieff Foundation of New York. He has headed the Gurdjieff Fountain since 2009 and lives at Grand View-on-Hudson, a town of some 300 people with a high median income north of New York City. Its most notable inhabitant after Frank is Nobel laureate Toni Morrison.

From the age of eight, Frank experienced “a blaze of light” while questioning the nature of God. Thereafter he had a few near encounters with death. He graduated from the University of Cape Town, majoring in philosophy, and spent eight years as a journalist with the Cape Times afternoon newspaper. He writes about his feelings of “anguish and heartaches and sufferings” at the time, but these came to an end, symbolically at least, when he encountered an essay by J.G. Bennett called “Living in Five Dimensions,” was assigned to review Colin Wilson’s “The Outsider,” studied “In Search of the Miraculous,” and identified with the verses of the deaf South African poet John Howland Beaumont, who had a mystical connection with nature: “I did but sleep – ah me, I dream, I dream!”

About 1956, Frank resolved to seek out the source of “the teaching” in a surprisingly direct way. He placed an advertisement in the personal columns of the rival Cape Argus afternoon paper to “make contact,” and to his surprise a reader of the paper mailed him a copy of “All and Everything” along with a note: “From one human being to another, that both may have more of themselves to give.” The benefactor’s identity remains unknown to this day.

He eventually met an English gentleman named B. Fairfax Hall who was an enthusiast for private printing. In England in 1930 he had founded and operated The Stourton Press, named after the family’s house in Westminster. Hall was a member of P.D. Ouspensky’s circle before he immigrated to South Africa. In 1947 he began to print books, including Ouspensky’s “A Record of Meetings,” in an edition of twenty copies in 1951, and “The Struggle of the Magicians,” in an edition of ten copies in 1957.

Frank already knew about editorial matters; from Hall he learned how to operate an Albion printing press, which served him well when he began his own private printing at Armonk, N.Y., using the imprint Antic Press. Hall, who had compiled “The Fourth Way” from Ouspensky’s lectures, arranged for Frank to reside for two months at Madame Ouspensky’s 300-acre estate at Franklin Farms. Frank left South Africa in 1958 and did not return for some twenty years.

Frank worked and studied at Franklin Farms and there met a young woman named Beatrice Rego, a teacher, and they married. No description of the bride is offered, but there is a long account of Frank’s out-of-body experience immediately prior to the wedding ceremony. There is also a long account of life at the residence, with a fleeting reference to Madame Ouspensky (who remained in her bedroom chamber so he never set eyes on her while she was still alive) and Madame Olga de Hartmann, who came and went and once referred to him as “a piece of furniture,” but there is a very detailed account of the first visit of Madame de Salzmann.

“Here, for the first time in my life, was someone who spoke to my deepest concerns, who undeniably had an inner presence (a thought that I had no way of articulating at that time) and at the same time actually ‘included’ me in that presence, who listened in some unfathomable way, and who actually ‘saw’ me before her and spoke to me as a real human being.”

In many ways the heart and core of the book is the account of the experiences that occurred to the impressionable young South African at Franklin Farms, experiences that are unhesitatingly described as “profound and miraculous.” One such experience, following an altercation with Madame Ouspensky’s unstable grandson Lonya Savitsky. It was accompanied by intense mortification:

“But lying there prone on the floor, I suffered terrible remorse and shame at having behaved as I had done, _and at the same time_ I was witness to the miraculous appearance in me of this brilliant, golden being. It glowed in a surrounding vivid blaze of light.” He calls it “the phenomenon of the golden embryo.” Pages are devoted to examining the experience, with its configuration of the Kesdjan body, from the vantage-points of different religious and cultural traditions.

This takes us to Chapter 6 which is a departure from the norm, for it consists of the account kept by Frank’s wife Beatrice of her impressions of the various appearances of the elderly Gurdjieff in New York. Her brief memoir is full of interesting details. Overall she found Mr. Gurdjieff to be a man of “tremendous energy; anything in this life seemed possible.”

Chapter 7 is a remarkable tribute to a veteran of the Work named Martin W. Benson who is a jack-of-all-trades and someone who seems to be “all essence.” Originally a puzzle to Frank, Benson became what might be called a “best friend” for his twelve years of apprenticeship at Mendham and Armonk.

Chapter 8 is in many ways the counterpart of Chapter 7, for it is a sustained tribute to Frank’s friendship with Thomas Vivian Forman, a Cambridge-trained specialist in agriculture as well as military intelligence. In many ways, too, Forman is the counterpart of Benson – a balance between personality and essence. Frank’s love of people glows in these portraits.

Chapter 9 is titled “Annals of the Antic Press” and it describes Frank’s work in the icehouse at Armonk where, among other books, a small band of editors, designers, compositors, and press operators printed “Pronunciation Guide for Words Invented by Gurdjieff” in 1984, the forerunner of the much expanded edition issued by the Traditional Studies Press in Toronto.

By now it should be apparent that Frank is an appreciator of people. To my mind the outstanding section of his memoirs is Chapter 10 which is titled “John Pentland: The Lordly Line of High Sinclair.” Lord Pentland, chief of the clan and a scion of the illustrious Sinclair line (which seems not to include our author Frank Sinclair), was Mr. Gurdjieff’s appointee to oversee the Work in the United States. In these pages the author describes a number of the close and almost accidental encounters that he had with Pentland between 1958 and the latter’s death in 1984.

The author has no problem with Pentland’s rapier-like wit, for he felt, intriguingly, that when Pentland glared at him and wielded it, Pentland “gave him ‘his work.’” It is an interesting passage and perhaps it hinges on the somewhat off-the-cuff statement that Pentland was “old enough to be his father.” It seems Lord Pentland was the grandson the Marquis of Aberdeen, the seventh Governor General of Canada, as well as part of the family of the Earl of Elgin, an even earlier Governor General. Perhaps it was from this aristocratic tradition that he learned the arts of diplomacy – certainly of use in Work circles!

I feel that this chapter about “this remarkable and unusual man” is the “still point” of the memoirs. The next two biographical chapters are anti-climaxes, though they do have interesting dimensions. Chapter 11 is devoted to “Bill Segal: The Radical Reorientation,” and it presents this multi-talented man as “a class act.” Segal was the epitome of the active man, and even after being nearly crushed to death an automobile accident, he emerged almost as active as ever. Sinclair writes, neatly, that Segal was “humbled both in his pride and in his prime.”

Chapter 12 is titled “Jeanne de Salzmann: A Compelling Call” and it seems to me to be an apologia for the second half of Madame de Salzmann’s life. “The Unknown does not yield itself through abundant description,” Frank writes, so the reader who does not have prior knowledge of her life and work will be at sea when it comes to understanding what Frank is writing about.

I take it that he has two themes: the first is the role of the institution vis-à-vis the individual; the second is the espousal of the role of grace rather than effort and of flow rather than effort – to express it directly – that is represented by her from the death of Mr. Gurdjieff at a probable age of eighty-three in 1949 and Madame’s death at the ripe old age of 101 in 1990. Madame can do no wrong.

“I dare say,” he writes gingerly, “that when her own notes are collated and published, there will be surprising indications of the precision with which she followed the movement of the attention and the work for Presence.” As it happens, extracts from Madame’s notebooks are about to be issued by Shambhala Publications under the title “The Reality of Being: The Fourth Way of Gurdjieff,” so we will have the opportunity to judge for ourselves.

Frank is obviously devoted to Madame and he accepts her direction for the work, its “single grand verity,” which he takes pains and pages to trace back to Mr. Gurdjieff’s talks in New York, the first one on Dec. 19, 1930, and the second one on Dec. 25, 1948. The exposition in these pages is more associative than it is disciplined, so there is little doubt that he feels that what she was doing she was doing consciously and with authorization. “Madame Jeanne de Salzmann brought neither a New Work nor an Old Work, but only Gurdjieff’s Work.”

I will pass over Chapter 13, “Some Random Inferences,” because the contents are indeed random (to describe them would be to try to herd cats) and they turn out to be elaborations of points made earlier in the memoirs. The one new element that I spotted is the effort that Frank is making to enlarge to conception of the Work to include the thoughts of some new-comers along with some overlooked old-comers (to name a few men and women in alphabetical order): Joseph Azize, Michel Conge, Martha Heyneman, James Moore, Jacob Needleman, Ravi Ravindra, Sophia Wellbeloved.

Also given some recognition is the contribution of the annual International Humanities Conference (better known as the All & Everything Conference) as well as Traditionalist thinkers like Titus Burkhardt and their semi-annual publication, the Vancouver-based “Sacred Web.” This is close to an ecumenical touch, and perhaps it is a daring one.

Throughout Frank retains his modesty and the projects the air of constant amazement associated with Alice in Wonderland. “I did not drink Armagnac with Gurdjieff,” he writes, amusingly. “I belong to the post-Gurdjieff era, not even remotely a Saul among the Apostles, but a fellow traveler, feeding from those who, like Madame de Salzmann, had been before.”

The second edition of the memoirs ends with three appendices as well as a nominal index. Two of the appendices consist of reviews of the first edition of the book. The first review is a once-over-lightly appreciation by David Appelbaum. It originally appeared in “Parabola,” as did the lively interview with Frank on the subject of “Who Is the Teacher?”

The third appendix consists, surprisingly, of a review amusingly titled “The Guide for the Perplexed” and posted on by its author, biographer James Moore. I found it to be one of the book’s highlights, in the sense that its tone and style are totally at odds with Frank’s. Yet it hits the right note when in an impish mood Moore describes Frank as “a regular-kinda-guy whose pride in his modesty attains oxymoronic heights.”

Had Frank been born under the shadow of the Blue Mountains near Sydney, Australia, rather than in the shadow of Table Rock, South Africa, I would be inclined to describe him as “a bloke.” Whatever the description, he is a sensitive fellow and “Without Benefit of Clergy” is certainly an entertaining and I believe honest account of one man’s rather unusual spiritual quest. He demystifies by remythologizing.

John Robert Colombo is a Toronto-based author and anthologist who is known across Canada for his popular reference books. He writes about Work-related publications for this blog. His latest publication is “Walt Whitman’s Canada,” a book-length, documentary-style account of the American poet’s tour of Central and Eastern Canada in the Summer of 1880. Colombo’s website is < www . colombo – plus . ca >

review of ‘IT’S UP TO OURSELVES’



John Robert Colombo briefly notes the characteristics of an enjoyable tome of a book by Jessmin and Dushka Howarth

It was in the middle of the 1950s that I first encountered the writings of P.D. Ouspensky and through his ideas I engaged with the theory and practice introduced by G.I. Gurdjieff. To this day I visualize the Work from the vantagepoint of an unreconstructed Ouspenskian as well as through the filter of the Fifties, the period of the Cold War with all of its polarities, with the battle between ideologies, and with the ever-presence of subversive ideas in both East and West.

I am inclined to visualize the scenes of Ouspensky in Moscow and Gurdjieff in Paris in the tone of sepia but framed in black and white. The Work is in soft-focus and far in the past. It is not yet called the Gurdjieff Work, or not yet called the Fourth Way. Instead, it is known as the Special Doctrine, which was the term Ouspensky used to permit himself to distinguish between this “school of thought” from his earlier philosophical, theosophical, and mathematical speculations. That continued to be a problem for him.

The special and private perspective that I have been describing may very well be shared by people who came to maturity with “fragments of an unknown teaching” in the late Forties and early Fifties. The perspective is that of a Wisdom tradition that is inimical to Western values generally, a tradition that appeared in the West in 1912 and over the next two decades came to the attention of a discerning public in literary and artistic circles through through Ouspensky’s lectures in London and Gurdjieff’s activities in Paris and at Fontainebleau-on-Avon.

So in my mind’s eye, I still see the appearance of these ideas as accomplishments in the past, not contributions to New Age thought of the Sixties. Students of the Work who are younger than I was then have the opportunity (especially after reading the book that I am about to discuss) to view the Work on a wide-screen in Technicolor with Dolby Sound. No sepia or black and white for them! What grew with effort out of the soil of pre-Revolutionary Russia was able to survive the Communist Revolution, the Great War, the Great Depression, and the Second World War. Now much that was merely words and counter-revolutionary history has been brought to life and given flesh and blood through the efforts of two extraordinarily able women, a mother and a daughter, inspired by G.I. Gurdjieff.

In due course I discovered books by Rom Landau, Kenneth Walker, J.B. Bennett, and others, and eventually the foundation, institute, and society were established with their many affiliated groups, not to mention offshoot organizations with no particular provenance. Thus the work was rounded out for me. For a short time I was a member of the Toronto Group, which was founded only a few years after the New York foundation. In Toronto, I met the Welches – Dr. William Welch and Mrs. Louise Welch – the movements instructor Alfred Etiévant, not to mention Paul and Sheila Bura and other students of the Work, whom French participants are inclined to call “adepts.”

All of this activity seemed at the time to be of marginal interest to society as a whole. Except possibly for a handful of Theosophists and Anthroposophists, nobody I knew had ever heard of movements, the enneagram, kesdjan bodies, the formatory centre, etc. Soon the Special Doctrine would sea-change into the Work and these would enter into common parlance. If there is a year with which to mark that metamorphosis, it is the year 1979, which saw the commercial release of Peter Brook’s remarkable film, Meetings with Remarkable Men.

It is not by chance that since then I keep encountering people who know “all about” Gurdjieff.” They proceed to share their “information and insights” with me. When this happens it is diverting but also dismaying, yet it remains instructive. Indeed, I recall the story told a few years ago by the theoretical physicist Freeman Dyson (I think it was) about the middle-aged man who boarded an airplane and took his seat beside that of a distinguished-looking older man. The two passengers began to chat.

During the course of the flight, the middle-aged man waxed eloquent about the intricacies of “string theory,” basing everything he knew on article that he had enthusiastically read about it in a popular science magazine. When he had finished with his disquisition, he asked the older man what he thought – and it turned out that he had been explaining “string theory” to Murray Gell-Mann, the Nobel laureate!

I am no Murray Gell-Mann – not even a Freeman Dyson – and I also assume my readers are neither – but I am also sure we have all had this experience at least once. Indeed, I have been having a similar experience while reading this massive new book that I am about to review. It is indeed massive. It measures 10″ high and 7″ wide and 1.25 inches thick! It has a four-colour coated cover and it is quite long at xxvi + 512 pages. It is not strictly new – though a book is “new” to anyone who has yet to read it – for the title page says it was published in 1998, twelve years ago! Could that be true? (If so, I am uncharacteristically late catching up with it!) The tome to which I am referring bears a title with subtitles that are awkward yet not inaccurate. Here it is:

“It’s Up to Ourselves”

A Mother, a Daughter, and Gurdjieff

A Shared Memoir and Family Photo Album

By Jessmin and Dushka Howarth

Gurdjieff Heritage Society

Copyright, Dushka Howarth, 1998

To me in the 1950s, the Work represented ideas and effort. To the men and women who lived through that period as adults from 1912 to the 1950s, who were in daily and often intimate contact with Ouspensky and Gurdjieff, it was work and effort too, but it was also a lively time that was rich in character and personality, in idiots and toasts, in events and experiences that were seen to be teaching situations. There was the sprightliness of the Twenties and the literary and technological innovations of the interwar years generally – with inventions like the Theramin – which seemed outwards signs of inward change.

Now down to the book itself. The table of contents tells the story of the emergence and evolution of the Work chronologically: The Early Years, Twenties, Thirties, Forties, Fifties, The Later Years. Also included are a Preface and Introduction and then Postscripts, Appendices, Bibliography, and Index. The index is something of a shock because it consists of a list of names without a single page number. Yet the names that appear here! Some 800 people are mentioned, celebrities like Walter Winchell and Ed Sullivan and Steve Allen and Mrs. Wallace Warfield Simpson … as well as the seven Bennetts, the six Gurdjieffs, the five de Salzmanns, the four Stjernvals, the three Andersons, the two de Hartmanns, and the single Denis Saurat.

What I have yet to mention is this book’s unique and indispensable feature: its photographs. As well as a collection of informative letters, it is an album of close to 900 photos, ranging from studio portraits and publicity shots to candid snapshots. The latter are exceptional and even emotional in appeal. By comparison, I once edited for a publisher the memoirs of a Canadian colonel who had served as the aide-de-camp to Queen Elizabeth and Prince Philip during their Royal Visits to Canada. On the side-tables in his living-room in his gracious residence in Oakville, Ontario, there were framed snapshots of members of the Royal Family. These candid shots were inscribed and they showed the royal personages in their leisured moments. It was something of a shock to see Liz and Phil lounging about on the lawns of Balmoral, toying with corgis, smiling at each other, relaxing with the colonel, etc.

The sense of surprise that I experienced in the general’s living room was recreated when page after page of this tome I saw candid photographs of the names of most if not all of the people who “made” the Work. There is hardly a double-page spread without its agreeable photograph or photographs. I realize now for too long I had been starved for images. And also for gossip.

No way am I am able to summarize the wealth of the contents of this publication, other than to briefly allude to its structure and straight away recall a few of its highlights, a personal selection at best. The tome may lack the high-seriousness of purpose characteristic of James Moore’s Gurdjieffian Confessions: A Self Remembered, published in 2005, and it may miss the earnest quality of life exhibited in Frank R. Sinclair’s Without Benefit of Clergy: Some Personal Footnotes to the Gurdjieff Teaching (2009), which I hope to review in the future, yet its informality and its air of indiscretion are its characteristic charms.

It is a work of great gaiety. It has the air of one of today’s blogs or of one of yesteryear’s family scrapbooks or private diaries: the family being that of Gurdjieff’s kith and kin and karass (to use Kurt Vonnegut’s ingenious term). It takes the form of the long, detailed, and delightful letters that were exchanged by Jessmin Howarth and her daughter Cynthia Ann (Dushka) Howarth (one of Gurdjieff’s children). A sense of how the Work impregnated the lives of these two correspondents and their array of friends is apparent on every page of this book, yet the import of all of these references will be lost on readers who lack knowledge of what it is all about, being J.K. Rowling’s muggles and squibs.

I mentioned earlier I would “review” this book. Since that is impossible, even given the measureless space available on a blog like this one, I will content myself by merely “noticing” some references in the book. I will comment here and there on passages that have struck me as particularly interesting over the month that I spent dipping into it, reading here and there. There is an old saying that goes like this: “You do not have to drink the ocean to learn that it is salty, as one drop is enough.” I will take a sip here and there. It will satisfy the curiosity of the reader who is needy and wants to sense the shape and feel of the Work, as it evolved, in terms of people and their relationships. The details will help historians of ideas for decades to come. Right now it is time for the reader with a taste for these ideas and feelings.

Allow me to begin by noting the “Canadian content.” There is a snapshot of James (Jim) George and of his daughter, dancer Dolphi Wertenbaker, and a photograph of Sheila Bura, who also taught the movements. There are references to Peter Colgrove, who nursed Madame de Hartmann through her last days, and Tom and Ruth Daly, guardians of the Gurdjieff / de Hartmann music. Honourary Canadians are the Welches who guided the groups in Toronto and Halifax.

I was pleased to see many references to movements instructor Alfred Etiévant, whom I found to be a stern taskmaster, but whom wiser and older people knew to be so sweet as to be described as a “pushover.” I learned he was urged to marry Dushka Howarth but he ended up married to Lise Tracol. I could go on. There are lovely photographs of the “work periods” in Halifax with Ravi Ravindra. There is even a photo of Walter Driscoll, the bibliographer.

I had long nourished a curiosity about life at Franklin Farms at Mendham, N.J. There are photographs of the attractive residence and of activities that took place there, as well as pen portraits of the personalities who worked there on weekends or who resided there for years. There are references to the site at Armonk and photographs of Lyne Place, Colet Gardens, Coombe Springs, and Sherborne House, all fabulous and semi-storied places in my eyes.

Jessmin Howarth, an orphan, was an student of Dalcroze’s Eurythmics at Hellerau where she met fellow student Jeanne de Salzmann who subsequently introduced her to the movements, which Christian philosopher Jacques Maritain is credited with calling “meditation in motion.” (The same description is independently used to characterize the discipline of Tai Chi.) Jessmin met Gurdjieff in Paris in 1922. Over the years she learned, like many another woman, to dissever the teacher from the man.

Throughout the book appear photographs of Madame Gurdjieff and Madame Ouspensky as well as snapshots of Ouspensky himself travelling through Ceylon. In fact, the women whose stories are told and whose photographs are reproduced play a great role in the story. Dushka herself has done a fine job explaining the background and significance of the references that appear in the correspondence.

In addition to the women already mentioned (in no order whatsoever, a little confusion being catchy) here are some names redolent of activities in the past and the present: Lily Galumian, Madame Ostrowska (Gurdjieff‘s mother), Olga de Hartmann, Jessie Dwight Orage, Katherine Mansfield, Olgivanna Hinzenberg Wright, Edith Taylor Swaska, Elizabeta Stjernvall, Louise Goepfert March, Ethel Merston, Tania Savitsky, Edith Taylor, Rita Romilly Benson, Petey Taylor, Solange Claustre, Lise Tracol, Marian Sutta, Peggy Flinsch, Henriette Lannes, Rina Hands, Elizabeth Bennett, Dorothea Dooling, Pauline de Dampierre, Marthe de Gaigneron, Tania Nagro, Luba Gurdjieff, Rosemary Nott, P.L. Travers, Patty Welch de Llosa, Svetlana Wright Peters, Dorothy Caruso, and Lady Lucy Pentland, not to mention Kathryn Hulme and Margaret Anderson and the talented women who were members of The Rope. I hope I have not overlooked too many talented and energetic women!

I will forego any attempt to summarize what Jessmin and Dushka took from the work or from Gurdjieff personally and privately. It resists summary. The enthusiasm for the Work that is displayed by them for the man and the techne and praxis speaks for itself. Jessmin’s letters to Dushka and Dushka’s replies are the threads that stitch this crazy-quilt of a book together. It is apparent that the daughter inherited her verve and personal style from her mother. (I will leave up in the air what she inherited from her father.)

Both women are lively correspondents, uninhibited letter-writers, whose words are a joy to read. Not a few of these pages are devoted to accounts of Dushka’s own and varied activities. A glamorous professional guitar-player, she was also a spunky and adventurous licensed press agent, translator, and guide working in Paris. For all of this froth and frivolity, I am grateful to her for capturing the excitement of the people who were involved in the work, changing my impression of it from something solemn and remote and sepia to a dynamic way of living, what Paul Beekman Taylor has recently described as “a new life.”

It’s Up to Ourselves is published by the Gurdjieff Heritage Society, which has its own website. The selling price of the book is in given as US$75.00. It is worth every penny of that amount. (With a workable index, it would be worth at least twice that sum.)

John Robert Colombo is known across Canada as the Master Gatherer for his compilations of the lore and literature of the country. He is the author, most recently, of End of Greatness, a collection of poems, and Indifferences, a collection of aphorisms. Yevgeny Yevtushenko told him, “You must be the most sophisticated of poets.” Andrei Voznesensky wrote, “The searchings of John Robert Colombo are significant and profound.” Check his website with its podcasts: www.

J R COLOMBO REVIEWS the anthropology of magic

The John Robert Colombo Page


An eye-opener of a book written by Susan Greenwood is reviewed by John Robert Colombo

There is an amusing story that is told about the Danish physicist Niels Bohr who was showing a colleague the barn behind his chalet which he had converted into a study where he undertook his calculations. The colleague pointed out that above the barn door someone had nailed an inverted horseshoe, a symbol of good luck. He asked Bohr if he believed the horseshoe would bring him good luck. “No,” Bohr replied, “but I understand it works whether I believe in it or not.”

I was reminded of this tale when I began to read “The Anthropology of Magic” written by Susan Greenwood. It came to mind because the moral of her book – I am not offering a “spoiler warning” here so much as I am “cutting to the chase” – seems to be that “thinking makes it so” or “if you believe you can do something or if you believe you cannot do something, you are right.”

The two statements seem to be platitudes – indeed, the first is a cliché, and the second is a paradox – yet these truisms are … well … true. There is a kind of knowledge that results from “magical thinking” as there is a kind of knowledge that results from “scientific thinking.” This in a nutshell I assume to be the argument of Dr. Greenwood’s study. As for the nutshell mentioned in the previous sentence, it was Prince Hamlet (who has been called the first modern man) who boasted, “I could be bounded in a nutshell, and call myself king of infinite space …. ”

It occurred to the biologist Stephen Jay Gould while he was in Vatican City that there are two forms of authority (if not knowledge) and that these two forms are derived from “the magisterium of science” and “the magisterium of religion” and that the two magisteria do not overlap. At the time of this formulation Gould was in Rome, accompanied by Carl Sagan, the sceptical astronomer, who had a deep “sense of wonder.” They were there to participate in a scientific conference. Sagan derided Gould for his suggestion (or concession) there is any knowledge in religion, knowledge at any rate that resembles the “real” knowledge that results from the work of scientists, that produces measurable results, and that can be falsified. Gould was miffed and wrote an essay about the disagreement.

Aleister Crowley practised ritual magic the way Dorothy Clutterbuck practised the ceremonial magic of wicca. The Great Beast used to call what he did “magick,” and I seem to recall that he defined this practice as “causing change to occur in conformity with Will.” Crowley conformed to the image of the Black Magician. The White Witch may be seen in the person of Clutterbuck, who inspired Gerald Gardner, who gave much of the characteristic form and feel to the contemporary practice of Wicca, which is at home with the subtle forces of the natural and supernatural worlds. Both Crowley and Clutterbuck worked in “imaginal” realms.

These ideas and notions were rattling around in my brain (or mind) when I began to read “The Anthropology of Magic,” which is a serious contribution to both anthropology and magic written Dr. Susan Greenwood, who is Visiting Senior Research Fellow of the University of Sussex, Brighton, England. She is scheduled to deliver the keynote address at a seminar to be held at Girton College, Cambridge, England. It takes place on May 13, 2010, and the title of the session is “Legitimate Forms of Knowledge?” (I imagine that the question mark is important in her address.) So Dr. Greenwood is a scholar. She is also a practitioner of magic.

First, a note of “disambiguation.” Susan Greenwood is not to be confused with her near-namesake, Susan Greenfield. The former is an anthropologist; the latter is Baroness Greenfield, an Oxford scholar and a biomedical writer of considerable ability and media-savvy and the author of numerous works, including The Human Mind Explained, and other popular and not-so-popular texts. The two Susans are very able people, but the Baroness does not profess to be a magician.

The Anthropology of Magic, written by the scholar who professes to read tarot cards and to practice the healing arts, is a big book in that it is an oversize trade paperback that measures 6 inches by 9.5 inches. It is only viii + 164 pages long but the type is quite small so there are many sentences. It was issued in soft and hard-cover editions in 2009 by Berg Publishers, an academic house based in Oxford that publishes books and journals in a great variety of fields with a specialty in modern design. Its website lists and describes its serious publications, including the present one.

I imagine Dr. Greenwood to be a fine lecturer because she is a fine writer. I am tempted to say that for an anthropologist she writes with great clarity. Her sentences are crystal clear and the diagrams that she has added to the text to display contrasts between scientific and non-scientific modes of thought are ideal for PowerPoint presentations. She is one anthropologist who is interested in communicating with a public that is academic though not limited to fellow anthropologists or magicians. In this regard she reminds me of Susan Blackmore, who in her shift from espousing parapsychology to embracing scepticism has never ceased to be a psychologist and a scientist.

Like Dr. Blackmore, Dr. Greenwood is an enthusiast and a participant who is willing to advance atypical views. But the two academics are unalike in that Dr. Blackmore works as an experimental psychologist and follows the trail of the evidence (or lack of it), whereas Dr. Greenwood is a theorist and not a scientist who is concerned with finding a place in intellectual discourse for what is regarded as the irrational. Dr. Greenwood is arguing a case, and she argues well, but after a while the reader – this reader anyway – begins to feel that he is being led to face a series of foregone conclusions.

In the next paragraphs, I will summarize the contents of Dr. Greenwood’s book and thereafter offer an evaluation of her approach. Now I will begin with the Table of Contents which neatly outlines the subject – which I take to be how an anthropologist argues that we could look at magic as a source of knowledge, and if knowledge is a form of power, then as a source of power too.

There are four sections. The first section is titled “Explaining Magic” and it describes what used to be called the “participation mystique” (it sounds better in French) and the structure and operation of magical thinking (through connections and associations). The second section is called “The Experience of Magic” and it presents what the author considers “magical consciousness” and “a mythological language of magic.” The third section is labelled “Practical Magic” and it deals with “webs of beliefs,” basically how being human we can never escape this way of experiencing the world. The fourth section is termed “Working with Magic” and deals with what might be called consilience but which the author describes in the phrase “Not Only, but Also.”

So much for the arrangement of the contents of the book. I will now try to abridge the author’s Introduction, introducing some of my own impressions along the way, but downplaying to some extent the author’s great strength: her knowledge of and respect for the theories and insights of the great anthropologists of the past and the present. She argues that the discipline has always had to deal with the subject of magic and that the approaches that anthropologists have taken in the past have told their readers more about themselves and their societies than about the theory and practice of magic itself. As well, it seems, the conception of the nature magic has changed with the times.

There are two main problems: the “ultimate irrationality of magic” and its “inferiority … when compared to science.” Nevertheless magic lies “at the heart of anthropology” because of “the issues it raises in relation to human experience.” If it lies at the “heart” of anthropology, it lies at the “heart” of men and women too. We seem to be creatures who are able to respond to the world both magically and scientifically.

The author writes, “The time has come to propose another understanding of magic, and it is the aim of this book to examine magic as an aspect of human consciousness.” She is prepared to show how it affects “everyday conceptions of reality” and how it can be “an analytical category as well as a valuable source of knowledge.” Perhaps I am taking this further than the author does when I suggest that to her magic offers a way of knowing about ourselves in the world through the imagination, a way of knowledge that augments the way we generally know the world of matter through measurement.

“When I first started my doctoral research in the 1990s, I made the decision to study magic from the inside, as a practitioner of magic as well as an anthropologist. I wanted to discover what could be learnt through direct experience.” She explored the ramifications of this approach in her two previous books, both published by Berg: “Magic, Witchcraft and the Otherworld” (2000) and “The Nature of Magic” (2005).

A dozen pages of Introduction follow in which she discusses cultural assumptions and contrasts the experiences of magical practice in our own culture with those in other cultures. She notes the effects of “a detraditionalisation of mainstream religions”and limns the changing face of magic in Western occultism. In the process, I acquired two new words that have recognizable meanings: “Celticity” and “Druidry.” She amusingly compares traditional “African witch-doctors with Western political spin-doctors” (like those employed by prime ministers and presidents and other political leaders to create new “narrative”). She concludes, “Magic is alive and well as an analytical category in a whole range of new ethnographies.”

She writes, “The approach taken here focuses on _magical consciousness_, a term that I use to describe a mythopoetic, expanded aspect of awareness that can potentially be experienced by everyone …. ” Despite the importance of this mode of knowledge, magic has been marginalized in what she calls our “Western rationalist culture.” The writings of Tylor, Kroeber, Freud, Durkheim, and others are mentioned to demonstrate how magic has been dismissed as deluded, dangerous, deceitful, or dumb.

Yet shamanism is not so easily dismissed because it does produce a change in consciousness in the sense of a transformation of sensations, impressions, emotions, and conceptions. These in turn affect values. The transformation of consciousness immediately brought to my mind the following lines from the poem “Vacillation” in which Yeats describes the illumination of a fifty-year-old man:

While on the shop and street I gazed
My body of a sudden blazed;
And twenty minutes more or less
It seemed, so great my happiness,
That I was blessed and could bless.

Many people feel (at times anyway) blessed, but anyone who is able to bless is a magician. It would seem the poets are there with the magicians.

A consideration of the truths or insights that come to us through the medium of poetry is offered through a brief but relevant discussion of Donne’s poem “A Valediction: Forbidding Mourning.” Yet only one page is devoted to the nature of consciousness itself, despite the advances recorded in the 1990s by neurologists and philosophers into the mind / brain division in the field of “consciousness studies.” I guess these are not subjects regularly discussed by anthropologists, nor should we expect them in a book about the “anthropology” of magic.

Some subjects do not yield their secrets to logic and this is one of them, so with relief she switches into a visionary mode. She begins one paragraph, “I remembered a dream I had had previously in which I was climbing down a deep tunnel in the middle of the earth …. ” The dream continues and it involves a loss of skin, a round space, swimming in water, narrow tunnels, bones being picked by a large crow, etc. This is a fertile field for a Freud or a Jung!

I have maintained a daily dream diary for the last five years, so I can attest that one’s dreams are significant to the dreamer but seldom meaningful to anyone else. These motifs in the dream world may or may not be relevant to the waking world. She concludes, “This experience had a profound effect on me,” and I do not doubt her, but was it an “imaginal experience” as she suggests? Not in Corbin’s meaning of that word. A dream is an experience, but it is the experience of an illusion, and no special effects necessarily issue from it. Are any such illusory experiences meaningful and significant? I doubt it but the subject may be debated and Dr. Greenwood does debate it well.

Psychology is not much to the fore. I read Tanya Luhrmann’s Persuasions of the Witch’s Craft when it appeared in 1989, but in the intervening years, I have found little reason to recall its argument. Luhrmann found magic or Wicca to be rich in psychological insight, period. Dr. Greenfield finds it to be rich in many other fields as well.

The author is concerned to square insights from the practice of magic with the understanding offered by her discipline. “The difficulty is that anthropology is a discipline with theoretical and methodological understandings located firmly in the material world, despite attempts to value all human orientations as valid.” Yes, but is there communicable knowledge beyond the confines of the material world? She would answer Yes. I am inclined to agree with her, but I prefer to hedge my bet, like the majority of scholars and scientists, and take refuge in the Scots verdict “not proven.”

The great anthropologist Frazer is given his due, limitations and all, for he was the Darwin in his field. One upon a time, à la Frazer, there was magic which gave way to religion which gave way to science. Given the paradigm shift proposed in these pages, it seems science may now yield to religion and religion to magic. Perhaps “paradigm shift” is the wrong phrase to use here, for there are no references in the text to Kuhn and his theory of just such a shift.

Dr. Greenwood much prefers what has been called the “interpretive drift.” This is part of the mythopoeic faculty which has always been inherent in the nature of man and woman and been granted at least some recognition in every human society (except, according to convention, that of ancient Sparta). Denis Saurat saw it explained as “philosophical poetry.”

The author discusses the views of the “mystical mentality” adopted by the philosopher Lévy-Bruhl and the psychologist Evans-Pritchard. She even writes an imaginary dialogue for them to debate their points of view. She feels their views hold promise today for they agree that “mystical mentality was universal to all human beings.” The savage of the past was no less rational than is the scientist of today. The anthropologist or psychologist is on safe ground in making this observation for the statement challenges neither of these disciplines. I recall reading somewhere that a researcher once said, “Superstition is superstition. But the study of superstition is science.”

The profession of magic is very much part of the author’s life, as is the profession of anthropology. “This book tells a story about my journey to discover the anthropology of magic; it feels like a patchwork quilt or a jigsaw of pieces of information that I have picked up over the years, both in trying to make sense of my fieldwork experience and also in teaching ideas about magic in anthropology of religion courses at Goldsmith’s College, University of London, and shamanic and altered states of consciousness courses at the University of Sussex.”

So much for the Introduction. If I continued to try to paraphrase and comment in such detail on the balance of the book, I would produce a tedious review too long to be read in a single sitting, and I would do the author’s thesis less than justice. Instead, I propose to do something unusual and allow the author to make her major points in her own words. I will do so by quoting the four paragraphs that the author has written to outline her argument section by section. These are well handled.

Summary of Section One:

“This section sets out to explain theories that help an understanding of magic: not the explanations that somehow reduce magic to its effects on human behaviour or society, but the essence of magic as an intuitive process of mind. Magic is a holistic orientation to the world that is essentially relational and expansive; it is not irrational or confined to the thought of so-called primitives, nor is magic the preserve of non-Western, exotic societies. Rather, it is an aspect of human consciousness, and therefore it is especially appropriate to study magic in modern, Western societies, where it often manifests as an undercurrent.”

Summary of Section Two:

“Using my own experience, in this section, I focus on breaking down the barrier between researcher and researched to show how magical consciousness flows through emotion and the mythological imagination.” (Added to this summary are two quotations. The first one has Dr. Greenwood quoting herself about the “uncomfortable process” of “self-examination and exploration.” The second one is an observation of Jo Crow, a British shaman, who alludes to the “multidimensional” nature of this experience.)

Summary of Section Three:

“Magic is often said to be about the purported art of influencing the course of events through occult means; it is a practice that is said can bring about certain effects such as causing harm or healing. It can be conscious or unconscious as well as rational and mystical, but above all, magic involves an immaterial psychic dimension to everyday reality; this is widely described as spirit. In this section, we will explore everyday magic, from the classical ethnographic work of Evans-Pritchard on Azande witchcraft, magic and oracles (Chapter 6) to divination and healing in various cultural settings (Chapter 7).” (Also included are three quotations from Evans-Pritchard, Tedlock, and Parrish which add little to the above description.)

Summary of Section Four:

“Anthropologists working in the field encounter specific challenges when confronted with the gap between informants’ accounts of spirit beings and their own position as researchers within the essentially rationalistic academic anthropological discipline. Magic poses problems for many anthropologists; this is due to the fact that its spiritual nature conflicts with Western notions of rationality, as we will see in Chapter 8. A more inclusive scientific framework is needed that overcomes the theoretical tendency to devalue magical experience and to recognize magical knowledge as a valuable aspect of human consciousness. Chapter 9 builds on ideas developed by Gregory Bateson and Geoffrey Samuel to just this end.” (Also included are short quotations from Turner, Lévy-Bruhl, and Bateson.)

I should add that the book includes extensive source notes and an index. There is no general bibliography but there are short bibliographies for “further reading.” There is no section called Conclusion, but I soon came to the conclusion that none is required for what the author would have to say in any final section is a foregone conclusion.

Dr. Greenwood is appreciative of the anthropologists of the past who devoted their lives to fieldwork. I imagine she regards her own experiences and the effects they have caused in magical circles as a form of fieldwork. She sees the great anthropologists’ insights into shamans and magical journeys as transferrable to today’s witches and their imaginative encounters. In this undertaking, she wins on points because she is what the French describe as “parti pris.” She knows where she stands and that is where she is heading. The reader is not taken on a journey so much as allowed to explore the intellectual ground already claimed. So her study does not add to human knowledge but it does examine some of our preconceptions of the nature of that knowledge.

There is a short but interesting section devoted to the relationship between mythos and logos. I wish it were longer and that it took into account the conception of that connection in the analysis of Northrop Frye who found the relationship to be one of “interpenetration.” But to do so would have required Dr. Greenwood to enter into the woods of the archetypal world of Nemi that is more frequented by literary critics and analytical psychologists than by anthropologists and ethnologists. As well, the author spends some time with phenomenology, she never really exorcizes its demon of subjectivity, even misspelling that word on page 141.

Yet I find “The Anthropology of Magic” to be an eye-opener of a book, not so much because of what or how it argues, but more because of the position for which it argues: the postmodern notion which is rapidly gaining ground that it is not necessary to believe in anything.

Near the end of the book she writes, “Whilst participating in a magical aspect of consciousness, the question of belief is irrelevant: belief is not a necessary condition to communicate with an inspirited world.” What works, works. William James’s contribution to the notion of multiple consciousnesses – not just to multiple layers of consciousness – is acknowledged, and as a pragmatist he would have agreed. So would Niels Bohr with his horseshoe.

John Robert Colombo, an author and commentator who lives in Toronto, is an anthologist, not an anthropologist (although he did pass two “anthrop” courses at the University of Toronto in the late 1950s). His latest publication (co-edited with Dr. Cyril Greenland) is an expanded edition of “Walt Whitman’s Canada.” He is currently writing an introduction to an omnibus edition of the five Sumuru novels written by Sax Rohmer (the mystery story writer who created Dr. Fu Manchu). Colombo’s personal website is

JACOB NEEDLEMAN: two new books reviewed John Robert Colombo

The John Robert Colombo Page


Jacob Needleman

Two New Books by Jacob Needleman

I have long admired the books written by Jacob Needleman who is Professor of Philosophy at San Francisco State College in California. During his productive career, the scholar and writer, now in his seventies, has devoted books to a variety of subjects of relevance, including the nature of democracy in America, the object of philosophy, the role of the physician in society, the characteristics of money, the features of goodness, new religions, ancient and modern technologies, etc. He has been the director of the Center for the Study of New Religions at The Graduate Theological Union in Berkeley, California, and he has served as general editor of the Penguin Metaphysical Library and the same for Element Books.

He has been a busy man, and the above activities do not take into account his work in the domain of the Work itself. Among his most useful publication is “Gurdjieff: Essays and Reflections on the Man and His Teaching” (Continuum, 1996) which he compiled with George Baker. He has now produced two more books in this field — or might I say one full book and one booklet? The book is “The Inner Journey: Views from the Gurdjieff Work” (2008) and the booklet is “Introduction to the Gurdjieff Work” (2009). Both are published by Morning Light Press of Sandpoint, Idaho, which has a fine catalogue of books about modern-day spirituality. That catalogue is accessible through Google.

Let me describe the little book titled “Introduction to the Gurdjieff Work.” It measures four inches wide by five inches here and it is only 62 pages long. So it is a gift book, the kind of miniature publication like those displayed beside cash registers in book stores. It consists of Needleman’s necessarily brief essay on the Work along with a useful, annotated bibliography that lists books, music, and a feature-length film. (Yes, the film is Peter Brooks’s “Meetings with Remarkable Men.”) There is nothing remarkable about Needleman’s essay, though it is written with clarity and concision and it focuses on the pivotal role of conscience in the life of modern man. It downplays what has been called the “psychology” and the “esoteric” sides of the Work. It is a conscientious introduction to the Work.

The appearance of the essay in this form is an instance of how Needleman recycles his material because the essay is based on two earlier essays of his, one of which he included in “Modern Esoteric Spirituality ” (1922) which he compiled with Antoine Faivre, the other of which he wrote as an entry for “Dictionary of Gnosis and Western Esotericism” (2005) edited by Wouter J. Hanegraaff. More to the point, the essay is reprinted verbatim as the Introduction to the principal book to be examined here: “The Inner Journey: Views from the Gurdjieff Work.”

As I mentioned, Morning Light Press publishes fine books, and the present volume is no exception. It is especially sturdy. It measures 6″ x 9″ and in length consists of xxxii + 356 numbered pages. The design and layout are a delight for the pages are easy to read and it is a handsome package to hold. It includes a surprise. It begins with the above-mentioned essay and it ends with the above-mentioned bibliography — along with a DVD of a film. (Yes, it is Brooks’s “Meetings with Remarkable Men.”)

“The Inner Journey” is one of eight books in Morning Light Press’s “Parabola Anthology Series” under the general editorship of Ravi Ravindra. Many readers of this review will be familiar with “Parabola,” the quarterly publication that is now celebrating its twenty-fifth anniversary. Founded by the late D.M. Dooling in New York City in1976, it is published by The Society for the Study of Myth and Tradition. It is the locus (it says) “Where Spiritual Traditions Meet.”

The series has volumes devoted to the “traditions” of Buddhism, Christianity, Hinduism, Islam, Judaism, as well as “Views from the Gurdjieff Work,” “Views from Native Traditions,” and a post-pourri titled “Myth, Psyche & Spirit.” It seems the general editor, Dr. Ravindra, a retired professor of both Physics and Religion from Dalhousie University, Halifax, N.S., has been busy overseeing this mining operation of the last twenty-five years of quarterly issues for relevant texts. It is quite a job.

For a year I held a subscription to “Parabola,” and while I admired and still admire the spirit and style of each issue of the well-illustrated periodical, I felt and feel the “mosaic” approach to be rather static and essentially bland. It consists of reprinting “snippets” from the standard books in the fields, though some original essays essays are commissioned and informative interviews are conducted. Pictorially issues are well illustrated, but outright contradictions are denied and rough edges are smoothed over.

The “transcendent unity” of religions is one thing, but one often learns more about spirituality by probing the elements of man and society that are not “transcendent” and are unrelated to “unity.” So I find “Parabola” to be very much a quality general publication, rather New Agey, not really more than that. Nobody ever said to me, excitedly, “Did you read such-and-such an article in the latest issue of ‘Parabola’?”

It fell to Jacob Needleman to compile “The Inner Journey: Views from the Gurdjieff Work” and given the chunks of prose he has had to work with, he has done a decent job of erecting a reasonable structure. In all there are sixty passages, and all of them are reprinted from well-known texts known to serious students of the Work. They were written by twenty-three contributors, including the editor. Here is a rough breakdown of the contributors.

The first tier of contributors consists of G.I. Gurdjieff, P.D. Ouspensky, A.R. Orage, Maurice Nicoll, and Jeanne de Salzmann. The second tier includes Peter Brook, Rene Daumal, John Pentland, Henri Tracol, and Michel de Salzmann. On the third tier we have Pauline Dampierre, Margaret Flinsch, Chris Fremantle, Jacob Needleman, and Ravi Rabindra. That leaves the fourth tier: Henry Barnes, Martha Heyneman, Mitch Horowitz, Roger Lipsey, Paul Reynard, Laurence Rosenthal, William Segal, P.L. Travers, and Michel Waldberg.

Here are the names of some people who go unaccounted for (almost at random): J.B. Bennett, Henriette Lannes, Patty de Llosa, James Moore, C.S. Nott, Fritz Peters, Paul Beekman Taylor, Jean Vaysse, James Webb. I guess their writings did not appear in the pages of “Parabola.”

The sixty passages of prose (and some of Daumal’s prosey poetry) are arranged in six sections. These are called chapters and given headings. For the record here they are: Chapter 1: Man’s Possibilities Are Very Great. Chapter 2: Remember Yourself Always and Everywhere. Chapter 3: To be Man Who Is Searching with all his Being. Chapter 4: That Day … the Truth Will Be Born. Chapter 5: Only he Will Be Called and Will Become the Son of God Who Aquires in Himself Conscience. Chapter 6: The Source of That Which Does Not Change.

Try as I might I could not find much of a relationship between the chapter headings and the contents of the chapters, but try as I might I could not come up with a better plan of organization. (I find it odd that the book ends with Ouspensky’s outline of “the food factory.”) We have here a “mosaic” (not a “collage”) and individual voices predominate. It is no surprise that the two leading contributors (with eight pieces apiece) are Gurdjieff and Ouspensky with familiar passages from their familiar books, though if the books have yet to be read the passages are unfamiliar to the novice rather than to the veteran reader.

The editor did the best he could with the material at hand, yet the overall effect is that of reading “Reader’s Digest” (which used to plant wordy articles in popular publications so its editors could “digest” them) or present-day issues of “Harper’s” whose editors selected excerpts from current books and periodicals. So the present book is a box of all-sorts.There is material here aplenty for sermons and talks. If the Gospels are “good news,” these are “good thoughts.”

Everyone will have his favourite familiar passages, but for my taste the most rewarding contribution to the anthology — the one most worthwhile to reread — is “Footnote to the Gurdjieff Literature” written by Michel de Salzmann. With great taste (and some distaste), he surveys the writings of students, scholars, and imaginative writers, and he finds most of them wanting. He takes as a given the principle and practice that the Work cannot be conveyed or even described in words, but that it must be experienced to be realized in one’s everyday life.

While Dr. de Salzmann’s words continue to ring true, if words may be described as rungs on the ladder of life, the pages of “The Inner Journey” offer the reader sixty rungs that go up that ladder. They offer “views” of the variety (though little of the contrariety) “from the Gurdjieff Work.” Yet they should assist the reader in attaining “views of the real world.”


John Robert Colombo is the author, compiler, and translator of more than two hundred books, largely concerned with Canadiana. His most recent publication is a collection of 2,000 aphorisms called “Indifferences.” His essays on Canadiana and the Work appear in “Whistle While You Work.” He is an irregular contributor of reviews and articles to this news/blog.
His website is


John Robert Colombo reviews a new biography of Gurdjieff by Paul Beekman Taylor

The John Robert Colombo Page


A New Life

John Robert Colombo reviews a new biography of Gurdjieff written by Paul Beekman Taylor

Here are the particulars: This book is called “G.I. Gurdjieff: A New Life” and the title is a pun. What we have here is a brand-new biography of Mr. G., a man who, by word and by deed, offered his disciples and his followers “a new life” or at least a new way of living. Neat title!

The author is Paul Beekman Taylor who as a youngster “knew Gurdjieff.” Born in London in 1930, he recalls the early years that he and his mother spent at the Priory at Fontainebleau-Avon. Thereafter he became a scholar of Old Norse and Old English; he is now a Professor Emeritus of the University of Geneva. Books that he has researched and written include the very useful and detailed volume titled “Gurdjieff’s America” (2004). I think more highly of that scholarly book, which seems to have been reissued with new written material (but without the photographs in the original Lighthouse Editions publication) as “Gurdjieff’s Invention of America” (2007), than I do of the less focused volume issued the same year called “The Philosophy of G.I. Gurdjieff.” My reviews of these two books are archived on this blog.

Eureka Edition, the publisher, gave this book a respectable and solid format, with a sturdy if somber, maroon-coloured card cover. The volume measures 6.5″ x 9″, the pagination is viii+247+iii, and there is or was a print-run of 250 copies dated August 2008. (ISBN / EAN: 978-90-72395-57-3) Included are a chronology, a bibliography, and an index, plus 18 black-and-white photographs, mainly unfamiliar ones – 19 if we count the full-page one which shows Mr. G. with his arms around Martin Benson and Rita Romilly, a photograph that is familiar and has been unaccountably reproduced twice in these pages.

Eureka Editions is the name of a specialty publishing house located in Utrecht, The Netherlands, It has in print close to fifty new or reprint titles devoted to the Fourth Way. Their authors include Bob Hunter, Maurice Nicoll, Beryl Pogson, and Solange Claustres. Check the company’s website for further particulars.

The knowledge of the life of Gurdjieff that most of us have is derived from P.D. Ouspensky’s “In Search of the Miraculous” (itself a marvellous work!), augmented by the contributions of the “two Jameses” – James Webb in “The Harmonious Circle” and James Moore in “Gurdjieff: The Anatomy of a Myth.” Although the latter book appeared in 1991, it has yet to be superseded, even by the present publication which benefits from the inclusion of fresh information from the archives of the former Soviet Union unavailable to Moore two decades earlier.

Taylor’s book offers the knowledgeable reader a harvest of new details. The reader who is unfamiliar with the literature of the Work will not find it appealing. But the more knowledgeable reader will find it quite engrossing, for it takes all the previous literature as its province and adds new information and evaluation. It is indispensable for students concerned with the evolution of the Work and the life of its founder.

There is something else. In the words of the blurb on the book’s back cover, “This biography stands apart from other biographical writings about Gurdjieff by emphasizing his relations with the many children for whom he played a fatherly role in the Caucasus, Fontainebleau, and New York City.” As in previous books, Taylor identifies with Gurdjieff’s immediate family. Indeed, the book is dedicated to three women, two of them Gurdjieff’s daughters. One of these is the author’s half-sister Eve, nicknamed Petey, who was born in 1928.

This book is very much the biography of a man along with the history of a movement. It will appeal to “completists” who have to know everything about these intertwined subjects. At the same time, the spirit of the book is revisionist in nature, in the sense that it tries to test every statement against the record. I am reminded of the adage that goes like this: “Superstition is superstition. But the study of superstition is a science.”

Rather than simply summarize the contents of the book – familiar ground all of it – this review will focus on what Taylor’s book has to offer the specialist reader – new ground or at least nearly interesting ground. In a sense I have had to hop, skip, and jump around, cherishing this morsel, ignoring that one. The text is dense with detail but written with great clarity of expression.

Taylor is generous in the Acknowledgements section, expressing his “incalculable debt” to Michael Benham of Melbourne, Australia, and Gert-Jan Blom of Amsterdam, The Netherlands, who supplied biographical information that is only now appearing in print. In fact, he refers to the present work as “a triadic collaboration.” In his short Foreword, Gert-Jan Blom hazards a guess that this book may be “the most accurate biography available at this time.” He is quite right.

Taylor is an historian of ideas by training, so his Introduction is subtitled “Gurdjieff and the Historian.” I smiled when I read those four words and I am sure most readers will do the same. One can only guess at the difficulties the historian faces in dealing with Gurdjieff, but there is no need to worry because the author alludes to those difficulties: “The best a biographer can do with the stories of his early life is to distinguish the possible from the improbable.” He does make distinctions, though he writes vaguely about probing further “by means of a critical hermeneutics.”

The first chapter begins with a discussion of names – the multiple forms of Gurdjieff’s family and given names. “One wonders why so many biographers cannot get the name of their subject into one accepted form.” He opts for Georgii Ivanovich Gurdjieff – G.I. Gurdjieff in short. Then there is that “bone of contention,” the year he was born. It is known that he was born in Alexandropol, renamed Leninakan, today’s Armenian city of Gumri. A website, accessible through Google, informs me that Gumri is “one of the oldest cities in the world.”

Information suggests Gurdjieff was born about 1866. “Though extant documentary evidence has his birth year as 1877, I continue to suppose that the man I knew in 1948 and 1949 was in his eighties, rather than in his early seventies.” Thus Taylor agrees with Moore (1866) and not with Webb (1874). As for his day of birth, the man himself celebrated New Year’s Day, whether Jan. 1 (Orthodox style) or Jan 13 (Gregorian style).Some evidence favours a less symbolic date: December 28.

Gurdjieff had no children with his wife or partner Julia Osipovna Ostrovska, but Taylor argues that by other women he had four sons and two daughters and Taylor names them. He also devotes some sentences to the suggestion that the young Joseph Dzhugashvili (later known as Stalin) was “his one-time school mate” and well known to the Gurdjieff family in the late 1890s. “It is difficult to extract any certainty out of the apparent contradictory accounts. We can posit the probability that Gurdjieff and Stalin were aware of each other sometime or another before the turn of the century.” It is also possible that he was personally acquainted with the young Maxim Gorky.

The twenty-one years from 1892 to 1913 correspond to Gurdjieff’s “wandering years” or years of quest, and Taylor spends almost as many pages as years trying to follow, to reconstruct his journeys, trying to balance accounts in the literature with those in oral and other traditions. “Gurdjieff measured out life events in cyclical pulsations of time rather than in a linear chronological flow of measured segments. His written recollections are quite purposely not fitted into a continuous flow of a total life experience.”

Everyone knows about the Seekers of Truth, whom he met accidentally near the pyramids in Egypt in 1893 or 1895. There were three seekers: Gurdjieff himself, Prince Lubovedsky, and Professor Skridlov. (The two men’s names bear symbolic meanings: “carriers of love” and “to hide, conceal” respectively.) As to the identity of the Seekers, “he is consistently a single quester, which makes sense considering that his quest is ultimately to discover himself.”

Taylor writes, “Gurdjieff paused for over two years in separate stays in a Muslim Dervish monastery somewhere in Central Asia.” There is no evidence that he ever passed as a Muslim. He claimed he visited Tibet, but evidence is lacking that he appeared as a Buddhist. Gurdjieff seems to have covered his tracks. It is a red herring to confuse him with Agwan Dordjieff or Ushe Nazunoff, secret agents who were conspirators in what is known as the Great Game.

Taylor surmises that Gurdjieff’s “wandering years” were punctuated in 1900-01 with a period spent in St. Petersburg where he was associated with the development of experimental therapies, applying Tibetan and Mongolian medical practices, partly to deal with common drug and alcohol dependencies. Here he would have met the designer Nicholas Roerich and Agwan Dordjieff. “It is easy to imagine Gurdjieff working with these persons, all of whom he knew personally at one time or another.”

A.R. Orage is the source of the suggestion that, in 1901-02, Gurdjieff “served the thirteenth Dalai Lama as collector of monastic dues, a service that gave him access to every monastery in Tibet.” Suffice it to say that there is no evidence for this suggestion. Also conjectural is Gurdjieff’s visit to St. Petersburg in 1909 where he is said to have established a quasi-Masonic lodge!

It is known that he established himself in Moscow where his mission to the West began. In a sense he “enters history” here. Gurdjieff’s Russian years, spent in Moscow and St. Petersburg, extended from 1912 to 1917, whereupon he left the country never to return. He seems to had gathered his first pupils by 1915, and among them were the sculptors Dmitri Sergeivich Mercourov and Vladimir Pohl. It was Pohl who introduced his friend P.D. Ouspensky to Gurdjieff.

In turn, Ouspensky brought into the circle the psychiatrist Leonid Stjernvall and perhaps the mathematician A.A. Zaharoff. It was the mathematician who introduced the musician Thomas de Hartmann and his wife Olga to the work. An exotic touch is that Gurdjieff may have moved in imperial circles and may have met not only Tsar Nicholas II but also the notorious monk Rasputin who may have been cured of his drug dependency by the aforementioned Tibetan medicines.

Well documented are the years 1917, 1918, and 1919, which take Gurdjieff from Moscow to Constantinople. There are references to “the memoirs of Elizaveta de Stjernvall” and there is a passing reference to “Jeanne de Salzmann’s unpublished memoirs” which presumably describe this restless period. There follows a mosaic of details of life in Sochi and Essentuki where they presented themselves as The Communal House of the International Philosophico-Worker Union of Essentuki, a name that name would appeal to the White Army. Another name used was “International Alliance of Ideological Workers,” which was designed to appeal to the Red Army.

The entire group – followers, emigrés, family members, all fleeing conditions in Russia – numbered some eighty-five persons. It was while at Essentuki, with its concentration on communal work, that Ouspensky began to distance himself. “Curiously, though Ouspensky moved away from Gurdjieff several times since arriving in the South, he kept coming back, even without Gurdjieff’s invitation.”

The group’s long trek across the Caucasus from August to October 1918 is described in great detail. It begins to sound like the long, character-testing marches of Mohammed, the Mormons, the Mounties, and Mao’s Long March. Character-building, indeed! “Gurdjieff, well past mid-life in the second half of 1918, had undertaken an extraordinary risk, but taking risks was the principal way of developing a higher being. What seems remarkable to one viewing this adventure from a distance is that Gurdjieff knew exactly what he was doing and what materials he need to do it.” Further: “Every step taken was an exercise in what he called ‘intentional suffering,’ doing what one does neither necessarily want to do, nor understand punctually the purpose of the doing.”

In Tbilisi in 1919, the rag-tag group was augmented by Alexander de Salzmann and his pregnant wife Jeanne, a student of the eurhythmics work of Emile Jaques-Dalcroze, as well as Valdemar Hinzenberg and his wife Olga Ivanovna Lazovich with their infant daughter Svetlana. They were joined by Elizaveta (Lili) Galumnian Chaverdian, a dancer, and they entertained Carl Bechhofer Roberts and Frank Pinder. Many flowers that came to blossom at Fontainebleau-Avon were planted in the rough terrain of the Caucasus. In the fall, “The Institute for the Harmonious Development of Man” was founded – or refounded, as it seems it was originally established in Russia in 1912.

The group spent from July 1920 to August 1921 in Constantinople, ostensibly as refugees from Russia. They became people of interest to John Godolphin Bennett who initially confused Gurdjieff with Agwan Dordjieff. Ouspensky, living in Constantinople, “confided to Gurdjieff that he was compiling his Petersburg and Essentuki notes into a volume tentatively entitled ‘Fragments of an Unknown Teaching,’ and Gurdjieff nodded assent.” Ouspensky’s lectures attracted Tchesslav Tchechovitch, not to mention Alphons Paquet and Boris Mouravieff. It was the latter who asked Gurdjieff where he had found his ideas. Gurdjieff replied, “I stole them.”

Established in Essentuki, the Movements were performed in public in Constantinople where performances were reviewed by dance critics familiar with Sufi movements in the press. To at least one commentator in February 1921 and to “other Sufi experts,” “Gurdjieff’s sacred dances were both projections of planetary movements and demonstrations of universal laws, whereas the Dervish dances played out a cosmic drama experiences [sic] by the human soul descending from the Absolute down to the material world.” The group was in Constantinople for just over a year. Ouspensky left for London, and Gurdjieff and his group for Germany.

The interlude in Germany, where the Salzmanns and the Hartmanns had friends and spoke the language, lasted from August 1921 to July 1922. It was punctuated by Gurdjieff’s three visits to London where he addressed groups assembled by Ouspensky which included Kenneth Walker and Maurice Nicoll. England proved insular and unattainable but ideal for Ouspensky. Gurdjieff resolved to re-establish his Institute in France.

Paris and soon Fontainebleau-Avon proved to be promising after difficult times in the Caucasus, Constantinople, and London. Paris was swarming with Russian emigrés as well as expatriate Americans fleeing isolationism and prohibition. The Salzmanns meet (accidentally on purpose perhaps) Jessmin Howarth, a Dalcroze instructor and ballet director at the Paris Opera, so the Movements begin again at the Dalcroze studio on Rue Vaugirard. They are joined by the editor A.R. Orage, who edits “The New Age,” and the psychiatrist James Carruthers Young.

On October 1, 1922, Gurdjieff took possession of the Priory at Fontainebleau-Avon where he was joined by a great number of pupils and acquaintances from the Continent. Orage arrived, followed by Katherine Mansfield, known as Katia at the Priory. Taylor lists the names of some two dozen people who arrived from England, and the roll-call is a familiar one: Pinder, Nicoll and his wife, Young and his wife, the Metz brothers, Merston, Lady Rothermere, Jessmin Howarth, etc. “In all, there seems to have been some fifty to sixty persons residing at the Prieuré at one time or another in the year following its purchase.” It seems there were no French people in attendance.

Memoirs of the exciting and exhausting life at the Priory are numerous, so Taylor is able to focus on events on a seasonal basis. He notes Gurdjieff’s ability to “step on corns” to shock people into self-observation and to act as a jack-of-all-trades. He is under surveillance as the French authorities learn that “he was a Mason who practiced hypnotism”!

Celebrities came into his orb and left it. “The American poet Ezra Pound, whom Orage had promoted in London, was in Paris on his way to a new life in Italy when he met and talked with Gurdjieff. They enjoyed each other’s company, and Pound volunteered to judge a cooking contest between Gurdjieff and the Romanian sculptor Constantin Brancusi, awarding the crown to Gurdjieff.”

Then the Americans arrived, an illustrious roster of famous names: Djuna Barnes, Peggy Guggenheim, Sinclair Lewis, and perhaps Gertrude Stein. The “Georgian toast tradition” was introduced as “toasts to idiots” with twenty-one levels of idiocy. Interestingly Taylor notes, “Gurdjieff refused to discuss the toasts except at the table.” Much information is supplied about the demonstration of the Movements at the ten performances at the Theatre of the Champs Elyseés in late December 1923.

Taylor has devoted an entire book to Gurdjieff’s nine visits to the United States, and while he has unearthed additional information for his new book, largely from newspaper coverage of demonstrations of the Movements, here the details will be glossed over in the interest of saving time. Taylor is able to synthesize the published accounts of the group’s movements and activities, even proving on that trip that there never was a demonstration in Philadelphia. Gurdjieff did say, “All must get to Philadelphia,” but Taylor suggests that in Gurdjieff’s mind the city in question is located “not in eastern Pennsylvania, but east of Ephesus in Asia Minor.” Gurdjieff regarded the United States in an odd way: “America is the backdoor to Asia.” His first visit for the entourage of two dozen people (all of whom are named) was a long one which extended from January 2 to June 15, 1924.

The result of the first American journey was the installation of Orage as Gurdjieff’s point man in the United States. Upon returning to the Priory on 15 June 1924, he faced “Mrs. Serious Trouble.” The immediate problem was that of the outstanding debt on the Priory, principally the sum of $2,000 owed on the mortgage. Americans, including Stanley Nott and Jean Toomer, begin to arrive, but they did not bring a flow of capital. The suggestion is made that Gurdjieff was giving some thoughts to closing the Priory when “the accident” occurred. The Citroën he was driving ran into a tree at a cross road near Chailly-en-Bière, north of Barbizon, between Paris and Fontainebleau-Avon.

The accident took place on Saturday afternoon, 5 July 1924. Or did it? There is evidence it occurred the next afternoon. Various and varied accounts of what happened and its consequences are duly credited and discredited. Except that there were no eye-witnesses to the event, there is an old Russian proverb that could be recalled: “Nobody lies like an eye-witness.” Apparently the sole witness – the victim himself – told Jane Heap and the author’s mother Edith Taylor, “I sick man, truth very weak, now institute die for everybody.” No longer did Gurdjieff plan to summer at the Priory and spend autumn or winter in the Untied States. Indeed, plans were put in motion in August to liquidate the priory.

A new direction was signalled when, five or six weeks following the accident, Gurdjieff told Edith Taylor, “I wish write book. Surprised? No? Some time in life every man must write book, but such book already I begin, and if you very much wish we can even English read.” Taylor is quite good at discussing the evolution of the text of “Beelzebub’s Tales” which Gurdjieff dictated and also drafted in pencil. It is usually said that tranches were dictated to his secretary Lili Galumnian in Armenian, which she translated into Russian, and Hartmann with the assistance of Bernard Metz translated these into English. Gurdjieff also scribbled notes in Russian at the Café Henri IV in Fontainebleau and at the Café de la Paix in Paris. Taylor says there is no evidence that Gurdjieff ever composed anything in Armenian, but solely in Russian, which Olga de Hartmann, the author himself, and Orage translated into English. In late 1925, Orage was entrusted with the task editing of the bulky manuscript and with the ordeal of contacting possible publishers and raising the sums required for this. All of this is worthy of a George Steiner, the polyglot scholar who regularly lectures in four languages!

The sums of money raised by Orage and Toomer in New York towards the publication of the manuscript and the work of the Institute, as well as the misunderstandings around them, must have caused Taylor to burn the midnight oil. He also offers detailed accounts of motor trips to Orleans and Vichy, then to Geneva, Contreville, Nevers, and Rouen. In the midst of all this coming and going, Orage was editing “Beelzebub,” the “first series,” and Gurdjieff was working on the “second series,” that is, “Meetings with Remarkable Men.” Rumoured to be in the works but sight unseen was the “third series.” Orage proposed that the three volumes be published at the same time.

As a Canada-watcher, I was surprised to read that early in 1926, “Orage was off in Quebec with Jessie Dwight, Sherman Manchester and Daly King, ostensibly to scout the possibilities for a group in Montreal.” Years would pass before the city would acquire a group. The original initiative took place as Orage was about to marry Jessie, to Gurdjieff’s consternation. Gurdjieff called her a “squirming idiot,” and her husband his “super idiot.” As well, Gurdjieff came to the conclusion that “Beelzebub” would have to be revised and rewritten in order to reflect “the peculiar form of my mentation” which would be otherwise lost to the average reader. He felt the loss of his voice in Orage’s version.

Taylor reminds us, “It is easy to lose sight of the person of Gurdjieff behind a banal chronology of the dates, events, and movements that fill a biography.” Yet nothing about this book is “banal,” though at the same time there is nothing about it that is “miraculous,” except the biographer’s need to mediate the truth of the various memoirs of participants and the reconstructions of various historians. Taylor is unique in that he is both a participant and an historian. In an interesting aside, he tries to account for his subject’s uniqueness as a human being.

“One can presume that he possessed certain virtues: mechanical inventiveness, artistic creativity, powers of persuasion, medical and psychological skills, but these fail to characterize the humanity of the man.” He continues, “One can wonder how he attracted so many people of diverse bloods and backgrounds. That he possessed hypnotic powers is obvious, that he used them for the good of others is apparent.”

The reader wonders where this is heading. Here is the heart of the matter: “One aspect of Gurdjieff’s character that is not recorded sufficiently, however, was his paternal comportment. Gurdjieff was father to all those children who ‘knew him in the sky.’ There were always at least a dozen about him at the Prieuré, and he enjoyed their company, just as they felt comfortable in this. There was a ‘purity’ of communication between him and the children.” I have cut the paragraph short in the interest of economy, but it is apparent that the author identifies with these children.

The Great Depression brought an end to transatlantic extravagance, and a sign of the times is that Lady Rothermere explained that she would no longer contribute to the support of the Institute. “Instead she was supporting Krishnamurti and T.S. Eliot’s ‘Criterion.’” Fund-raising would have to be done in America, hence Gurdjieff’s second visit on 23 Jan. 1929. It was difficult going and Orage said that he wanted to resume his literary career. The Hartmanns were pressured into leaving the Priory. The turning point seemed to be “after Gurdjieff told Olga her husband was a pederast.”

Americans did not flock to the Priory that summer but one woman who did was Mildred Gillars, who in later years became one of the broadcasters on Radio Berlin who was dubbed “Axis Sally” and subsequently convicted of treason. It is not known what effect her visit had on her, as she was a woman of many parts and no fixed resolve. Gurdjieff’s third American visit took place in February 1929, where he was greeted on the gangway by Louise Welch and Dorothy Wolfe. While in New York, Gurdjieff gave thought to restructuring the groups there in the absence of Orage. The visit did not entice many Americans to visit the Priory in the summer of 1930.

The fourth visit extended from 11 Nov. 1930 to 13 March 1931. Taylor gives hotel locations and even the text of the classified advertisement that appeared in the “New York Times” on 12 Nov. 1930. “Lost. Portfolio Brown marked G. Gurdjieff containing typewritten manuscript left in taxi Tuesday midnight. Reward offered for return to 204 West 59th Street.” Taylor writes, “One can assume that the manuscript was a draft of the third series.” That may be true but one wonders if the placing of the classified ad had some other undisclosed purpose.

It is on this trip that Gurdjieff staged his confrontation with Orage. What was the meaning of it? It was “a fascinating episode in the lives of two close friends and a mystery as to why they parted ways. I say ‘would appear’ because exactly what happened in the complex play between the two during those months, particularly during the first two weeks of January, could not be understood by those who did not know both men personally, and a puzzlement to even those who were close to both.”

Taylor calls the reversal “an axial turn in both their fortunes … an epiphany.” The author is at his best here, reconciling detailed accounts, but I will leave the matter with Taylor’s statement: “It is difficult from this distance to comprehend the extraordinary ‘power’ Gurdjieff exercised over those who came in contact with him personally. That he was held in awe by persons of various artistic and scientific persuasions is well documented. It is easy enough for current spectators to assume he was a charlatan with malefic hypnotic powers.”

Indeed, he quotes the literary critic Frank Kermode who wrote that “some gurus are wrong and others are dangerous: Gurdjieff is both wrong and dangerous.” Taylor finds no evidence for such a view among the dozen men and women who had first-hand knowledge of the events that ensued. He concludes, “Gurdjieff did not insist that his pupils should devote their lives to following him …. Gurdjieff made it a practice to send those people who have reached a certain stage in the work back into the world.” Yet his followers seemed to bounce back like India-rubber balls.

Taylor devotes ten closely reasoned pages to the breach in their relationship. He calls Gurdjieff’s version of the split a “fable” that eschews “fact” and describes it as a “morality play, or parable,” “post-modernist fiction.” In fact, he goes to some length to interpret Gurdjieff’s redaction of events of history as presented in the “third series” by contextualizing episodes, whether real or imagined, “into seven and three year periods, representing the Laws of Seven and Three that are the creative and maintaining forces of the cosmos.”

I find I am uncertain what to make of Taylor’s interpretation of Gurdjieff’s revision of the historical record (so much seems to be ad hoc), but I find it ingenious. As Gurdjieff told Ouspensky in St. Petersburg, “There is nothing that shows up a man better than his attitude towards the work and the teacher after he has left it.”

Apparently the traveller and artist Nikolai Roerich, who attended Gurdjieff’s meetings in 1930-31, had been a member of his “1909 lodge” in Moscow and that he was associated with Claude Bragdon, the architect (once described as a minor version of Frank Lloyd Wright) and co-translator of Ouspensky’s “Tertium Organum.”

The chapter titled “20 March 1931 – 4 June 1935: End of the Institute” has a cast of wholly new characters. There is Toomer’s colony at Portage, Wisconsin, Toomer’s bride Margery Latimer, Zona Gale, Katherine Klenert (sister of Georgia O’Keeffe), and others. It coincides with the semi-print production of one thousand copies of the 638-page mimeographed version of “Beelzebub’s Tales” sold to group members at $10 a copy. The fifth visit took place in 1931-32, and once in New York he was interviewed by Rom Landau in “God Is My Adventure.” Tall tales are told, some of them from Child’s restaurant on 57th Street, where Gurdjieff met with his followers and others.

The priory in its dilapidated state was vacated and seized for debt (owing was the sum of $17,000) in May of 1933, and Gurdjieff shifted his headquarters to Paris where he was joined by many Russian expatriates and he met with his pupils. Eventually he moved into an apartment on the second floor of Rue des Colonels Renard not far from the Arch of Triumph.

Taylor checked shipping records for a phantom “sixth visit” to the United States in 1932 but finds no evidence for such a transatlantic crossing. Orage refused to edit the text of “The Herald of Coming Good,” so the task was undertaken by Payson Loomis, who had willingly worked on “Beelzebub,” in the first half of 1933. As Taylor notes, this booklet was the only work of his to appear in print during his lifetime. It was issued at the time when Gurdjieff’s fortunes were the lowest: his American prospects were, like his British prospects, nil.

Yet he sailed for New York for the sixth time, on 20 April 1934, and remained in the United States longer than ever before. There is much to-ing and fro-ing, with Gurdjieff travelling to Chicago and then to Taliesin East, invited by Olgivanna and Frank Lloyd Wright. He had hoped to establish a group at Taos, but Mabel Dodge Luhan was inhospitable. He toyed with the idea of replacing Toomer as a fundraiser with Olgivanna, which seemed a senseless notion. After one of their dinners, with architectural apprentices present, Wright and Gurdjieff sparred: “Well, Mr. Gurdjieff, this is very interesting. I think I’ll send some young people to you in Paris. Then they can come back to me and I’ll finish them off.” Gurdjieff replied furiously: “You finish! You are idiot …. No, you begin, I finish!” Not as a devoted spouse but gracious as a host, Olgivanna sided with Gurdjieff.

Before he left for France, Gurdjieff broke off relations with Toomer who said, in despair, “I have reached the limit of my possibilities.” He became a fan of American movies, explaining, as Fritz Peters recalled, “The hopes, dreams and desires of Americans in general … were very accurately portrayed in films. In fact, he said that only in the movies was the prevalent attitude towards sex, for example, revealed for what it really was.” The visit ended, in a sense, with the airplane crash on 6 May 1935 that took the life of Bronson M. Cutting, a wealthy U.S. Senator who was reputed to be interested in committing funds to the revival of the Institute. There is no new information about this subject and the next chapter is appropriately called “4 June 1935 – 1 September 1939: Marking Time.”

Gurdjieff’s visit to Germany is well documented by Taylor who has access to his subject’s various passports and visas. It seems unlikely he visited Persia or Leningrad, as had been conjectured. There is information about Soviet government agents and bureaucrats, including Cheka officers – exploited some years ago by a Russian-language TV special produced in Moscow – but what passes for information is principally conjecture, speculation, hearsay, and rumour, the kind of “factoid” beloved of conspiratorialists who are now called “truthers.” Taylor concludes, “It is probable that Gurdjieff did not go there at all.”

The record is spotty for 1935. “What he was doing in Belgium during the weeks between 8 September and 4 October is still unexplained.” Back in Paris, his four-year association with the members of The Rope is described, as well as some of his quasi-medical practices that involve injections and the transfer of electrical impulses. With the ladies he conversed about many subjects, including language. He despised English: “I can pronounce 400 consonants for your 36 … America worst nation for sound-producing.”

In 1936, he moved into Apartment 6, Rue des Colonels Renard, a lovely flat maintained to this day in his memory. In 1938, through Jeanne de Salzmann, he met Vera and René Daumal the poet, Henriette and Henri Tracol, Philippe Lavastine who was married to Salzmann’s daughter Natalie, journalist René Zuber and writer Luc Dietrich, the advent of the belated interest of the French in the Work.

The seventh American visit, which commenced on 8 March 1939 and concluded on 19 May 1939, is covered in some detail, including the purchase by Louise and Walter March of Spring Farm in Bloomingburg, N.Y. Various other Work locations are described, including Toomer’s Mill House, Mechanicsville, Pennsylvania. In an uncharacteristic linguistic flair, Taylor writes, “Mother World War II, following Grandmother Russian Revolution, showed her face to Gurdjieff.”

The subtitle of this next section is “The Occupation of Paris.” Ouspensky and his family members moved to the United States. Gurdjieff, having just returned from that country, now gave some thoughts to returning there. Ouspensky’s pupils who remained in England joined groups led by Maurice Nicoll, Kenneth Walker, or J.G. Bennett, and not Jean Heap’s. In Paris, Gurdjieff’s pupils, either dead or dispersed by the vicissitudes of war and occupation, left him high and dry.

The descriptions of the comings and goings on two continents of these disciples recalls the celebrated paragraph in “Brideshead Revisited” in which Evelyn Waugh details the movements of families following the surprising decision made by Lord Marchmain, after decades of life abroad, to return to his family seat.

Conditions during the Occupation are interesting in themselves but somewhat peripheral to the biography. Indeed, Madame de Salzmann, from her hometown, Geneva, and on visits to Paris, directed students his way and kept the Movements going at the Salle Pleyel. “Most of the French were artists and writers who, for one reason or another, were exempt from military service or forced labor in Germany. The sole survivor from the Prieuré days was Tchesslav Tchechovitch, who had been with Gurdjieff in Constantinople twenty years earlier.”

Transcriptions of Gurdjieff’s talks to these groups “revealed a softened style of teaching resembling his Petersburg and Moscow manner During World War I.” Indeed, he survived the Occupation in some style. Taylor examines suggestions that he dealt on the black market and hoarded food, but concludes: “It is easier to suppose that Gurdjieff maneuvered among the Germans in the same manner he had managed with Bolshevik and White Russian administrations a quarter of a century earlier.”

Following the liberation, American friends and students sought him out. Former students who had now established their own groups reappeared – Stavely, Heap, Nyland, etc. – as did Pentland, Bennett, the Wolfes, Anderson, Caruso, the Herters, etc. In charge was Madame de Salzmann.

The biography proper ends with the chapter incongruously titled “16 December 1948 – 29 October 1949: Infinity and Finity Conjoined, Eighth and Final Visit to America.” English groups helped Gurdjieff with current expenses and American groups helped him to liquidate his debts. In New York, he revived the Movements with Alfred Etievant, and Jessmin Howarth did the same at Franklin Farms.

It is a period of grand reunions. “Many were surprised and pleased by Gurdjieff’s demeanor. He seemed to be on a peace mission to mend broken bridges to former pupils of Orage, Toomer and Ouspensky.” As Taylor notes, he paid particular attention to the youngsters brought to him by their parents. “On the whole, the children were in awe of Gurdjieff, and he treated them as ‘candidates for initiation.’” With the toasts, a child was an “unformed idiot” or “aspirant for ordinary idiot.”

I had long been curious as to why French students identified themselves as “adepts.” Taylor writes, “Gurdjieff had Pentland send out a circular letter under Gurdjieff’s Paris address to all his ‘adepts’ announcing the forthcoming publication” of “Beelzebub.” The sum of $25,000 was subscribed to Harcourt Brace to issue the book. Lord Pentland handled the negotiations. Apparently the publisher requested no subsidy for Ouspensky’s “In Search of the Miraculous.”

Interesting details about the work being done in Paris upon his return in February 1949 appears here, punctuated with automobile journeys around France. But he was not well, suffering abdominal edema associated with cancer of the pancreas. “On 27 October, thanks to Dr. William Welch’s intervention, he was admitted to the American Hospital of Paris.” He died two days later. “If he was eighty-three years of age, he died at the same age as his father thirty-one years earlier.”

A short chapter titled “Postscript: Gurdjieff and Meta-history” follows, in which Taylor notes, “Shortly before he died, as I was about to return to New York, he told me that I owed him stories, and I have been spinning stories about him for the past several years, but have not yet acquitted my debt.” He discusses the nature of “objective facts shaped into subjective designs.” He has certainly dispatched that obligation. “In my writings I have struggled to expose what I feel is not quite the truth in the process of elaborating what is, for the moment, what appears to be the truth.” This section is sobering in that limitations of previous memorists and biographers, including the “two Jameses,” are discussed.

“Were I to state my own general assessment of Gurdjieff’s career, I would say that he possessed and exercised an exceptional genius for influencing other people to work for their own ‘perfection of being.’ If there was a flaw in his method, it was an implicit conception of self as a model for emulation, whereas the man, in my opinion, could not be emulated. Perhaps he judged the intellectual, moral and physical possibilities of others too highly.”

It seems apparent to me at least that those men and women – those adepts – who knew the man personally were in no position whatever to separate the man from the message, so to speak: the movement, the system, the “special doctrine,” the Fourth Way, or the Work as it is now known. Much was gained, but at the same time much was contained.

Following such sober assessments as these there is the arresting chapter called “Excursus: Gurdjieff and Women.” It is three pages in length. Taylor neatly summarizes its argument in one sentence: “That man is superior to women is apodictic in his writings.” Feminists will find the instances of male chauvinism that appear here to be alarming. Taylor himself finds them disarming. He is to be congratulated for presenting them in print.

In the immediate aftermath of this line-by-line reading of Taylor’s biography, perhaps some stray thoughts of the reviewer are in order. This undertaking was neither an ordeal nor a romp, but an instructive experience. The author has created a giant, Byzantine-like mosaic that consists of colourful bits and pieces of stone selected for size and shape. The overall pattern makes greater sense viewed close up than it does viewed from a distance.

Taylor himself is ideally suited and situated to follow this life of Gurdjieff with a composite biography of “the women of the Work.” If he excludes the women of “the Rope,” who have already been well described by William Patrick Patterson, he could concentrate on the Madames – Ostrowska, Ouspensky, Saltzman, Hartmann, Hinzenberg – and fill a need, especially in light of his “Excursus.”

After I turned the final page – number 247 – of my copy of this book – which is itself mechanically numbered 185 – a short passage from a long poem came into my head, form where I am not sure. It expresses the sense I have of what hovers over the panorama of the amazing characters and personalities who have been described and analysed in these pages with all their actions and reactions projected over a period of a century.

The passage comes from the philosophical poem “The Prelude” (1805) in which William Wordsworth wrote evocatively about the sense of the yet greater forms that lurk within the great natural forms around us:

” … o’er my thoughts / There hung a darkness, call it solitude / Or blank desertion. No familiar shapes / Remained, no pleasant images of trees, / Of sea or sky, no colours of green fields; / But huge and mighty forms, that do not live / Like living men, moved slowly through the mind / By day, and were a trouble to my dreams.”


John Robert Colombo lives in Toronto and is a specialist in Canadiana. His most recent publications include “The Big Book of Canadian Hauntings” (an anthology of accounts of psychical experiences) and “Indifferences” (a selection of his own aphorisms). His website is



November 29, 2009 at 5:45 pm

CARLOS CASTANEDA Recalled and Reconsidered

The John Robert Colombo Page


New Mexico Desert

New Mexico Desert


Carlos Castaneda

Carlos Castaneda Recalled and Reconsidered

A Short Review of William Patrick Patterson’s “The Life & Teachings of Carlos Castaneda” by John Robert Colombo

Carlos Castaneda (hereinafter CC) and William Patrick Patterson (hereinafter WPP) are names well known to students of consciousness studies.

CC was a Peruvian-born American author who made a considerable reputation for himself with the publication of his first book of mystical, visionary, spiritual, or magical adventures titled “The Teachings of Don Juan.” It appeared in 1968 and was such a success that it was followed by eleven more such books, which further enhanced the author’s reputation as an apprentice of a “brujo” or sorcerer in the Mesmoamerican tradition of shamanism. The final book of this series, “The Active Side of Infinity,” appeared the year following the author’s death. CC’s vital years are 1925 and 1998. At the height of his fame he became a recluse and WPP tells us why.

WPP is an indefatigable researcher, editor, writer, author, publisher, public speaker, director and host of documentary films on the Fourth Way, and seminar leader – someone concerned with “esoteric perspectives” and “the ways of self-transformation” (to quote the pertinent words on the back cover of the current book). WPP may know more about the history of the Fourth Way than any other living writer, excepting, perhaps, Paul Beekman Taylor and James Moore. He was a student of the late Lord Pentland, who oversaw the Work in America, and the present book is dedicated to his memory (“To my don Juan”).

In my last contribution to this website, I outlined many of WPP’s accomplishments and achievements. In this review, I will focus on his book “The Life & Teachings of Carlos Castaneda.” It appeared in cloth in 2008 and in paper in 2009. Oddly, on the title page it is identified as “Volume 1.” Whatever will fill the pages of “Voume 2”?

The present volume is a handsomely produced, medium-sized trade paperback (xviii + 270 pages) with a Prologue (but no Epilogue), a Chronology, Notes, Bibliography, two Appendices (CC’s reply to R. Gordon Wasson, an academic critic; “Ouspensky on Dreams,” ten quotations from “A New Model of the Universe”), and an index. It also reprints anthropologist Daniel Brinton’s 1894 essay “Nagualism: A Study in Native American Folklore and History” (a source of some of CC’s conceptions). Brinton’s essay, about one-third the length of the book itself, remains a model of its kind.

The entire work was edited by Barbara Allen Patterson and published by Arete Communications, Publishers, Fairfax, California. (By the way, “Arete” is a word known to Aristotle. It means “inner excellence.” In English it is pronounced “A-re-tay,” and WPP regards it as “a working aim.”)

I gather that CC attended the University of California at Los Angeles where he was awarded a B.A. in Creative Writing and Journalism in 1962. Thereafter he switched his major to Anthropology and apparently that institution awarded him a Ph.D. in that discipline in 1973 for an dissertation on “A Yaqui Way of Knowledge,” which is the subtitle his first book, issued by the University of California Press, an academic imprint rather than a trade publishing house.

Thereafter the books were enthusiastically published and promoted by Simon & Schuster, a major trade publisher. (The above details appear in CC’s Wikipedia entry, and there are discrepancies between them and those that appear in WPP’s book which, on the whole, is thorough, appreciative, and non-critical. A critical biography of CC may never written; in the meantime, WPP’s is “as good as it is likely to get.”)

CC’s reputation was made by “The Teachings of Don Juan.” Is the book a work of Anthropology? Does it contribute to our knowledge of Shamanism? Or is it a work of creative writing, imaginative recreation, or “wishful thinking”? Perhaps it is both. CC says it is based on notes taken down in Spanish but the notes do not seem to have survived.

I know where I stand on what kind of book it is. I read it a year following its original appearance and had no problem concluding that it was an instance of “creative non-fiction,” rather than a contribution to field research in Anthropology, one of my minors at the University of Toronto.

CC’s book I found to be “a thrilling read,” like millions of other readers, but I also found it impossible to take it seriously – at least as seriously as I had in younger years taken Paul Brunton’s “In Search of Secret Egypt” and “In Search of Secret India.” (In passing, Brunton’s pretensions to Sanskrit scholarship were effectively and affectionately debunked by the Sanskrit scholar Jeffrey M. Masson in his memoir “My Father’s Guru.”)

CC’s work constitutes a romance of mystical thought (in this instance sorcery) in the same way that Erich von Däniken and Immanuel Velikovsky are purveyors of a science of the imagination. In no way did CC’s book resemble the Anthropology texts that I had studied. Nor have more recent contributions to the discipline begun to resemble his.

It did not surprise me that CC had opened a Pandora’s Box of insights into what he calls the “tonal” world (of ordinary reality) and the “nagual” world (of non-ordinary realities). Readers in the late 1960s were receptive to that distinction, a cornerstone concept of the New Age, and the times were ripe for a shaman (even if called a sorcerer) named Don Juan Matus, a Yaqui Indian, knowledgeable about the effects of the ingestion of psychotropic plants.

Later, I read with surprise Time magazine’s cover story on the man, “Don Juan and the Sorcerer’s Apprentice,” March 5, 1973, which referred to CC in facetious terms (“the man is an enigma wrapped in mystery in a tortilla”). Time’s editors had problems with the elusive CC, but they gave respectability to his work by granting a passing grade to his accounts of outlandish and otherworldy experiences.

No so the novelist Joyce Carol Oates, who penned a letter to “The New York Review of Books” on November 16, 1972. It was headed “Anthropology – a Fiction?” and it was followed by a flurry of critical reactions to the books as they rolled off the presses. The result was that CC retired from public life (rather like another touchy recluse, J.D. Salinger). The standards and integrity of the University of Southern California were called into question for dealing with a work of fiction as if it were a work of scholarship and even publishing it.

CC re-emerged in the 1990s, the last decade of his life, and what a life he had been leading! WWP is good on these details, which first appeared in his journal “The Gurdjieff Review,” for they describe an unconventional California lifestyle – a man driven by demons to the point of obsession – with his own coven of three witches (named Florinda, Taisha, and Muni) whom he sexually dominated. The women conducted popular seminars devoted to the practice of sorcery. Then there were seminars that promoted Tensegrity, a discipline of “magical passes” that adopts a term previously introduced by Buckminster Fuller.

At the same time CC was married to Amy Wallace, the talented daughter of the popular novelist Irving Wallace. She outlived the three witches and subsequently described CC as a “sexaholic” who near the end was afflicted with glaucoma and diabetes and died of the liver cancer that he boasted he would never have.

While he was alive, CC was adamant that there would be no Hollywood film version of the novels, as he did not relish the sight of Anthony Quinn playing the sorcerer-warrior Don Juan! CC did meet with Federico Fellini in Rome who described the author as “a smiling Sicilian.” The Italian director was intrigued and repelled by the vision offered by the novels – it was “as if I was confronted with a vision of a world dictated by a quartz! Or a green lizard!” He was not far wrong!

Why was WPP drawn to CC? “By the sheer force of his connection with intent, Castaneda brought to life and inseminated into Western culture an age-old sorceric perspective long ago rendered insensible by the modern world’s pursuit of rationality.” What I detect here is a rapidly emerging appreciation of the depths and dimensions of “magical thinking,” “as if,” “active imagination,” shamanic spirit journeys, hoaxes and hypnotism and dreaming, and the antics and adventures of the Trickster Hero of North American Native culture. Here we have “A Yaqui Way of Knowledge,” not “The Yaqui Way of Knowledge.” Indeed, it might even be said that what we have here is “A Yankee Way of Knowledge.”

WPP devotes many pages to early influences on CC: Aldous Huxley’s psychedelic trips and the phenomenology of Edmund Husserl. Then there was the person and literary effect on him of Anais Nin, the memoirist who spoke of “mensonge vital” and “déboublement.” WPP suggests “Don Juan Matus” was named after Nin’s father, Joaquín – if not after the Mateus brand of Portuguese wine so popular with beats, hippies, and New Agers!

It is assumed that Don Juan Matus (described as being born in Arizona of Yaqui and Yuma parentage) was not a single person but an amalgam of various teachers both spiritual and academic who were meaningful in CC’s life. WPP devotes ten interesting pages (pp. 65-75) to outlining the dynamic universe occupied by Don Juan and then five pages to pointing out “difficulties” with his accounts of the “sorceric” universe. Five further pages (98-103) are devoted to CC’s exchanges with Swami Muktananda with parallels between the world of sorcery and Hinduism.

There are ten pages (81-91) that measure the trace elements of Fourth Way material to be found in these books. “Awareness of the total body – this is the foundation to everything Castaneda is saying,” writes WPP. “Many of the fundamental ideas Castaneda puts forth can be seen to have a correspondence with Gurdjieff’s teaching. It is not in the province of this book to summarize it, but the following are some examples of the cross-referencing.”

Thereupon WPP offers twenty-nine instances of dynamic parallels in the sorceric and Fourth Way traditions. Here are five parallels:

* “‘Shifting the assemblage point’ is moving the specific gravity of attention so that one is in a higher stage of self-consciousness or self-remembering.”

* “‘Buzzing’ is an initial inaudible frequency which prepares for reception of the Niroonossian-World-Sound.”

* “‘Real mind’ is the higher intellectual center connected with the higher emotional center.”

*”‘Human mold’ is founded in self-love and vanity, i.e., Kundabuffer.”

*”‘Energy body’ is the Kesdjan body developed through practices of self-sensing and the impartial observation of the functioning of the physical body.”

WPP writes, “Castaneda did have an actual, as opposed to simply a theoretical, connection with the Work, as it is sometimes called. His first direct encounter was in 1970 when he attended Movements demonstrations in Los Angeles. Later, he accepted an invitation from Lord John Pentland, the man Gurdjief appointed to lead the Work in America, to spend a weekend at St. Elmo, the home of the Gurdjieff Foundation in San Francisco. There Castaneda met Kathleen Pohlman, aka Carol Tiggs, a student of Pentland’s. He is said to have also attended meetings at the Los Angeles Foundation for some time.”

Carol Tiggs played an active role in CC’s life, less so Claudio Naranjo. WPP concludes, “The teaching Gurdjieff brought is based on sacred science; what Castaneda brought is based on sorcery. Both aim to awaken one from the dream of ordinary life, but while Gurdjieff rejects working with the dream state and insists on grounding consciousness in ordinary life in order to come to real life, dreaming for Castaneda is the basis of sorceric exploration.”

WPP sees CC’s life in terms of “octaves,” but I will leave the interested reader to turn to “The Life & Teachings of Carlos Castaneda” to appreciate these phases. Overall what he finds absent from CC’s cosmology is “a spiritual appreciation and valuation of the scale of Being and the duty to serve and offer ‘help for God,’ as Gurdjieff says.”

The author concludes, interestingly but somewhat debatably, “In the end Castaneda’s significance and value rest on his ideas and sources, not the strangeness of his story.”

John Robert Colombo has yet to find any Canadian references in the work of CC or in the writings of WPP, but he keeps searching. On August 9, 2009, he delivered the academic keynote address at the Worldcon, the convention for 3,500 fans of fantastic literature held in August in Montreal. His address was called “Up! Up! And About!” For more details, check his personal website: www. colombo-plus. ca.

John Robert Colombo
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See Also Osho on Castaneda


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