Posts Tagged ‘P. D. Ouspensky’
P. D. Ouspensky 1878- 1947
Last evening I sat down in the most comfortable armchair in our house in Toronto and read in its entirety the text of “In Search of the Miraculous.” I did it in thirty-five minutes. It was not my first reading of P.D. Ouspensky’s text, nor will it be the last time I expect to read this work, yet it took me only a 1,200 seconds.
It is true I once took a course in speed-reading, but this time I was not using the techniques that I had learned at those sessions. (Indeed, my speed-reading instructor once said, “Speed-reading is good for general reading, but not for “the four P’s” – poems, plays, pornography, printer’s proofs … and I might add philosophical texts.) Nor did I skim or scan the text. I read every word with comprehension. I recommend the practice and the experience to one and all.
You will be forgiven if you have already decided that I am out of my mind! Indeed, how could anyone read with comprehension and with recall every page of Ouspensky’s “In Search of the Miraculous”? After all, the tome is 390 pages long, with 570 words per page, a total of 222,300 words. I am referring to the edition that is titled and subtitled “In Search of the Miraculous: Fragments of an Unknown Teaching” which appeared on the list of Harcourt, Brace and Company of New York in 1949. This is the first edition.
It was a remarkable text then and it is a remarkable text now. Of course it is impossible for even a graduate speed-reader to embrace its contents in thirty-five minutes. Thirty-five hours might be a better estimate of the time it would take to absorb what the author had to say, and only then after repeated readings.
It was ten years after the tome was first published that I read it for the first time. A woman who was very knowledgeable about the Work privately suggest that I not boast of having read it at so young an age. She added, “The Table of Hydrogens is really very detailed and difficult, you know.” The same applies to all the book’s eighteen chapters, not just to Chapter IX which describes the indeed-difficult Table of Hydrogens.
“In Search of the Miraculous” was not Ouspensky’s first choice of titles for this magnum opus, which appeared two years following his death – the same year as death came to the remarkable man who is identified throughout the text as “G.” – George Ivanovich Gurdjieff. The author planned to give it the title “Fragments of an Unknown Teaching.” That may be a truly descriptive series of words, but it is one that is less saleable than the present one. Instead, “Fragments,” etc., became the volume’s subtitle.
There was always the feeling that had the book appeared as “Fragments of an Unknown Teaching,” it might now be confused with another book by another author – “Fragments of a Faith Forgotten” written in 1900 by the Theosophist and writer G.R.S. Mead. Ouspensky knew about Mead’s book, for he had enjoyed an early association with the Theosophical Society, so that some confusion might have followed.
Ouspensky’s preferred title for his work was “Man and the World in Which He Lives – Fragments of an Unknown Teaching.” He was preparing that work for publication in 1912-1934 while he was working on another of his big books, “A New Model of the Universe,” which was first published in 1931 and revised in 1935; the standard edition is the one issued by Harcourt, Harcourt, Brace and Company in New York in 1950. The earliest known title for “New Model” is “The Wisdom of the Gods.”
In a footnote to “New Model of the Universe,” dated 1912-1934, he states that a new book is “being prepared for publication.” At the same time we also learn from the same source that the author was working on the notion of “different time in different cosmoses … which will be the subject of another book.” He was revising the English version of a novel with the working title “The Wheel of Fortune.” That one had originally been published in St. Petersburg in 1915 as “Kinemadrama.” It eventually appeared in English as “The Strange Life of Ivan Osokin.” So it might have had three titles.
Could anyone actually read “In Search of the Miraculous” in thirty-five minutes? That is an obvious impossibility. When I make the claim that I did, I failed to explain that the text that I succeeded in reading so rapidly was Chapter IX of “A New Model of the Universe” which is coincidentally titled “In Search of the Miraculous.” The book’s chapter runs from page 305 to page 342, so it is only 37 pages long, easily read in a little more than half an hour, especially as it about as is far from being technical in orientation as possible. In fact, it highlights the writerly side – indeed, the literary side – of Ouspensky’s otherwise austere temperament.
Readers of “A New Model of the Universe” may or may not recall that Chapter IX is composed of six literary sketches – “feuilletons” in French – which evoke six aspects of “the miraculous.” The sketches are both subjective in emotion and objective in the sense that their subjects are appreciated and evaluated in the contest of what might be called “the real history of the world” instead of what we know as “the history of crime.”
The first sketch evokes the magnificence of the cathedral of Notre Dame de Paris and explores the claim made for it is that, just as modern science has conquered space, esoteric science “has conquered time.” It has done so for “it knows methods of transferring its ideas intact and of establishing communications between schools through hundreds and thousands of years.”
Egypt and the Pyramids are described in the second sketch. It discusses the construction of the three pyramids on the Giza plateau and leaves the reader with the following thought: “In reality the pyramids contain a great enigma.” One of the enigmas is anti-evolutionary in nature. On this basis alone we should conclude the existence of civilized beings prior to ourselves; hence we ourselves are not “the descendants of a monkey.”
Sketch number three is devoted to the Sphinx about which “nothing is known.” The author writes, “The Sphinx is indisputably one of the most remarkable, if not the most remarkable, of the world’s works of art. I know nothing that I would be possible to put side by side with it. It belongs indeed to quite another art than the art we know. Beings such as ourselves could not create a Sphinx.”
“The Buddha with the Sapphire Eyes” is the title of the fourth sketch. Ouspensky’s account of it – his meditation on the reclining figure – has made it among occultists and esotericists the most famous of Ceylon’s giant statues. It is located just outside the Sri Lanka capital of Colombo, and there is a photograph of it reproduced in the Commemorative Issue of “The Bridge,” a journal published by The Study Society, London, in 1977. But the author offers a verbal portrait worth a thousand pictures. This Buddha speaks to us “of a real existence, of another life, and of the existence of men who know something of that life and can transmit it to us by the magic of art.”
The fifth sketch is titled “The Soul of the Empress Mumtaz-i-Mahal” and it paints a rosy and pastel image of the Taj Mahal, a scene that never seems to cloy or lose its fascination. The Taj is a tomb, a burial site, but it is not a gravesite. Here Ouspensky develops a theory that moves into dimensions beyond the fourth, infinity being the fifth: “The soul and the future life are one and the same.”
“The Mevlevi Dervishes” is the sixth and last sketch. In Constantinople he was invited to a tekke at Pera where he had the opportunity to observe the dervishes whirl about like the planets in the heavens. He witnessed the ceremony on at least two occasions at an interval of one dozen years. He concluded that events move more quickly than do the dervishes for all their speed. For instance, in the interval, Russia itself had ceased to exist. Events that had occurred to him during those twelve years had imparted some knowledge to him. “And now I knew more about them. I knew a part of their secret. I know how they did it. I knew in what the mental work connected with the whirling consisted. Not the details of course, because only a man who takes part in the ceremonies or exercises can know the details. But I knew the principle.”
On that note this chapter ends. These synopses of Ouspensky’s sketches are meant to offer the reader a sense of the poetic side of the author’s temperament. It was Colin Wilson’s argument that the world lost a great metaphysician in P.D. Ouspensky when he met G.I. Gurdjieff. Whether this is true or not, all is not lost. We have Ouspensky’s heart and soul in the chapter “In Search of the Miraculous,” and his body and mind in the book “In Search of the Miraculous.”
Perhaps you will agree with me that this is not bad for thirty-five minutes of reading!
John Robert Colombo is a Toronto-based author and anthologist with a special interest in mysteries. His current work is devoted to preserving the hitherto unknown short mystery fiction written by Sax Rohmer, the English author who created the arch-villain preposterous, Dr. Fu Manchu. All this is explained on his website: < http://www.colombo.ca >
Notice of conferences, books, reviews or events of interest to the practitioner or scholar of Gurdjieff’s teaching may be sent to: Sophia Wellbeloved email@example.com
2. The Real Question
I will assume that the reader has access to John Robert Colombo’s review of this book at http://gurdjieffbooks.wordpress.com/2011/04/11/was-lord-pentland-an-eminent-gurdjieffian/
This will save me going through the preliminaries. To a significant extent, I am in agreement with JR’s review. But I do think that the most important point a critic can make about this book is that it is not actually a biography of Lord Pentland in the sense that the genre of biography has been known in English letters: it is, rather, a polemic which takes Pentland as its chief but not its sole target. It is as if Pentland is merely a convenient, and – for Moore – an agreeable because a disdained target.
That the book is a polemic shows itself in two ways: its coverage of Pentland’s achievement is minimal to the point of mockery, and its coverage of other targets is overplayed. Thus, Moore also takes aim at what Pentland’s father, the social class to which he belonged, the Britain in which Pentland flourished, and P.D. Ouspensky. Moore sometimes takes aim at Jeanne de Salzmann and through her and Pentland, what is now clumsily known as the “International Association of the Gurdjieff Foundations”.
The title is, of course, pretentious, referring as it does to Lytton Strachey’s minor classic. But then, the author named his autobiography Gurdjieffian Confessions: A Self Remembered. I doubt that he would see any pretence at all. Moore’s writing continues its steady decline. In my view, Gurdjieff and Mansfield was the best written of his books. Each succeeding volume sees further adventures in grandiloquence to the point where, in this book, Moore’s prose positively obscures his meaning as much as it reveals it. For example, speaking of the “Dunkirk Spirit”, Moore remarks: “By just such a rare and free flowing energy the aridities of Ouspensky’s scholasticism might have been irrigated. But they were not.” (p.53). What does this mean? We can see that he dislikes Ouspensky’s “scholasticism”, but he does not explain what the stated “aridities” are, or how they could have been “irrigated” by the spirit of Dunkirk. The dry four word sentence “But they were not”, seems to suggest that there was some fault of Ouspensky’s part, or that of someone else. However, as so often in this book, Moore does not condescend to explain his meaning, the basis for his opinion, or what his sources were.
Consider this line: “Here as elsewhere Pentland is litmus paper shy of turning red or blue”, (63). I do not know what he means in this context. I know what litmus paper is, and I know what shy means, but what is he saying? Moore aims for effect to the point of losing sight of why one writes.
One of Moore’s techniques in this book is to assume an omniscient voice, a manner of proceeding which allows him to criticise and condemn without needing to do more than demand that we accept his conclusions. Moore has researched many details of the world in which Pentland lived, but how can he possibly know that when he took his seat as President of the Cambridge Union, Pentland had “a sense almost of swooning vertigo”? (32) Does Moore have access to a diary or letter, and if so, why not mention it? Or is it all as much a fiction as the awkward talk between father and son which he invents?
“History’s access to their verbatim conversation is decently barred by the study door” (15) Moore speaks here, as often, as if he were the voice of history, and the tone supports him when he adds: “Yet this caveat does not entirely forbid the authorial imagination an intelligent extrapolation from circumstantial evidence. Like most fathers His Lordship hardly knew how to begin.” Where is the intelligence here? What are the pieces of evidence he uses? Maybe if we knew the facts, we would find that Pentland’s father was different from how Moore imagines him. All I can see here is the operation of thoroughgoing prejudice, and that is a very different thing.
Similarly, in speaking of Franklin Farms, he mocks how “Society women with compressed lips earnestly bottling peas and beans were in a profounder sense, bottling spiritual merit.” (67). How does he know what their attitude was? Were they really so self-righteous as that? Maybe the women would have surprised him. But by filling this slim volume with “intelligent extrapolations”, and speaking as if all-knowing, Moore creates a consistent picture of pretentious and deluded wealthy folks, and then pleads its very consistency in aid of its veracity. This is not valid biography, and is cheap even as polemic.
It is difficult to overstate the extent to which the book is primed with irrelevancies which create an illusion of research, while bare of many matters which are far more important. For example, we learn that tickets to the premier of Gone with the Wind were hard to procure (51), but Moore does even try to tell us in what Pentland’s approach to the Gurdjieff teaching and methodology consisted. Yet, after the publication of Exchanges Within and several of his talks, this would have been as easy as it is desirable.
Again, Moore tells us that at one time a certain piece of news “would have imparted to Pentland’s stiff mind and body the artificial agility bestowed on a dead frog’s hind-quarters when juxtaposed to an electric coil …” (72). It is ponderously written, and not, to my mind, at all witty. But more profoundly, Moore assumes and has assumed all throughout that Pentland had a “stiff” mind”.
Moore is content to construct a paper tiger and ignore, in the published group meetings, what made Pentland the teacher he was – whatever type of teacher that may have been.
It is necessary to state that I am sure that Moore has a certain point: but he does not demonstrate it. I remember that in several meetings with “senior” people from the New York Foundation, they would gently push you into agreeing with them: it was obscene, the number of times one woman in particular would put words into people’s mouths by asking, “Wouldn’t you say …?” I had a sense, even then, that she was imitating, and my guess was that she was imitating Pentland.
I recall one chap who had met Pentland would come quote statements such as: “Don’t write that down! Remember it! Lord Pentland said: Why do we write? We write it order to forget!” How absurd. We don’t write in order to forget, but so that if we do forget, as experience shows us we often do, we will have a record. When I was in New York, about eight years after Pentland’s death, I was with Jim Wyckoff’s group. We had to remove all the items from a series of cupboards. I started to make a sketch of what was where. They got stuck into me: that was not the Work! I had to remember not use a crutch. They would remember. And so on. They really made a point out of it: they were unctuous and self-righteous.
But when, a week later, they had to restore the items, they were searching high and low for the sketch. Not one said a word to me. I started to form the opinion then that Wyckoff was a New York hippie, and before he died, I informed him that I no longer wished to “work” with him. I am gratified that to remember that I did. Because, like Pentland, he was an authority figure. But to give Pentland his due, Pentland could run a business and did establish the Foundation on the West Coast.
Still, the picture of the NY Foundation I then formed, as conceited while operating at a level lower than ordinary life, does seem to go back to Pentland. But I also felt that there was more than just that to Pentland. And I feel that the X quality which Moore has missed must have been something to do with the presence of Lord Pentland. Only by appealing to the presence of Lord Pentland can I explain why the text of Exchanges Within, which seems to me to be good but not excellent, sends those who knew him into raptures: they make a connection to what they experienced when they met him
Interestingly, Mr Adie did not consider Pentland to be anything but formidable. He did say that Pentland would go all cryptic and mystificatory or change the topic when he did not know something or felt inadequate. He also said that Pentland could play a double game, and for reasons I won’t go into now, I think that Adie may well have been right. I think that Pentland did relish the idea of taking over the Adie group in Australia, but – probably on instructions from Jeanne de Salzmann – was content to wait until Adie would die. And to give them credit, the strategy did work, but by the time it bore fruit, the groups had reduced from well over a hundred and forty persons to about a third of that number.
I should also note here that there are some very interesting stories of Pentland being bested by Mrs Staveley in verbal duels. Once he asked her, in front of others, to give an impromptu talk on the importance of obedience. It was obvious to those present that his point was that she was disobedient to either Jeanne de Salzmann or himself or both. She turned the tables on him: “Yes, obedience is important. But obedience to what?” Discomfited, he changed the topic.
So it should be obvious that I have no problem with a book which is critical of Pentland and the Foundation: but it needs reasons and grounds. This book is filled with tricks: “How far away, suddenly, seemed the hors d’oeuvre table at Claridges,” (73). Moore had referred to Claridges a little earlier, but it had nothing to do with this section, and neither is there any reason to think that anyone thought of Claridges, wistfully or otherwise. It is just a way of inserting a supposedly clever line and making Pentland look like an upper class twit. Similarly, and there are other examples, Moore mentions that pencil sharpeners were made scarce in England during the war, and then speaks of Pentland going to the USA where “the staff were … never short of … pencil sharpeners,” (62). Is that humorous? Does it have a point? It was Moore, not Pentland, who cared about such matters.
I could continue like this, but in the end, the very cynicism of Moore’s approach takes me to what I consider to be the real question.
2. The Real Question
The real question, to my mind, is about the Gurdjieff Work. If Pentland – the leader of the Foundation in the USA – was indeed, as Moore paints him, then what is the point of the Gurdjieff Work?
See related posts:
Andrew Rawlinson’s review of this book
John Robert Colombo’s reviews this at: http://gurdjieffbooks.wordpress.com/2011/04/11/was-lord-pentland-an-eminent-gurdjieffian/
he reviews Ashala Gabriel’s Remembering Lord Pentland
JOSEPH AZIZE has published in ancient history, law and Gurdjieff studies. His first book The Phoenician Solar Theology treated ancient Phoenician religion as possessing a spiritual depth comparative with Neoplatonism, to which it contributed through Iamblichos. The second book, “Gilgamesh and the World of Assyria”, was jointly edited with Noel Weeks. It includes his article arguing that the Carthaginians did not practice child sacrifice.
The third book, ‘George Mountford Adie: A Gurdjieff Pupil in Australia’ represents his attempt to present his teacher (a direct pupil of Gurdjieff and Ouspensky) to an international audience.The fourth book, edited and written with Peter El Khouri and Ed Finnane, is a new edition of Britts Civil Precedents. He recommends it to anyone planning to bring proceedings in an Australian court of law.
“Maronites” is pp.279-282 of “The Encyclopedia of Religion in Australia” published by Cambridge University Press and edited by James Jupp.
“There is not a page of this book that will not surprise and instruct every one of its readers, including even the most knowledgeable of readers.”
John Robert Colombo Reviews Paul Beekman Taylor’s Latest Book
The first introduction that I had to what is now called the Work was not the result of reading a copy of “In Search of the Miraculous.” That was my second introduction to it. The first introduction was finding a second-hand copy of “God Is My Adventure” in a bookstore which no longer exists in Toronto and buying it and avidly reading it from cover to cover. The book, published in 1935 and frequently reprinted, was written in a lively and irreverent manner by Rom Landau, a British or Polish-born journalist (Wikipedia says British, Taylor says Polish) with a special interest in such offbeat and exotic subjects as the dozen or so spiritual leaders who are the subject of “God Is My Adventure.”
Landau was a first-rate reporter and lively raconteur, and in this regard he resembled his contemporary, the American journalist and adventurer William Seabrook who also wrote about what became known as the Work. Among the spiritual leaders described by Landau in vivid detail are Count Keyserling, Stefan George, Rudolf Steiner, Krishnamuri, Meher Baba, and Frank Buchman, not to mention P.D. Ouspensky and G.I. Gurdjieff. It is a motley crew to be sure. Landau’s descriptions of the latter two leaders in action constitute the first such accounts to appear between the covers of any book, as distinct from the columns of daily newspapers and other periodical publications.
I will not take the time to discuss Landau’s understanding of traditionalist teachers or try to characterize his account of the lecture delivered by Ouspensky which he attended in London or his account of a lunch and a meeting with Gurdjieff in New York City. But I was reminded of Landau and the impression that he had made on me about fifty years ago while I was turning the pages of Paul Beekman Taylor’s latest book. It is called “Gurdjieff in the Public Eye” and it includes references to both Landau and Seabrook. Indeed, it would be incomplete if it had failed to do so.
First let me offer a description of this new book and then a brief account of its author before I turn to the text itself. “Gurdjieff in the Public Eye” is subtitled “Newspaper Articles, Magazines and Books 1914-1949.” It takes the form of a sturdy trade paperback which measures 6.25 inches by 9 inches and has 246 numbered pages. The pages are not stitched but glued. The textual apparatus includes a foreword, an introduction, a select bibliography, and a nominal index, along with 16 pages of dimly reproduced images of Mr. G., dancers, Movements demonstrations, program notes, newspaper clippings, the Priory, etc. The soul of the book is the seven chapters devoted to excerpts and commentaries – but more about such matters later.
The publisher is Eureka Editions in Utrecht in The Netherlands, and the year of publication is given as 2010 (though it seems the book has just appeared in the present year of 2011). Eureka is the publisher of over fifty Work-related books, including numerous new or reprinted volumes by Bob Hunter, Maurice Nicoll, Beryl Pogson, J.H. Reyner, Paul Beekman Taylor, and other group leaders, participants, and observers. The website of Eureka Editions is well worth examining for many reasons.
The story of Eureka’s founding and founders is given, along with its mission and defining characteristic: “Eureka Editions is not connected to any Foundation, Institute, Fellowship, Church or other form of organization, however useful they may be.” The publishers then quote Maurice Nicoll: “The Work is not a building, a place, a book, a system, dogma or tradition. The Work is something that lives in the hearts of men and women – if they can find it.”
The author of the present work is Paul Beekman Taylor who as a youngster “knew Gurdjieff.” Born in London in 1930, he and his mother spent some time at the Priory at Fontainebleau-Avon. Thereafter he became a scholar of Old Norse and Old English and taught for many years at the University of Geneva. He is now a Professor Emeritus of that institution. Books that he has researched and written include the very useful and detailed volume titled “Gurdjieff’s America” (2004), reissued as “Gurdjieff’s Invention of America” (2007), and “G.I. Gurdjieff: A New Life” (2008). The latter biography rises to the heights of James Moore’s classic work, “Gurdjieff: The Anatomy of a Myth” (1991); and, by incorporating the results of recent research, Taylor’s surpasses Moore’s biography in numerous particulars.
It is my guess that Taylor sees himself as the historian of the Work, and I assume that no one will deny that he is ideally equipped as a scholar to trace its trajectory and that no one will doubt his “feel” for the Work. When I learned of the imminent publication of “Gurdjieff in the Public Eye,” what flashed before my eye was the composition of the collection and the construction of the commentary, as well as the conviction that Taylor was the man for the job. I was more or less familiar with the ancillary literature because what also flashed before my eye was the following name: J. Walter Driscoll.
I have yet to meet J. Walter Driscoll. despite the fact that he was born in Toronto, where I live, and that he now resides on Vancouver Island, off the West Coast of Canada. I hope one day we will meet. Users of the Internet will be grateful to him for there is much for everyone to peruse on the website “Gurdjieff: A Reading Guide” edited by J. Walter Driscoll (third edition, 2004). Here is how the website describes itself:
“This edition of the ‘Gurdjieff Reading Guide’ contains a retrospective anthology of fifty-two articles, some originally published here, and others dating as far back as 1919. These provide an independent survey of the literature by or about George Ivanovitch Gurdjieff (1866?-1949) and offer a wide range of informed opinion (admiring, critical and contradictory) about him, his activities, writings, philosophy, and influence.”
In effect, Driscoll’s “Gurdjieff: A Reading Guide” is the backbone of Taylor’s “Gurdjieff in the Public Eye.” Yet for its body and soul we have to turn to Driscoll’s magnum opus. This is the tome titled “Gurdjieff: An Annotated Bibliography” which was undertaken with the Gurdjieff Foundation of California and published in a hardcover edition by Garland Press in 1985. This standard work consists of some 1,700 entries full of delicious bits of information and iotas of insight.
Many researchers (like the present writer) have used Driscoll’s bibliography as a checklist for items to find, photocopy, read, and digest. I hope Driscoll continues to collect and annotate the ever-expanding body of knowledge about the Work. Yet the arrival of the Internet has probably stamped “paid” to future editions of Driscoll’s “Annotated Bibliography” at least in print form.
I am devoting all this attention to J. Walter Driscoll because the librarian, teacher, and archivist has contributed the foreword to the present volume. The foreword is short, only two pages in length, and it dwells entirely on the capacities and credentials of Taylor. It could but does not make the case that the “Annotated Bibliography” is the body and soul of “Gurdjieff in the Public Eye.” Driscoll seems very scholarly and endearingly self-effacing.
In his introduction, Taylor describes the present book as “an anthology of all printed materials about Gurdjieff during his lifetime.” He credits the work of “definitive” bibliographer Driscoll, of musician Gert-Jan Blom, and of historian Michael Benham, a specialist in twentieth-century Russian history. He discusses what is included because there was not enough space to reproduce every article from every newspaper or magazine in whole or in part or even at all. (That sounds like a job for the Internet.) But major articles quite often appear in full, and all the articles are succinctly and authoritatively annotated.
The years from 1921 to 1935 corresponded to a period of wide-spread public interest in Gurdjieff and his activities at the Priory, subsumed under the heading “the forest philosophers.” In all, I counted 126 articles from all periods, reproduced in whole or part, and they cover the years from 1914 to 1950. They range from the five-paragraph, anonymous notice about a hitherto unknown “Hindu” who had written “a most curious ballet scenario” called “The Struggle of the Magicians,” which appeared in “The Voice of Moscow” five months following the outbreak of the Great War and was read by Ouspensky, to the appearance of obituary notices in “The Times of London,” “The New York Times,” and “The New Yorker” in the late fall of 1949.
Taylor’s table of contents gives a good idea of the chronological arrangement of the material. There are seven chapters: 1. Early Notices; 2. What the French Press Reported on Gurdjieff and His Colony; 3. The English Press; 4. American News of the Institute; 5. The American Tour of 1924; 6. Gurdjieff’s Press 1924-1939; 7. Last Notices. The two chapters devoted to the American press are the longest, as they benefit from Taylor’s own research and editorial concentration on this period.
I am going to resist the temptation to discuss individual articles on the principle that one does not have to drink the entire ocean to know that it is salty – one drop will do; as well I will observe the injunction that it is difficult to eat just one salted peanut – and not a second and then a third. Having said that, let me suggest that worth the price of admission alone is the article reprinted from “The New Republic” (June 1929) written by Carl Zigrosser (who was subsequently appointed curator of prints at the Philadelphia Museum of Art). He knows his “prints” and offers his readers – and us, courtesy of Taylor – an engaging and lively account of a summer visit to the Priory as well as a notable pen-portrait of its founder.
It is interesting to read what non-Gurdjieffians have to say about Mr. G. Indeed, I find what Gurdjieffians have to say about the man and his manner somewhat predictable, and hackneyed because readers of the literature on the Work are already quite familiar with the formulations of Ouspensky, J.G. Bennett, members of The Rope, and other contemporary commentators. Independent journalists can often be irreverent and amusing, instructively so, as they fail to understand Mr. G. and his manner and method. Yet there is one editorial decision that was made with “Gurdjieff in the Public Eye” that surprises me.
What we have here is the material that should comprise an anthology, yet the text is presented not as an anthology or as a casebook of fully formed “pieces,” but as an historico-critical analysis that proceeds more or less decade by decade, in effect, a history. I wonder if the book would not have been more compelling and engaging had it been arranged in the form of an anthology, with independent contributions, each one introduced with a short preface followed by a source note and a critical commentary. The volume was not organized in this fashion, but I believe it would have found more readers had it been allowed to proceed along this trajectory.
According to the publisher’s webpage, one hundred copies of “Gurdjieff in the Public Eye” have been printed. (The statement about the press-run does not necessarily preclude reprints of the first edition.) Are there so few – or so many – collectors and “completists” who buy serious books about the Work? One would think there are more readers than one hundred who are interested in the interwar period, in journalism, in the sociology of belief, in the psychology of gurus and leadership, in comparative religion, in early twentieth-century philosophy, in New Age formulations, in Traditionalist thought, etc. Perhaps so, perhaps not!
I began this review with a reminiscence about Rom Landau’s “God Is My Adventure.” Taylor summarizes Landau’s contribution quite well, identifying times and places and people, and he concludes it by quoting Landau’s evaluation: “I have been unable to perceive in the man George Ivanovitch Gurdjieff the harmonious development of man.” That is the last sentence of the second-last paragraph. What Taylor does not quote is the first sentence of that paragraph: “I could dimly discern that the essence of Gurdjieff’s teaching contains a truth that everyone in contact with spiritual reality is bound to preach.”
Wallace Stevens wrote about 13 ways of looking at a blackbird. There are 32 short films about Glenn Gould. Hokusai painted 36 views of Mount Fuji. Paul Beekman Taylor has now offered us an anthology of 126 articles about Mr. G. There is not a page of this book that will not surprise and instruct every one of its readers, including even the most knowledgeable of readers.
John Robert Colombo is known across Canada as the Master Gatherer for his compilations of the lore and literature of the country. His current books include “Fascinating Canada” (a book of questions and answers) and “Jeepers Creepers” (a collection of told-as-true ghost stories). He has also published three volumes devoted to the life, work, and writings of Denis Saurat (who also “met Gurdjieff” and is discussed in “Gurdjieff in the Public Eye”). Colombo’s website is < http://www.colombo.ca >.
JOHN ROBERT COLOMBO REVIEWS
JAMES MOORE’S NEW BOOK
I distinctly remember the sensation that I experienced when I first saw in print the name “Lord Pentland.” What I sensed was a loftiness of person and of purpose. What I felt was the emotion of being wafted away from my usual, classless moorings: “Whoever is this fellow?” What I entertained was an heretical thought upon seeing his name in the context of the Work: “Was an English lord actually chosen by Mr. Gurdjieff to head the Work in America?”
I was late in the game. I first encountered the name and title in the early 1960s in the pages of a newly published book of radio talks. Its table of contents listed the contributors of talks and interviews broadcast on Pacifica Radio in California. I have long forgotten the names of the other contributors to this series of addresses, all of them public intellectuals familiar to me at the time. But I remember the name of this English baron who was completely unknown to me at that time. Curious!
I never met Lord Pentland or Henry John Sinclair or just plain John Sinclair, of course, but over the decades I have met with groups of men and women who knew him, attended his talks, and studied under him. They were unanimous in their admiration and respect for the man. I would ask each in turn, “What was his dominant characteristic? Why was he so admired and respected? What made him a dedicated teacher or leader?” People seemed to like the man but there was seldom a feature, chief or not, which I could identify or with which I could identify.
After all, the photographs of the man that I saw reproduced in public print, or at least those taken during his later years, showed a gaunt figure of a man with steel-rimmed glasses and querulous eyes. I once wrote, “To judge by photographs, John Pentland was a cadaverous figure of a man, toweringly tall, with skeletal skull, bushy eyebrows, and beady eyes. He resembles an ascetic, say a Cistercian monk …. “
As well, he seemed quite forbidding, almost formidable (if not slightly comic or ironic). I never could discover what psychological feature or features were so impressive, though every once in a while someone would glance around and mumble about the man’s patrician bearing, the slight condescension in his attitude and manner, etc. But then some people are never satisfied; they will accept the Sermon on the Mount only if delivered by Jesus Christ in person.
Over the years I watched out for references to Lord Pentland in the literature of the Work, especially in the “Gurdjieff Review.” I bought and read a copy of the book “Exchanges Within” which is subtitled “Questions from Everyday Life Selected from Gurdjieff Group Meetings with John Pentland in California, 1955-1984.” It was published by Continuum in 1977, and its prose captured some of the qualities of the man, which I take to be a general thoughtfulness or mindfulness coupled with directness and authority.
I found his manner of writing and speaking to be more elusive than evasive, and to this day his prose, whether transcriptions of the talks or of the sessions of questions and answers, continues to remind me of the opaque styles of J. Krishnamurti and Rudolf Steiner. The opacity could be that of some level of being: a disembodied intelligence, perhaps. The texts of the talks themselves read like … radio scripts.
The other day I checked Wikipedia’s entry and I learned a little about the man Henry John Sinclair, but next to nothing about his personality and purpose, his mission and message. He was born in 1907, but where? (The biography says London.) He died in 1984, but where? (The biography says New York City.) He was the 2nd Baron Pentland and a man of means; his wife Lucy was also titled and well-to-do. His daughter, son-in-law, and their child are contributors to the Work.
In the 1930s and 1940s he worked with P.D. Ouspensky in London, and in 1948 he spent about nine months with Mr. Gurdjieff in Paris, who thereupon appointed him to lead the work in America. (“America” means the United States; while he did visit Canada, it was for business meetings in Toronto before he had met Mr. Gurdjieff and for a visit to the rodeo in Calgary afterwards.)
At one point he worked out of an office in Rockefeller Center, representing British-American commercial interests, like an earlier neighbour, spymaster Sir William Stephenson (known as “the Quiet Canadian” before turning garrulous and acquiring the title “the Man Called Intrepid”). I recall reading a warm and memorable description of Lord Pentland at work in his office. The account was written by the youthful William Patrick Patterson who visited the baron there, was much impressed with the man, and studied under him for all of eleven years, before finding another mentor. Patterson went on to establish the Gurdjieff Studies Program and describes himself to this day as a student of Lord Pentland.
Lord Pentland served as president of the Gurdjieff Foundation from its inception in 1953 to his death in 1984, and also as president of the Gurdjieff Foundation of California from its inception in 1955 to his death. He also served as executive editor of Far West Editions from 1969 to his death. I sense that the year of his death marked the end of a phase of the Work in America, as phases of the Work in France and the rest of Europe and the United Kingdom were marked by the death in 1990 of Madame de Salzmann and eleven years later that of her son Michel de Salzmann.
Talks delivered by Lord Pentland at Esalen and on the campuses of American colleges and universities were delivered alike to veteran students and newcomers to the Work and printed in semi-limited editions. In print they seem somewhat abstract or at least abstracted from experience. Indeed, I reviewed three of these publications and summarized their contents for readers of this blog in 2008, where they remain archived for reading or reference.
I have gone into all this detail – peeks at Lord Pentland from a distance – for the reason that many if not most readers of this review will share experiences similar to mine, being one or two steps removed from the man and the manner. Not everyone in the Work has had a first-hand experience of the man. Savour those experiences and conceptions of the man before encountering him in relief in the pages of James Moore’s biography, which has a four-word title: “Eminent Gurdjieffians: Lord Pentland.”
This biography is a handsome volume published by Gurdjieff Studies Ltd. in England. The website is < www . gurdjieff . org. uk >. The book has an attractive dust jacket (designed by Linda Edmonds), card covers, matching coloured endsheets, and well-designed pages which measure 6″ x 9.5″ and which run from xx to 108. There are eighteen black-and-white illustrations. There is also a nominal index (i.e., restricted to personal names, not places or references) and a bibliography best described as sketchy. I wish the pages had been stitched rather than “perfect bound,” i.e., glued, but there are headbands, and the pages once opened almost lie flat on their own. It is a nice edition to hold and to read.
But before I do review its contents, I want to comment on the first two words of the book’s title: “Eminent Gurdjieffians.” Serious readers will catch the significance of the word “eminent,” which was not coined by Lytton Strachey but was certainly trademarked by him. “Eminent Victorians” is the title of this influential composite biography of four leading figures in Victorian England (Cardinal Manning, Florence Nightingale, Matthew Arnold, and General Gordon).
The lady and the three gentlemen were and are indeed “eminent,” though not necessarily pre-eminent for reasons of morality. The book’s appearance in 1918 coincided with the end of the Great War, and as the latter dealt the deathblow to the Kaiser’s designs on Europe, the former ended the idolatry and exposed the morality of leading public figures in Queen Victoria’s England.
Today, “Eminent Victorians” would be regarded as a hatchet-job, but for the fact that Strachey wrote well, researched deeply, and refused to moralize. Indeed, the composite biography appealed to the sceptical Bertrand Russell who read it while imprisoned for civil disobedience. In a letter he described the literary work in these words: “It is brilliant, delicious, exquisitely civilized.”
Do Lord Russell’s words describe the book at hand? I will answer that question but first here is another digression. The digression concerns the author James Moore. His entry in Wikipedia and his own detailed and informative website < www . jamesmoore . org . uk > are so interesting that I could write about the author at some length. Instead, I will write concisely and somewhat cursorily.
Moore, born in Cornwall in 1929, seems to be something of an autodidact, but one who worked with the Admiralty until retirement in 1980, who holds fellowships in at least two Royal Societies, and who is the author of four books of substance and many articles of importance which have appeared in serious journals and as entries in encyclopedias.
As for his Work experience, he studied with Henriette H. Lannes from 1957 to 1978, and thereafter with Henri Tracol and Maurice Desselle. He was closely associated with the Gurdjieff Society in London from 1981 to 1994 when, it seems, he was expelled, if that is the word to use, though “excommunicated” is the one that he himself prefers. (Query: Do Gurdjieffians “shun” like Mormons?) That might be the second-best thing that has ever happened to him, his induction into the Work being the first; the jury is still out on that. Anyway, he renewed himself as an independent scholar and presumably as an independent Gurdjieffian, his status to this day.
I have read his four books: “Gurdjieff and Mansfield” (1980), “Gurdjieff: The Anatomy of a Myth” (1991), “Gurdjieffian Confessions: A Self Remembered” (2005), and now “Eminent Gurdjieffians: Lord Pentland” (2011). His chef d’oeuvre is the second of these books, a biography rivalled only by John Beekman Taylor’s “Gurdjieff: A New Life” (2009), a sturdy and substantial work. I am still divided on the merits of the third of these books, as it adopts the tone of the tabloid press in its whining and winging, though as a human document it is full of fascinating detail.
If anyone in the Work is in a position to write short biographies of Work personalities and their essences, it is James Moore. On an earlier occasion I referred to this biographer as a precisian, an uncommon proper noun for someone who is strict and precise in observing the rules, his own or others’. I suspect that he gives a lot of thought before writing down a word. He is as stylish and exacting as Flaubert, who, it is said, worried so much over his prose that he would spend a morning inserting a comma followed by an afternoon erasing it. Moore is a writer who has to be read closely, and watched.
I have the feeling – it is an idea, really; perhaps a dream – that “Eminent Gurdjieffians” marks the first volume in a series, a series that may set a high watermark for scholarship in the literature of the Work. Such a series is long overdue. Where is there a short biography of Sophie Grigorievna Volochine (aka Madame Ouspensky)? Or a long biography of Jeanne Allemand (aka Madame de Salzmann)? Perhaps these and other biographies are waiting in the wings.
Yet in these pages Moore writes, plangently, “This book is my literary swan-song.” If so, it is sad news. Earlier I quoted Bertrand Russell’s words about Lytton Strachey’s book: “brilliant, delicious, exquisitely civilized.” Do these words apply to Moore and this book? Yes and no is the short answer. The long answer follows.
Moore writes with a stylistic brilliance that is coruscating and hence sometimes blinding. His prose is delicious in the sense that the reader wants to consume more and more pages, though with full knowledge that some passages are going to be hard to digest. But is the work “exquisitely civilized”? The author is certainly a cultured man, but I would not immediately describe him as civilized, at least in terms of what he has written here. He is very hard on his subject and for these reasons one would have to read between the lines.
There is a telling anecdote about a beautiful but impressionable society lady who one day accepted a luncheon invitation from W.E. Gladstone. Asked about the experience, she replied, “I realize that I was in the presence of the most brilliant man in all of England.” The next day she lunched with Benjamin Disraeli. Asked how that lunch had gone, she replied, “I realize that I am the most brilliant woman in all of England.” Reading Moore’s prose I feel that Moore is the most brilliant writer in all of England.
He monopolizes his subject, but to demonstrate this I would have to lead the reader through the book page by page to review Pentland’s life and that would take a great many pages (or “screens”). It is an interesting life that he led, but not a very convincing one, at least to the degree that Pentland was a late developer, and it begs the question whether he developed at all; that makes Moore’s task all the harder.
Medical historian Michael Bliss had the same problem as Moore when he wrote the now-standard biography of Sir William Osler, the clinician and Regius Professor of Medicine, who had no secrets, no scandals, and no enemies. That presents a problem. How does a biographer make decency attractive in its own right? Instead of pursuing this line of inquiry, I will make a few general points.
* Moore devotes no pages at all to Pentland’s talks and interviews, even those that were published in “Exchanges Within.” So the subject’s “take” on the Work is not discussed. Pentland presided over an interesting period in the evolution of the Work – what with the introduction of all of those “sittings” – but while they are mentioned, they are certainly not considered in any detail.
* Moore has hardly anything of an interpretive nature to say about the appeal of P.D. Ouspensky’s “system” to Pentland. There is no speculation as to what Mr. Gurdjieff saw in Pentland’s spirit, mind, or manner. Possibly what he saw in his “American lieutenant” was a respectable man with the ability to relate to men and women on all social levels, which it seems is what Pentland did do.
* Moore devotes no paragraphs at all to Pentland’s business interests, a point he himself makes, as if to exculpate himself. These details would be of some social and intellectual interest. His “war record” seems to be one of evasion rather than duty, but that is not conclusively shown.
* Moore devotes no sentences at all to interpreting the man’s psychology. I am not now referring to “the psychology of man’s possible evolution” but to the dynamics of the man’s personality, his image of himself. For this reason the biography seems to me to be pre-Freudian: the subject is more a mannikin than a man in Moore’s hands.
* Moore seems uncomfortable dealing with the characteristics of the English class system, both its strengths and its weaknesses. Whenever possible he brings Gilbert Harding into the narrative. I found this interesting, but only because I have long been curious about this English broadcaster and polemicist (who spent some time making mischief in Toronto); Moore is always about to compare and contrast the two men whose lives seem to have been lived at cross-purposes.
* Moore might see himself as a social historian, offering brief histories of the decades. For instance, I learned that the year 1957 “was in some senses a funny year. Jack Kerouac published “On the Road”; Samuel Beckett’s “Endgame” was translated into Eskimo and staged in a Perspex igloo …. ” Fascinating tidbits, à la John Dos Passos, but hardly part of Pentland’s world. For a short book, it is long on potted history.
* Moore is a careful researcher. I spotted no errors of consequence; two inconsequential ones are the spelling of the New Brunswick port where Madame Ouspensky disembarked (it is Saint John not St. John’s, New Brunswick); and the indecision as whether or not to hyphenate Rodney Collin-Smith’s name.
* Moore is good on the dissection of imagery. He offers a brilliant comparison of Pentland’s gaunt appearance with that of the elderly farmer in Grant Wood’s classic painting “American Gothic.” He also comments on the surprising photograph taken by Dushka Howarth which catches Pentland and Mr. Gurdjieff at lunch at a roadside café in 1949, the baron gazing into the distance, the “teacher of dance” digging into the food before him.
* In dealing with that photograph, I believe Moore tips his hand when he describes Pentland in terms of his “depthless earnestness.” These two words might well be his final insight into the man and interpretation of his contribution to the development of the Work. It is an most revealing phrase.
Earlier I mentioned in passing that I had no occasion to meet Lord Pentland. In the introductory pages of this book, Moore mentions that he did meet this “eminent Gurdjieffian,” once, almost accidentally, long before the notion of writing the man’s biography occurred to him. After reading his book, I feel that had I had an occasion to meet Pentland, I too might – like Moore – sense the man’s “depthless earnestness.”
A Pupil Cannot Rise Above the Level of His Teacher
An exploration into: “… it is a law that the pupil cannot rise above the level of his teacher; he [Mr. Adie] saw it, therefore, as his task to try to make Mr. Gurdjieff present to us as best he could.”1
Perspective is interesting. It is paramount in Fourth Way studies. It derives from the Latin word “perspicere”, meaning “to see through”. Consider the following definitions: 2
a technique of depicting volumes and spatial relationship on a flat surface. Compare aerial perspective, linear perspective.
a picture employing this technique, esp. one in which it is prominent: an architect’s perspective of a house.
a visible scene, esp. one extending to a distance: vista: a perspective on the main axis of an estate.
the state of existing in space before the eye: the elevations look all right, but the building’s composition is a failure in perspective.
the state of one’s ideas, the facts known to one, etc., in having a meaning interrelationship: You have to live here a few years to see local conditions in perspective.
the faculty of seeing all the relevant data in a meaningful relationship: Your data is admirably detailed but it lack perspective.
a mental view or prospect: the dismal perspective of terminally ill patients.
To delve into the works and legacy of G.I. Gurdjieff, we need to broaden our limited perspectives. But how?
One way is through “entertaining” another person’s perspective 3. The circle of those who had direct contact with Mr. Gurdjieff is ever diminishing, but some have left firsthand accounts expositions, and privately held papers.
Recently, in an informal setting, I shared the thoughts of Pierre Elliot (1914-2005) with some people. They found the material useful, and encouraged me to think that others might benefit from Pierre’s unique perspective. For those unfamiliar with Pierre, the following short biography [4 ]is by his son, Hugh Elliot:
His aunt Winifred Beaumont introduced him to the work and ideas of G.I. Gurdjieff and P.D. Ouspensky. She was married to the scientist and philosopher, J.G. Bennett. In his formative years during the 1930′s Pierre was a frequent guest of the Ouspenskys. Pierre’s higher education and professional training were interrupted by the onset of the Second World War, which began in September 1939. Like millions of others he enlisted in the British army but his complete fluency in the French language and his familiarity with many areas of France meant that the wartime authorities were bound to send him on clandestine missions and intelligence gathering directed at Occupied France rather than into military service. He once commented to his eldest son: “When I signed up, I was told that the work I was involved in was secret. It was secret then. It is secret now.”
After the war, Pierre’s personal life gravitated once again towards the work of Ouspensky as well as J.G. Bennett at his center at Coombe Springs, an estate southwest of London. In 1947 P.D. Ouspensky’s wife revealed that Gurdjieff, (from whom her husband had broken off all contact since the early 1920′s) was still alive and living in Paris, having survived the Occupation. Margaret Anderson, the American writer, was one of the first of Gurdjieff’s students to be able to return to postwar Paris to be reunited with her teacher. Pierre, like many others, including his future wife Vivien, made frequent pilgrimages to Paris from nearby London, to study and work with the Master. The teachings that were transmitted then as well as the events of those times are well documented in the many published accounts and recollections of life with Gurdjieff. With Gurdjieff’s death in 1949 Pierre continued in close contact with J.G. Bennett. When Bennett took up the spiritual practice known as ‘Subud’, brought to the West by the Indonesian teacher Pak Subuh, Pierre became deeply involved in initiating the large numbers of people who were attracted to Subud and the Latihan exercise.
Pierre’s first marriage ended in 1952. His first wife died, leaving him with two young daughters. He then married Vivien Healey whose own family members had known and worked with the Ouspensky’s. From the birth of their first child in 1954 until 1971 Pierre devoted his energies to various professional and entrepreneurial activities, his family, maintaining a home, educating his children and living a largely ‘normal’ life. However his lifestyle and household still reflected his inner passions. Persian carpets and Indian friezes adorned whatever house the Elliot family lived in and friends and visitors were more than likely associated with Gurdjieff, Bennett or the Subud organization. Every summer he took his wife and children on extraordinary journeys to far flung corners of Europe, as yet still unspoiled by mass tourism.
In 1971 Bennett asked Pierre to help him with a five-year experiment. It was to teach the rebellious ‘sixties generation’ methods of inner transformation, based largely on the ideas of Gurdjieff and Sufi practices. An International Academy was started at Sherborne House in Gloucestershire, England and Pierre was named Assistant Director.
J.G. Bennett died on 13 December, 1974 just as he had signed an agreement to purchase a property called Claymont Court in West Virginia, in the United States. Bennett was convinced that ‘psychokinetic’ communities needed to be established in the world. His legacy and vision was thence taken up by the senior figures around him, including Pierre, Elizabeth Bennett and
The task of starting the Claymont community and school fell upon Pierre’ shoulders. For more than ten years Pierre continued the work of his teachers but he also broadened the scope of influences and invited many extraordinary teachers from other traditions to come and share their wisdom at Claymont. Such luminaries included M R Bawa Muhaiyaddeen, Reshad Field, Sheikh Muzaffer Ozak, and Sheikh Suleyman Loras of the Mevlevi dervish tradition. Sheikh Suleyman Loras conferred the title of Mevlevi Sheikh upon Pierre in 1977. In spite of his grueling schedule of duties at Claymont Pierre still managed to find time to travel the world, sharing the spirit and work of Claymont with diverse groups of interested people. He was frequently invited to speak about his work by former Claymont students and his travels took him all over the United States, to Alaska, Hawaii, the Caribbean and often back to Europe. In 1986 He and Vivien made an around-the-world journey, visiting friends, communities and seekers, in Europe, India, Nepal, Indonesia, Australia and New Zealand.
The name ‘Pierre’ means rock or stone in French. Pierre’s way of leading the community at Claymont had such strength. He seemed to be everywhere at once and no mundane task nor major decision was shirked. He loved plants and rock gardens, birds and flowers. He was a keen collector of stamps and an avid photographer. He never for a moment considered himself a teacher of the caliber of predecessors like Gurdjieff and Bennett. His demeanor was always that of a loyal lieutenant; a practiced steward of the Work.
The following excerpts are from Pierre Elliot’s 13th and final address as Director of Studies to the Annual General Meeting of the American Society for Continuous Education (formerly the Claymont Society for Continuous Education) in 1987:
“Throughout time, people of great vision have been able to pass on to us some of the ways, some of the laws which govern the transformation of man. This has been done in a variety of ways, through art, music, poetry, some of the great mystical writings of all time, but chiefly through schools of various levels. It is not possible to understand these works, but through them see openings into the real world.
“To read them is reading something which for most of us is beyond the comprehension of our limited linear thinking minds, and certainly most of our ability. We hear of these inner matters; we try to live by them, yet we so often stumble on the path because there is something that needs to be said that lies between the way we can approach them and what they are really there to give us. Methods and approaches may well be different but in truth what is being said is the same thing in different ways to suit the different times and the different geographical environment in which we live.
“It has become apparent that many of us do not have the necessary tools (like attention of the right quality) through which we can understand what has been transmitted. If we are strictly honest with ourselves, and look back over the last years, we will most probably find that much of what we thought was a help to us towards our spiritual goa1, has in some sense failed us. We are left, perhaps fumbling in a morass of concepts of God, truth, whatever we wish to call it, knowing that it is there. And yet….
“Let us come nearer home and the particular position we find ourselves in.
“Update – or a Review?
“One can hardly deal with the one without reference to the other. An update must imply an understanding of the past. Last year, let me remind you, the update or observations on work, which I presented, consisted mostly in running down and questioning the validity of many of our practices and concluded with an attempt to upgrade the issues which confront a man oriented towards a life which goes beyond like and dislike and dualism generally and I said: “I am speaking about the real purpose of work. The aim I am speaking about is one which does not mean either a raising of efficiency in life, nor the development of higher powers, nor even increased concentration, or better health, but a being joined, or yoked with the divine,” and concluded “we must be single-minded about our goal. The possibility of transformation is a gift to be valued above all other possessions.”
“In recent years much publicity has been given to the notion of “cults” and I think quite rightly so, because there is almost imperceptibly a tendency towards sectarianism, or say identification, with the particular way one attempts to follow. I would remind you, coming closer to home, of what for me has been a guiding principle over the years. It is a mistake to equate ‘the Work’ with the name ‘Gurdjieff’ or any other name or organization, of which there are legion. For this reason, while I was in a position to do so, I advised your board to be reluctant in accepting that a Tekke, or a Buddhist temple, or a chapel, or even a particular kind of hospital or an Indian kiva, or a latihan hall be established on areas dedicated to ‘the Work’.
“Gurdjieff prescribes a course of training that has received different emphases from different students, in accordance with their predispositions, inclinations and capacities, But where this training came from and where it leads is surely what is of ultimate importance to us. If Gurdjieff had a real mission it was not to deliver a string of exercises and revelations but to point to perfection.
“When he was a ‘Teacher’ at the moment of real teaching, reality was the effective teacher, not the limited individual we know as Mr. G. His aim was reality. The source of his methods was reality. 
There is a danger that our mechanical nature – the commanding self 6 - will filter the transformative content of teachings, leaving only an outer shell, missing the heart of the matter. And, the heart of the matter is the Teaching is the One Absolute Reality: it is unitive self-disclosure. Our preconceptions, fixed beliefs, and patterns of thought are wooden bars bolting the door to understanding. We are admonished to “burn that bar”. In returning to Pierre Elliot’s Address, I ask the question: where are we heading?
“In conclusion, I would return to the authentic voice of Mr. Gurdjieff as quoted in ‘Impressions’ by my old friend Robert de Ropp, who has recently died:
‘The point is to reestablish what has been lost, not to acquire anything new. This is the purpose of development. For this one must learn to discriminate between essence and personality, and to separate them. When you have learned to do this you will see what to change and how. Meantime you have only one possibility – to study.’
“Once again, the authentic voice of G. Gurdjieff. ‘Begin from where you are. You are weak you are dependent you are slaves. Above all you lie to yourself and others. As long as you continue to lie you will never know the truth. If you work with others who are struggling against their own lies you may be able to learn faster. But no one can force you to see if you don’t want to and no one can force you to awaken if you prefer to sleep. Either sleep comfortably or strive realistically to awaken.’ ”
“ ‘Happy is the man who sits in his ordinary chair. A thousand times happier is the man who sits in the chair of the angels, but miserable is the man who has no chair.’ ”
“It seems to turn on this striving realistically to awaken. This comes about in many wondrous ways…”
The teacher, teaching and the taught are a manifestation of a unique moment in time. It is a direct answer to the need of the moment. One may be offered opportunities if the correct space is made. “When the student is ready, the Teacher will appear.” This environment is with the aim of placing the aspiring student at their own beginning. Then, Life becomes the Teacher.
3. By using the term entertain, we are targeting the ability “to keep, hold, or maintain in the mind”. Ideas by their very nature are transformative. From the Greek idéā form, pattern, equiv. to ide- (s. of ideîn to see). An idea is “a transcendent entity that is a real pattern of which things are imperfect representations.” [See http://www.merriam-webster.com/dictionary/idea] In our study – with the right motive and intention, we are offered an opportunity to create an opening along the horizontal axis of our daily life; thereby, allowing something outside our customary perspective to enter and foster a new point from which to view.
5. copyright The Estate of Pierre Elliot
6. “The Sufis refer to the action of the mixture of primitive emotionality and irrelevant associations which bedevils outside would be observers as that of the commanding self.” Idries Shah, The Commanding Self, The Octagon Press, 1994, pg. 2.
Jim Turner is director of studies for the Ontological Research Society.
JOHN ROBERT COLOMBO
looks at the publications of SEYMOUR B. GINSBURG
The thought of G.I. Gurdjieff comes to mind whenever I drive into a shopping plaza where there is a sign that says Toys “R” Us. There are almost two dozen of these toy supermarkets in the Greater Toronto Area, where I live, all of them “reminders” of the man and his message. Canada alone has a total of seventy outlets at the present time. If you live in the United States, there are 860 occasions to remember Mr. Gurdjieff, but only seventy-six if you live in the United Kingdom. Non-U.S. outlets around the world offer an additional 716 opportunities for remembering.
All of this may seem a little sly or silly but for the fact that Toys “R” Us acts for me as a reminder to remember myself and it could do the same for other people too. The reason it comes to mind is that there is an interesting connection between the toy store chain and Seymour B. Ginsburg, whose contribution to the Work is an important one. As unlikely as it might seem, Ginsburg was the co-founder of the parent company and the first president of the company we know as Toys “R” Us. That was decades ago so I assume that he is no longer involved with running the highly successful chain of outlets.
Here is some background on the man, all taken from published sources. Sy Ginsburg (as he is usually greeted) was born in Chicago in 1934 and studied accountancy and law at Northwestern University. In addition to his success in the world of commerce, he has made his mark in at least five related fields of endeavour.
First, he served as President of the Theosophical Society in South Florida. Second, he was a co-founder of the Gurdjieff Institute of Florida. Third, he and his wife Dorothy Usiskin have been mainstays of the series of annual All & Everything Conferences, now in their fifteenth year. Fourth, he has drawn attention to the spiritual contribution of a modern-day Indian guru known as Sri Madhava Ashish. Fifth, he is the author of a number of books that are not only interesting but significant.
There is no way for me to survey all of these fields of accomplishment. Instead, I will describe Sy’s publications and focus on Sy Ginsberg’s relationship with “Ashishda” (as he is known). I will do so out of chronological order; I will also note that I met Sy at the A&E Conference held in Toronto in April 2009 and hence took the opportunity to observe him in action. I found him, unlike many students and practitioners of the Work, to be direct and dynamic. He knows his own mind and he understands precisely what he is doing.
These features are characteristic of his most important if overlooked publication, the one titled “Gurdjieff Unveiled.” There is a subtitle “An Overview and Introduction to the Teaching” as well as a sub-subtitle “For the beginning student, for the inquiring seeker, and for the simply curious.” The sub-subtitle covers a lot of ground, as does the text itself. It is a short work, not more than 150 pages in all, and the paperback copy that I purchased was published in 2005 by Lighthouse Editions, and is still in print on demand format ISBN 1-90499801 0.
From time to time I am asked to recommend a book on the Work. When that happens I automatically nominate P.D. Ouspensky’s “The Psychology of Man’s Possible Evolution,” for it is short, straight-forward, and uncompromising. Along with its companion book “The Cosmology of Man’s Possible Evolution,” it certainly captures the essence of the Work in Europe in the interwar period. Knowledgeable people often recommend books that convey the “taste” of the spirit of the Work since the 1950s, memoirs written by participants like Henri Tracol.
From now on I will recommend Sy’s “Gurdjieff Unveiled” as not only an introductory work but also as a “continuing” work. I recommend it despite its title which I assume reflects the author’s interest in Theosophy, and while I may yearn to behold “Isis Unveiled” (the reference is to H.P. Blavatsky’s major book written prior to “The Secret Doctrine”), I have never lusted to see Mr. Gurdjieff “unveiled.” It certainly offers information on the ins and the outs of the Work in clear and contemporary prose. Indeed, it is something of a handbook.
The work is dedicated to Nicolas Tereshchenko, “A serious seeker, a true scholar, a friend.” In addition to tables and diagrams and four appendices, it offers the reader six chapters, quaintly called “Lessons.” For general interest, I will list the titles of the chapters so the experienced reader will see at a glance where the book begins and ends.
Lesson 1: Who am I?
Lesson 2: The Expansion of Consciousness
Lesson 3: The Transmutation of Energy
Lesson 4: The Conservation of Energy
Lesson 5: Meditation
Lesson 6: Gurdjieff Groups
In these chapters I found considerable information with insights that I had not encountered elsewhere, at least in this form. Fresh material also appears in the four appendices. The first appendix tries to answer the question “Who are you Mister Gurdjieff” and includes detailed information on how the Mahatma Letters, identified with the Theosophical Society, were edited at the Priory at Fontainebleau. The second appendix breaks new ground in relating “the study of dreams” to the Work and offers techniques for remembering dreams, approaches that do work.
The third appendix examines the Exercises in genuine detail and in doing so offers lists of words for human concerns and failings keyed to passages in “Tales.” This is a feature that I have not seen elsewhere in the Canon. As well there are Notes, Bibliography, and a detailed Index. The book is quite a handful, hence I call it a Gurdjieff handbook.
On another occasion I may draw attention to some of the insights that appear in the pages of “Gurdjieff Unveiled,” but on this occasion I want to note Sy’s other books. But even they deserve more time and space than I have at hand. Here goes. The author’s first book bears the daunting title “In Search of the Unitive Vision” and is subtitled “Letters of Sri Madhava Ashish to an American Businessman 1978-1997).” It is a compilation with a commentary and it appeared in a handsome, trade paperback published in 2001 by New Paradigm Books of Boca Raton, Florida.
The text of almost 300 pages consists of the above-mentioned letters but also descriptive passages, narrative accounts, diary entries, personal essays, and a series of questions and answers about spiritual matters. In fact, the book is indexed and I assume that pretty well every subject of interest to the student of consciousness studies is mentioned at some point in these pages.
Sy spent almost twenty years in contact with Madhava Ashish, making annual visits, beginning in the year 1978, to Ashishda’s ashram at Mirtola, near Almora, in the Himalayan foothills of Northern India. Indeed, it was Ashishda who directed the young “American businessman” to seek out the teachings of Gurdjieff. The book is a record of their friendship, not so much between equals as much as it was and remains between fellow-seekers, one of whom was in a position to inspire and direct the other.
To confuse matters a little, “In Search of the Unitive Vision” has been reprinted with another title and subtitle: “The Masters Speak: An American Businessman Encounters Ashish and Gurdjieff.” This is brand-new edition, well printed, published in 2010 by Quest Books: Theosophical Publishing House of Wheaton, Illinois. The differences between the two editions seem minor, mainly matters of presentation.
Whichever edition is used, the portrait that emerges of Ashishda is one that is “in the round.” Judging by the descriptions and photographs that are reproduced in these pages, Sri Madhava Ashish was Central Casting’s ideal guru: tall, dark-haired, handsome … and English. Ashishda was born Alexander Phipps (1920-1997) and educated in English public schools. On a trip to the subcontinent he met and became a disciple of Sri Krishna Prem (1898-1965), another Englishman, this one born Ronald Henry Nixon, a Theosophist in background.
Prem and Ashishda, both sannyasins of the Vaishanava tradition of Hinduism, became influential spiritual leaders, thinkers, and practitioners with much to offer to those Westerners who were drawn to their ashrams. They themselves had been influenced by Theosophy, as is apparent when one reads the essays in “What Is Man?”
“What Is Man?” is subtitled “Selected Writings of Sri Madhava Ashish.” This is another handsome publication, issued in 2010 by Penguin Books, New Delhi. It is also about 300 pages long and begins with a Foreword contributed by Dr. Karan Singh who goes unidentified (but whom Wikipedia informs me was “the last ruler of the princely state of Kashmir and Jammu” and served as India’s Ambassador to the United States in 1990-91). It is a perfunctory Foreword.
The Preface, anything but perfunctory, was written by Sy along with three other compilers: Satish Datt Pandey, Seán Mahoney, Pervin Mahoney. They quote a passage from one of Ashishda’s letters to Sy: “Give me all the teachings about man and the universe and I will accept them only if I can be shown one man who embodies and validates these teachings. One follows the teachings back to their source in the man whose truth affirms the truth of the teachings.” I am sure that most people instinctively feel the same way: validation of the tradition lies in its embodiment and expression in the human being. On this basis, Ashishda is one such embodiment and expression.
The texts are organized in four parts. Part I, called “Introduction,” consists of Ashishda’s appreciative memoir of his teacher, Sri Krishna Prem. Part II is titled “The Path” and it collects seven essays on such subjects as “The Value of Uncertainty” and “The Sadhu in Our Lives.” Part III has been titled “The Inner Inquiry” and contains of eight miscellaneous essays including one called “Big Dreams” and another intriguingly titled “Quacking Oranges and Cloned Einsteins.” Part IV, “The Doctrine,” brings together five essays that will be familiar to Theosophists, notably “‘The Secret Doctrine’ as a Contribution to World Thought” and “The Fifth Race.” Finally, there is an two-page appendix of some historical, textual interest devoted to Madame Blavatsky’s “The Stanzas of Dzyan.”
The well-written copy on the back cover of “What Is Man?” notes how unusual is the message in this book: “It has little to do with conventional religions, but can be called secular spirituality. It points out the folly of viewing the cosmos in material terms alone, encouraging us to open our minds and see that our lives are not restricted to the closed box of purely physical existence.” The copywriters mercifully avoided the words “New Age.”
There is a clarity to Ashishda’s prose is reasonable and at the same time reassuring. He composes the sort of prose that I can imagine Aldous Huxley enjoying or Gerald Heard writing. At times it verges on being a sermon; at times it reminds me of the inspired and inspiring “talks” of J. Krishnamurti. It is a prose addressed to man’s best nature and it resists quotation; there are no high moments, for there is a general level of elevation. It is timeless prose if by that description is meant that it is sounds somewhat old-fashioned.
The essay “Man, Son of Man” sounds this note: “Columbus would never have discovered the Americas had he not disbelieved in the flatness of the world, nor shall we discover this other New World if we do not challenge the equally ‘flat’ world view of our present-day science and set out on a voyage of discovery in a direction and dimension where science sees nothing to discover.”
In summary: Seekers and readers have reasons to be grateful to Seymour B. Ginsburg for his many-fold contributions, including writing a spot-on introduction to the teaching called “Gurdjieff Unveiled” and for introducing readers in the English-speaking world to the traditional yet timely message of Sri Madhava Ashish. Driving past a Toys “R” Us outlet brought all of this to mind!
John Robert Colombo, known as the Master Gatherer for his compilations of Canadiana, reviews books for this blog on “consciousness studies.” Scheduled to appear in the fall is “The Sumuru Omnibus,” his compilation of the five novels written about the villainess Sumuru the English mystery-story writer Sax Rohmer.
J R COLOMBO REVIEWS FRANK R. SINCLAIR’S MEMOIR
‘WITHOUT BENEFIT OF CLERGY’
Neither the Work nor the expression of the Work in any given time and at any given place is sacrosanct or immune to the ravages and revelations of time. Its demystification involves, in a way, its remythologization, and this is proceeding apace in our time.
Part of the process is the shedding of light on its early history through historical research, and on its recent past through the publication of books of studies and memoirs. The historical classics are “The Harmonious Circle” written by James Webb and the two books by Paul Beekman Taylor titled “A New Life” and “Gurdjieff’s America.” Among modern-day classics is the amazing tome titled “‘It’s Up to Ourselves” written by Jessmin and Dushka Howarth. (I celebrated the publication of the latter volume, largely a scrapbook with a multitude of snapshots, on this blog – Sophia Wellbeloved’s blog – a month or so ago.)
None of these works (or others like them) has ever attain the scriptural status of “All and Everything” or even the canonical status of “Meetings with Remarkable Men” and “In Search of the Miraculous.” Yet the light they shed on the Work is a human glow which does not bathe it in a sense of wonder as much as it does imbue it with a sense of personal gratitude for assistance received and services rendered. Frank R. Sinclair has contributed two books to this class of publication: “Without Benefit of Clergy” and “Of the Life Aligned: Reflections on the Teaching of G.I. Gurdjieff and the Perennial Order.”
I have yet to see a copy of the second of these two books, but after reading the first one I will certainly read the second. The book at hand, the first one, is badly titled and poorly subtitled, but my criticism ends there – at the title page. The other 295 pages are fine by me, anecdotal in the extreme, as I will demonstrate later.
It is a trade paperback. It measures 8″ x 5.5.” and it has a full-colour cover and there are close to forty black-and-white photographs, mainly snapshots, almost all of them new to me and to most readers. The volume has been attractively designed and issued by Xlibris. There are two editions, the first in 2005, the second in 2009, which is the one that I purchased.
The title is “Without Benefit of Clergy.” The subtitle is “Some Personal Footnotes to the Gurdjieff Teaching.” Both title and subtitle give me pause. The title attracted my attention (as should all good titles) so I decided to determine why I feel it is inappropriate. I have always associated the phrase “without benefit of clergy” with immorality – living together in sin, without the sacramental blessing of the church – and I was partially right in doing so, as well as partially wrong.
In English jurisprudence, members of the clergy were not subjected to secular laws, whether criminal or civil, but were permitted to demand to be tried under canon law. This immunity was abolished centuries ago. In 1890, Rudyard Kipling employed the phrase “without benefit of clergy” for the title of a short story set in India about the Englishman named Holden and the Muslim woman named Ameer who “shack up” (1950s expression; the 1980s expression still current is “living together”) and how their unsanctioned union brought wrack and ruin to both conservative communities. The plot proved sufficiently potent and the phrase so popular that in 1921 it became the title of a the silent movie “Without Benefit of Clergy” that starred Boris Karloff, of all people. So my original reaction to the phrase – sexual congress outside the bonds of marriage – is probably that of most people unschooled in the intricacies of English jurisprudence.
I am not convinced that the title of this book of memoirs sheds any light at all on the subject of these memoirs. Is the author telling us that his memoirs are scandalous or shocking? If so, then he is wrong. And then there is the matter of the subtitle which also irks me: “Some Personal Footnotes to the Gurdjieff Teaching.” Is the world of footnotes divided between those that are “personal” and those that are “impersonal”? Not that I am aware. Who would enjoy reading a book of footnotes? (Well, the Argentine poet Jorge Luis Borges may. Stanislaw Lem, the Polish science-fiction writer, may. James Moore, the precisian, who is the author of “Gurdjieffian Confessions: A Self Remembered,” may, as well. But surely not the general reader with a taste for the world of the Work.)
I have done a lot of carping. It is time now for some celebration. Although I have yet to meet the author, I will take the liberty of referring to Frank R. Sinclair by his Christian name. The back-cover photograph of Frank shows him with a straw hat perched on the back of his head, rather like the humourist Stephen Leacock. It seems to give the reader leave to refer to him as Frank. If it does not do that, I have only to turn to the prose itself which is informal and off-the-cuff enough to confer permission. In fact, at one point – when Frank was asked to give the reading from the Bible at Lord Pentland’s funeral service (held in a Roman Catholic church, oddly) – he refers to himself as “a nonentity of the first order.” Now that is excessive!
In this memoir there are thirteen chapters, two pages of acknowledgements, prefaces to the first and the second editions, not to mention three appendices and one index. All of these sections are of some interest. But in the interest of brevity, I am going to short change the first half of the book and concentrate on the second half for it is largely devoted to pen portraits of personalities in the Work who have had an influence on Frank’s inner life and his outlook on life.
Readers who are interested in the early life of a journalist who was born in the shadow of Table Mountain in a suburb of Cape Town, South Africa, in 1929, and who found some twenty-eight years ago that his spiritual quest had taken him to Franklin Farms at Mendham in New Jersey, and Armonk in Westchester Country in New York State, and at the Gurdjieff Foundation on Manhattan Island, will find these early pages to be a treat.
In a sense he never did leave these sheltered communities, yet he emerged in the 1980s as the successor of Dr. William Welch as the President of the Gurdjieff Foundation of New York. He has headed the Gurdjieff Fountain since 2009 and lives at Grand View-on-Hudson, a town of some 300 people with a high median income north of New York City. Its most notable inhabitant after Frank is Nobel laureate Toni Morrison.
From the age of eight, Frank experienced “a blaze of light” while questioning the nature of God. Thereafter he had a few near encounters with death. He graduated from the University of Cape Town, majoring in philosophy, and spent eight years as a journalist with the Cape Times afternoon newspaper. He writes about his feelings of “anguish and heartaches and sufferings” at the time, but these came to an end, symbolically at least, when he encountered an essay by J.G. Bennett called “Living in Five Dimensions,” was assigned to review Colin Wilson’s “The Outsider,” studied “In Search of the Miraculous,” and identified with the verses of the deaf South African poet John Howland Beaumont, who had a mystical connection with nature: “I did but sleep – ah me, I dream, I dream!”
About 1956, Frank resolved to seek out the source of “the teaching” in a surprisingly direct way. He placed an advertisement in the personal columns of the rival Cape Argus afternoon paper to “make contact,” and to his surprise a reader of the paper mailed him a copy of “All and Everything” along with a note: “From one human being to another, that both may have more of themselves to give.” The benefactor’s identity remains unknown to this day.
He eventually met an English gentleman named B. Fairfax Hall who was an enthusiast for private printing. In England in 1930 he had founded and operated The Stourton Press, named after the family’s house in Westminster. Hall was a member of P.D. Ouspensky’s circle before he immigrated to South Africa. In 1947 he began to print books, including Ouspensky’s “A Record of Meetings,” in an edition of twenty copies in 1951, and “The Struggle of the Magicians,” in an edition of ten copies in 1957.
Frank already knew about editorial matters; from Hall he learned how to operate an Albion printing press, which served him well when he began his own private printing at Armonk, N.Y., using the imprint Antic Press. Hall, who had compiled “The Fourth Way” from Ouspensky’s lectures, arranged for Frank to reside for two months at Madame Ouspensky’s 300-acre estate at Franklin Farms. Frank left South Africa in 1958 and did not return for some twenty years.
Frank worked and studied at Franklin Farms and there met a young woman named Beatrice Rego, a teacher, and they married. No description of the bride is offered, but there is a long account of Frank’s out-of-body experience immediately prior to the wedding ceremony. There is also a long account of life at the residence, with a fleeting reference to Madame Ouspensky (who remained in her bedroom chamber so he never set eyes on her while she was still alive) and Madame Olga de Hartmann, who came and went and once referred to him as “a piece of furniture,” but there is a very detailed account of the first visit of Madame de Salzmann.
“Here, for the first time in my life, was someone who spoke to my deepest concerns, who undeniably had an inner presence (a thought that I had no way of articulating at that time) and at the same time actually ‘included’ me in that presence, who listened in some unfathomable way, and who actually ‘saw’ me before her and spoke to me as a real human being.”
In many ways the heart and core of the book is the account of the experiences that occurred to the impressionable young South African at Franklin Farms, experiences that are unhesitatingly described as “profound and miraculous.” One such experience, following an altercation with Madame Ouspensky’s unstable grandson Lonya Savitsky. It was accompanied by intense mortification:
“But lying there prone on the floor, I suffered terrible remorse and shame at having behaved as I had done, _and at the same time_ I was witness to the miraculous appearance in me of this brilliant, golden being. It glowed in a surrounding vivid blaze of light.” He calls it “the phenomenon of the golden embryo.” Pages are devoted to examining the experience, with its configuration of the Kesdjan body, from the vantage-points of different religious and cultural traditions.
This takes us to Chapter 6 which is a departure from the norm, for it consists of the account kept by Frank’s wife Beatrice of her impressions of the various appearances of the elderly Gurdjieff in New York. Her brief memoir is full of interesting details. Overall she found Mr. Gurdjieff to be a man of “tremendous energy; anything in this life seemed possible.”
Chapter 7 is a remarkable tribute to a veteran of the Work named Martin W. Benson who is a jack-of-all-trades and someone who seems to be “all essence.” Originally a puzzle to Frank, Benson became what might be called a “best friend” for his twelve years of apprenticeship at Mendham and Armonk.
Chapter 8 is in many ways the counterpart of Chapter 7, for it is a sustained tribute to Frank’s friendship with Thomas Vivian Forman, a Cambridge-trained specialist in agriculture as well as military intelligence. In many ways, too, Forman is the counterpart of Benson – a balance between personality and essence. Frank’s love of people glows in these portraits.
Chapter 9 is titled “Annals of the Antic Press” and it describes Frank’s work in the icehouse at Armonk where, among other books, a small band of editors, designers, compositors, and press operators printed “Pronunciation Guide for Words Invented by Gurdjieff” in 1984, the forerunner of the much expanded edition issued by the Traditional Studies Press in Toronto.
By now it should be apparent that Frank is an appreciator of people. To my mind the outstanding section of his memoirs is Chapter 10 which is titled “John Pentland: The Lordly Line of High Sinclair.” Lord Pentland, chief of the clan and a scion of the illustrious Sinclair line (which seems not to include our author Frank Sinclair), was Mr. Gurdjieff’s appointee to oversee the Work in the United States. In these pages the author describes a number of the close and almost accidental encounters that he had with Pentland between 1958 and the latter’s death in 1984.
The author has no problem with Pentland’s rapier-like wit, for he felt, intriguingly, that when Pentland glared at him and wielded it, Pentland “gave him ‘his work.’” It is an interesting passage and perhaps it hinges on the somewhat off-the-cuff statement that Pentland was “old enough to be his father.” It seems Lord Pentland was the grandson the Marquis of Aberdeen, the seventh Governor General of Canada, as well as part of the family of the Earl of Elgin, an even earlier Governor General. Perhaps it was from this aristocratic tradition that he learned the arts of diplomacy – certainly of use in Work circles!
I feel that this chapter about “this remarkable and unusual man” is the “still point” of the memoirs. The next two biographical chapters are anti-climaxes, though they do have interesting dimensions. Chapter 11 is devoted to “Bill Segal: The Radical Reorientation,” and it presents this multi-talented man as “a class act.” Segal was the epitome of the active man, and even after being nearly crushed to death an automobile accident, he emerged almost as active as ever. Sinclair writes, neatly, that Segal was “humbled both in his pride and in his prime.”
Chapter 12 is titled “Jeanne de Salzmann: A Compelling Call” and it seems to me to be an apologia for the second half of Madame de Salzmann’s life. “The Unknown does not yield itself through abundant description,” Frank writes, so the reader who does not have prior knowledge of her life and work will be at sea when it comes to understanding what Frank is writing about.
I take it that he has two themes: the first is the role of the institution vis-à-vis the individual; the second is the espousal of the role of grace rather than effort and of flow rather than effort – to express it directly – that is represented by her from the death of Mr. Gurdjieff at a probable age of eighty-three in 1949 and Madame’s death at the ripe old age of 101 in 1990. Madame can do no wrong.
“I dare say,” he writes gingerly, “that when her own notes are collated and published, there will be surprising indications of the precision with which she followed the movement of the attention and the work for Presence.” As it happens, extracts from Madame’s notebooks are about to be issued by Shambhala Publications under the title “The Reality of Being: The Fourth Way of Gurdjieff,” so we will have the opportunity to judge for ourselves.
Frank is obviously devoted to Madame and he accepts her direction for the work, its “single grand verity,” which he takes pains and pages to trace back to Mr. Gurdjieff’s talks in New York, the first one on Dec. 19, 1930, and the second one on Dec. 25, 1948. The exposition in these pages is more associative than it is disciplined, so there is little doubt that he feels that what she was doing she was doing consciously and with authorization. “Madame Jeanne de Salzmann brought neither a New Work nor an Old Work, but only Gurdjieff’s Work.”
I will pass over Chapter 13, “Some Random Inferences,” because the contents are indeed random (to describe them would be to try to herd cats) and they turn out to be elaborations of points made earlier in the memoirs. The one new element that I spotted is the effort that Frank is making to enlarge to conception of the Work to include the thoughts of some new-comers along with some overlooked old-comers (to name a few men and women in alphabetical order): Joseph Azize, Michel Conge, Martha Heyneman, James Moore, Jacob Needleman, Ravi Ravindra, Sophia Wellbeloved.
Also given some recognition is the contribution of the annual International Humanities Conference (better known as the All & Everything Conference) as well as Traditionalist thinkers like Titus Burkhardt and their semi-annual publication, the Vancouver-based “Sacred Web.” This is close to an ecumenical touch, and perhaps it is a daring one.
Throughout Frank retains his modesty and the projects the air of constant amazement associated with Alice in Wonderland. “I did not drink Armagnac with Gurdjieff,” he writes, amusingly. “I belong to the post-Gurdjieff era, not even remotely a Saul among the Apostles, but a fellow traveler, feeding from those who, like Madame de Salzmann, had been before.”
The second edition of the memoirs ends with three appendices as well as a nominal index. Two of the appendices consist of reviews of the first edition of the book. The first review is a once-over-lightly appreciation by David Appelbaum. It originally appeared in “Parabola,” as did the lively interview with Frank on the subject of “Who Is the Teacher?”
The third appendix consists, surprisingly, of a review amusingly titled “The Guide for the Perplexed” and posted on Amazon.com by its author, biographer James Moore. I found it to be one of the book’s highlights, in the sense that its tone and style are totally at odds with Frank’s. Yet it hits the right note when in an impish mood Moore describes Frank as “a regular-kinda-guy whose pride in his modesty attains oxymoronic heights.”
Had Frank been born under the shadow of the Blue Mountains near Sydney, Australia, rather than in the shadow of Table Rock, South Africa, I would be inclined to describe him as “a bloke.” Whatever the description, he is a sensitive fellow and “Without Benefit of Clergy” is certainly an entertaining and I believe honest account of one man’s rather unusual spiritual quest. He demystifies by remythologizing.
John Robert Colombo is a Toronto-based author and anthologist who is known across Canada for his popular reference books. He writes about Work-related publications for this blog. His latest publication is “Walt Whitman’s Canada,” a book-length, documentary-style account of the American poet’s tour of Central and Eastern Canada in the Summer of 1880. Colombo’s website is < www . colombo – plus . ca >
A review of Michael Hayes’ The Hermetic Code in DNA
I quite enjoyed reading this book, but its title is a mouthful of
words, so I have found myself referring to it, in conversation with
friends, as “the new book which I am reading that tries to find a
relationship between the so-called ‘hermetic code’ and the code that
informs the structure of human DNA.” When I say that, people look
amiss or agog, and I know why. I repeat that the author is “trying to
find a relationship” and that it is an struggle worthy of the
exertions of a Sisyphus (an uphill battle) or the frustrations of
Tantalus (an ever receding reward).
The author who so resembles Sisyphus or Tantalus is Michael Hayes is
described on the cover of this quality paperback as “an administrator
at the University of Central England” (formerly Birmingham
Polytechnic) and “the author of ‘The Infinite Harmony: Musical
Structures in Science and Theology’” (McArthur & Co. / Orion Con Trad,
1994). I have yet to see a copy of that publication. After reading the
present book, I find myself moderately curious about it.
The present book is not a new title, for it was originally published
in England in 2004 by Black Spring Press, a quality literary publisher
in London, under the title “High Priests, Quantum Genes.” The edition
that I am reviewing is titled “The Hermetic Code in DNA: The Sacred
Principles in the Ordering of the Universe” and was published earlier
in 2008 by another quality house, Inner Traditions, Rochester,
Vermont, which specializes in book of a specular and spiritual nature.
(Both companies have readily accessible websites.)
Here are some bibliographical details for the American edition under
review: Trade paperback, 6″ x 9″, xviii + 334 pages, ISBN:
978-1-59477-218-4. $18.95. There are 17 chapters with notes,
bibliography, and index. Also included is the arresting Foreword, to
which I will now turn my attention.
The Foreword is a long personal essay from the fountain pen or
personal computer of Colin Wilson. I am second to none in my
admiration of Wilson’s oeuvre, and I really enjoy reading what he
writes for his choice of subjects and his agreeable style. His
strength has always been his remarkable ability to present the
unconventional ideas of “outsiders.” He is a great explainer of
ancient and advanced thinking, though lately he has become more of an
advocate more than an interpreter.
Here, for instance, is the first paragraph of the Foreword to the
present book: “I suspect that the name of Michael Hayes is going to be
remembered together with those of Stephen Hawking and Watson and Crick
as a thinker who has made a revolutionary contribution to our vision
of modern science.”
That is taking a giant step. Indeed, it is equivalent to the step that
Wilson took when he completed “Alien Dawn: An Investigation into the
Contact Experience” (1999). That book about the contactee dimension of
ufology concludes with the statement that the author believes that not
only do aliens exist, but aliens are here right now, walking the
streets of our cities, moving among us. The evidence for this claim is
lacking, but people will believe what excites them and what they want
Indeed, when the atomic scientist Leo Szilard was asked if he believed
in the existence of alien beings, he replied that he did. Then he was
asked, “If they exist, where are they?” He replied, “They are here
right now. They live among us. They are called … Hungarians.” Unlike
Szilard’s aliens, Wilson’s critters are creatures or characters from
outer space, from other times, or from other dimensions – hybrid
humans, perhaps. Maybe.
I doubt that Michael Hayes’s name will ever be linked with those of
Hawking, Watson, or Crick – at least not as long as the names of those
scientists are honoured. And Hayes has yet to make a contribution to
“our vision of modern science,” but he has modestly contributed to our
view of “the wisdom tradition.” From now on Hayes’s name will be
linked with a lively and intelligent discussion of a range of subjects
of popular speculative interest. This book of his will be shelved
alongside works of dozens of writers who have contributed to the
“occult sciences” or what I have called in another context
Numerology is one such subject and it has been newsworthy for the last
decade. For instance, the Fortean movie “Magnolia” (1999) features the
number 8. “A Beautiful Mind” (2001) drowns in a tsunami of coded
numbers, zillions of digits. The comedy “The Number 23″ (2007) makes
much use of the correspondences of the unlikely number 23. Behind much
of this is the Kaballah and behind that cerebral discipline there are
the 613 Hebrew laws (curiously, the number of bones in the human
In the present book Hayes devotes chapters to different traditions, so
each has its own special number or numbers. Hayes finds special
relevance in such digits as 3, 3.14157, 4, 7, 8, 22, 64, 838, etc. The
Law of Three and the Octaves of the Ray of Creation are featured. But
no special importance is given to the numbers 1.6, 9, 13, or 613,
perhaps because these come traditions that are not surveyed here– in
this case, sacred architecture, Bahá’i, the superstition of folklore,
and the Kaballah.
Excuse me if I am a little light-headed or flippant, but unlike the
scientists named by Wilson, Hayes undertakes no research, contributes
findings to no scientific publications, and demonstrates no special
scholarly or linguistic abilities or aptitudes. However, what he does
display is an omnivorous curiosity and the ability to respond
creatively to extensive readings in many popular books and a few
serious ones (although it is with the latter that he does express some
By popular books I mean “eye-openers” like Robert Bauval’s “The Orion
Mystery” (1994) and Christopher P. Dunn’s “The Gaza Power Plant”
(1998). By serious books I mean Richard Dawkins’s “The Blind
Watchmaker” (1988) and Giorgio De Santillana’s “Hamlet’s Mill” (1992).
I am limiting myself to titles selected at random from the first page
of the three-page bibliography. Hayes also credits reprints of G.I.
Gurdjieff’s “Beelzebub’s Tales” (1964) as well as P.D. Ouspensky’s “In
Search of the Miraculous” (1976) and “A New Model of the Universe”
(1977), recalling here and there some of their pertinent passages to
“The Hermetic Code in DNA” is hard to beat for a fast-moving survey of
current thought about the interaction of the wisdom tradition from
archaic times to the postmodern period and its possible connection
with the recently revealed structure of the human genome, specifically
its basis in the DNA. It makes use of comparisons and contrasts,
similarities and analogies, and above all it uses associative thought
processes, what in another context Ouspensky called “psychological
thought” to distinguish it from “logical thought.”
I am not going to pursue them here, but two general criticisms that I
have are that there is no discussion of the tendency of the human mind
to find symmetry where none exists, and there is no discussion of the
nature of language itself, the appeal of metaphor, or Northrop Frye’s
“order of words.” Nor is the insight of the poet as distinct from that
of the scientist mentioned. At some later point I may tackle those
criticisms as subjects worthy of consideration in their own right, for
such shortcomings are characteristic of “occult literature” generally.
Basically what Hayes has done is offer a discussion of the scientific
basis for the existence of the spirit, as well as the spiritual basis
for the existence of science. What we have here is a convergence of
two disciplines – call one of them “science,” the other “occult
science.” (Hayes handles this distinction by distinguishing between
“regular science” and what he calls “Science with a capital ‘s’.”) If
I can encapsulate Hayes’s aim in writing this book, it is to find a
convergence and ultimately an identity between hermetic studies and
the structure of the gene. In other words, we have in our genes –
coded in our genetic structure – the wisdom of the ages. It evolves
physically and psychologically through the Law of Three and the Law of
Hayes encapsulates this theme for the reader in the sole detailed
footnote of any length. Here it is: “One would not expect exact
superimpositions to be visible at every level, because the universe is
continually evolving, constantly in flux. But as long as the various
symmetries link in at these main ‘points of entry’ the Hermetic Code
is valid. If anything, the fact that the code can be directly linked
to all of these various symmetries – and many other found throughout
the natural world – is precisely what one would expect of a ‘theory of
Apparently mathematicians and cosmologists are johnny-come-latelys
with their own physical “theory of everything,” trailing by centuries
if not by millennia metaphysicians associated with obscure schools and
monasteries in claiming to have found “a key to the enigmas of the
world.” But enough of beating around the bush. Hayes in his book
focuses on the following subjects and argues in the following fashion.
Introduction. Proponents of all the major belief systems agree that
there is an existence after death, the author writes. Matter is
composed of particles or vibrations of light. There is a timeless or
eternal form of reality. The major religions harness very real forces.
Creation is the result of the Law of Three and the Law of Octaves
embodied in the nature of the mathematical ratio pi. The DNA in the
cells of human bodies has four chemical bases. There are parallels
here with the 64 permutations of the I Ching. Music and specifically
musical harmony offer a scientific key to the tones or wave-lengths
under discussion. He writes:
“As the first recorded version of this archaic science first appeared
in the Nile delta about five thousand years ago, I have called this
musical symmetry the Hermetic Code, after Hermes Trismegistus, the
Greek name for Thoth, the ancient Egyptian god of wisdom …. This is
the Hermetic Code, a universal formula that as we shall find out,
encompasses within it practically everything.” This is another form of
the axiom: ‘As above, so below.’”
The author’s Introduction takes the reader this far. As a reader of
the book, I like the handling of the details that appear in the
seventeen chapters. As a reviewer all I can do is point out a few of
the approaches that the author takes. Suffice it to say the author
writes very readably, he is familiar with standard popular books on
offbeat topics, and he seems intent on proving that there is a
numerical code if not a Hermetic one that underpins the genetic code
and acts as a cipher for philosophical and theosophical systems.
Here is my simplification of the author’s argument: There is the
four-fold nature of the DNA. There are the four traditional elements
in the natural world. There is a parallel here between scientific
discovery and metaphysical inquiry. Could this be a coincidence? (I am
inclined to say that in many cases the “resemblance” or
“correspondence” is an artifact of the question itself.) Now here is
the author’s argument chapter by chapter (with one sentence or two for
each of the seventeen chapters).
1. “The Sacred Constant.” Ancient wisdom first appeared in Egypt some
5,000 years ago B.C. and it holds the “sacred constant” expressed in
the number 8. This is the Law of Octaves, counting the two do’s. Note
that 8 x 8 = 64, another type of greater harmony associated with the I
2. “A Different Way of Seeing.” Rhythms and harmonies of the universe
are expressed by the Hermetic Code, especially as evolution proceeds
by octaves, and this is seen in music and art (Gurdjieff’s distinction
between subjective and objective art) and architecture (René Schwaller
de Lubicz’s views on architectural forms of man).
3. “Music over Matter.” Music (all those octaves) may have managed the
construction of the megaliths, evoked by the phrase “musical magic,”
and perhaps the phenomenon of the “group-mind” as advanced by Colin
Wilson was used by early peoples to great effect: mental building
cranes and cranial forklifts.
4. “The Electron and the Holy Ghost.” Subatomic particles and the
theory of “quantum potential” advanced by David Bohm are considered,
as are the views of Sri Aurobindo, leading to the conclusion that
matter is alive and composed of vibrations and / or light.
5. “Further Light.” Christopher Dunn’s speculations on “sonic /
ultrasonic stone carving and drilling” and Princeton physicist Robert
Jahn are, in a sense, compared. This chapter and indeed much of the
book is “metaphysical” in the sense that literary scholars call John
Donne a “metaphysical poet,” for there is a roping together of
heterogeneous elements to create a greater whole. A sense of the
greater whole may be felt in these two long sentences:
“So the Great Pyramid, the most impressive monument to light ever
created on Earth, massive and imposing as it is, is really no more
than a foundation stone upon which has been constructed another,
infinitely vaster, metaphysical structure, a creation of sorts, whose
indeterminate dimensions are even to this day expanding ever outward
and upward. I am referring here, of course, to the ongoing evolution
of human consciousness, which began its present stage of development
at the time the Great Pyramid was designed, and which has ever since
been guided subconsciously by the also-embracing hermetic principles
embodied within it.”
This is indeed “metaphysical” prose. In another comparison, it
embodies the principle of the hologram, for from a single fragment may
be generated or regenerated the multifaceted whole.
6. “Live Music.” So-called “scientific creationists” and evolutionary
scientists are contrasted and Richard Dawkins is taken to task for his
notion that “stumbling blindly through geological time” led to life as
we know it today, not a noble notion of “transcendental evolution”
whereby “it is possible for individuals to emulate the living cell and
to achieve a similar condition of ‘optimum resonance.’”
Here the author expresses his naked thesis: “I stated above that I
believe that the growth and development of consciousness is an organic
process. Logically it has to be, because the Hermetic Code and the
genetic code are fundamentally one and the same system.”
7. “Extraterrestrial DNA.” Another extension of “the theory of
transcendental evolution” which leads to the Pyramids (“The Lights” is
apparently how these structures were known to the Egyptians of old)
which leads to the star systems above them, Sirius and Zeta Orionis,
as well as to the starry-eyed speculations of Rodney Collin.
8. “Interstellar Genes and the Galactic Double Helix.” Robert Temple’s
“The Sirius Mystery” is discussed, along with Gurdjieff’s “missing
semi-tones,” to suggest that the universe is a being that is fully
9. “The Hermetic Universe of Ancient Times.” The Pythagorean
cosmological system is considered with respect to reincarnation, the
nature of the universe, modern science, metaphysics, and “zoon,” the
Greek term for “a living thing.”
10. “The Hierarchy of Dimensions.” So the universe is “organic,” but
it exists on a hierarchy of planes or levels or dimensions.
“Confused?” the author questions the reader. “To be perfectly honest,
so am I. Frequently. But then we are trying to come to terms with the
imponderable here, and left-brain logic alone can take us only so far
in the quest for the ultimate reality.”
11. “The Fate of the Universe.” Speculation on the fate of the
universe gives equal weight to science-fiction writer Wilbur Wright in
“Time: Gateway to Immortality” and writer-scientist Paul Davies in
“The Last Three Minutes,” to build the argument that there is “music
literally everywhere, in the chromodynamic and atomic scales of
matter, in DNA and the genetic code,” etc.
12. “Inner Octaves.” Outer octaves were explored, so here the
investigation narrows and deeps into the inner octaves, through the
symbol or structure of the Ray of Creation.
13. “The Holographic Principle.” Michael Talbot, author of “The
Holographic Universe,” is a big help here to demonstrate that a part
is as great as a whole, a whole as great as a part.
14. “Quantum Psychology.” What the author calls “quantum psychology”
sheds light on the findings of particle physicists (notably Karl
Pribram), parapsychologists, and neurophysiologists, permitting the
reader to see that there are ways the brain resembles subatomic
particles in their “non-locality.” Here I recall the delicious pun in
the movie “The Golden Compass”: Lord Asriel is described as “a
15. “QP2: The Universal Paradigm.” Man is composed of “triple octaves”
of resonance, so we are “‘walking trinities’ composed of our
sensations, emotions, and perceptions,” a point that Hayes argues in
his earlier book “The Infinite Harmony.”
16. “The Shapeshifters.” Mayan and Egyptian texts and Graham Hancock’s
“Fingerprints of the Gods” all lead to an examination of
“extraordinary mental and physical powers” shown by members of “the
Egyptian elite” to permit them to build their monumental structures.
17. “‘Al-Chem’ – the Egyptian Way.” Octaves of resonance are invoked
to account for the harnessing or focusing of exceptional powers for
exceptional effects. The author writes powerfully:
“We know that in the natural course of Darwinian evolution successful
genes can survive all manner of catastrophes: ice ages, rapid
meltdowns, deluges, earthquakes, cometary impacts. In the same way,
the hermetic ideas we are dealing with here – the metaphysical
equivalent of successful genes – have survived all kinds of social
upheaval: wars, dark ages, periods of total ignorance and barbarism,
inquisitions, revolutions, and so on. Therefore we are not speaking in
metaphor: we are talking about organic processes of creation and
evolution, both microcosmic and macrocosmic, which are identical in
every way, with a difference in scale only.”
So much for this Baedeker-like tour of the countryside. My own view of
Michael Hayes’s achievement is that “The Hermetic Code in DNA” is a
literary composition written in an underrated literary form, that of
the “anatomy” – think of Robert Burton’s “Anatomy of Melancholy” – and
that through accumulation of detail and organization by association,
rather than by classification and disinterested pursuit of its thesis,
it embraces other subliterary forms in an attempt to reveal common
characteristics and congruent conceptions that have to do with the
evolution of nature, man, and spirit. It is an ample and in a way an
impressive anatomical achievement.
How successful is it? That is for the reader to decide, the reader who
is familiar with associative thinking as well as the material that is
included and the material that is excluded, or the reader who is
flustered by all the material and perhaps overimpressed with it. Hayes
is committed to his point of view (Hermetic Code = Genetic Code) to
the exclusion of criticism of sources and common sense reservations.
Even so, Robert Burton was ultimately unhappy with his classic
“Anatomy of Melancholy,” perhaps because most people read it for its
bits and pieces rather than for its “metaphysical” whole.
John Robert Colombo is an author and anthologist who lives in Toronto.
His current publication, 500 pages long, is called “The Big Book of
Canadian Ghost Stories.” He is an Associate, Northrop Frye Centre,
Victoria College, University of Toronto. His website is www.
Joseph Azize Page
The wedding at Cana
The Pseudo-Ouspensky on St John’s Gospel
Part One: Notes on Saint John’s Gospel, published by Ediciones Sol, Mexico, undated, attributed to P.D. Ouspensky, almost certainly in fact written by an anonymous pupil of Ouspensky (see James Webb, The Harmonious Circle).
It (sc. the Gospel of St John) talks about New Foods. The first miracle it relates is the miracle of water turned to wine at the wedding feast. Wine represents New Food – not a natural food, but something which has to be made by a very complicated process. Wine is the juice of fruit which is ‘fermented’, which means it has taken on a new force from being dead. Water comes naturally, from a spring. Wine has to be made intelligently, by men, for their own use.
A whole chapter talks about Bread, Flesh, Blood. “For the bread of God is he which cometh down from Heaven and giveth life unto the world. Then said they unto him, Lord, evermore give us this bread. And Jesus said, I am the bread of life. He that cometh to me shall never hunger, and he that believeth on me shall never thirst.” The disciples wanted the bread to be ‘given to them’. Jesus at once answers, “I am the bread.” It is something very difficult; they cannot understand. They ask for ‘a gift’. Jesus answers, “He that cometh to me shall never hunger, he that believeth on me shall never thirst.”
“To come” means progress, advance step by step.
“To believe” means work to combine Imagination, Reason and Will into a balanced power which will be Faith. Faith is not an emotion.
Jesus said unto them: “Verily, verily I say unto you, except ye eat the flesh of the Son of Man and drink his blood ye have no life in you … For my flesh is meat indeed, and my blood is drink indeed.”
“Flesh” and “blood” are New Food. Food is another name for Power . We are enclosed inside powers of which we are not conscious. We cannot ‘eat’ or ‘drink’ because the faculties with which we could take those powers in and use them are not working. We are like dried-up sponges in water. The water cannot soak in and penetrate the sponges because they are dead.
“Eat the flesh” and “drink the blood” means being made an active living part inside a great force – like a red corpuscle in blood, which draws life from the food a man eats and makes new life from it. “He that eateth my flesh and drinketh my blood dwelleth in me and I in him.”
“Dwelleth in me and I in him” means being admitted into a new consciousness.
Saint John gives a new meaning to the word “Light”.
“In the beginning was the Word, and the Word was with God and the Word was God. … All things were made by him, and without him was not anything made that was made. In him was life, and the life was the light of men. And the light shineth in darkness, and the darkness comprehendeth it not.”
Light is the basis of all life on earth. Vibrations of energy and power travel on. light. All material forms are threaded through with it, like beads on a string.
“And the light shineth in darkness and the darkness comprehendeth it not.”
“Darkness” means mechanicalness. Earth is enclosed and enwrapped in a great flame of radiant power. The same power is stored inside every living form, waiting for some shock that will set it free.
“The darkness comprehendeth it not.” “Comprehend” means ‘take in and use’. We are Darkness so long as we are mechanical. Life with power flows all round us, but we cannot take it in and use it.
“Light” is Food. Every animal and plant and stone draws in something from light and could not live, without it. Colour is food which flowers draw out of a ray of light in which our eyes can see, no colour at all, unless it is broken up for us in a rainbow. Colour is as necessary for the flower as its ordinary food of moisture and warmth. But it uses another faculty to absorb colour. It is a faculty which we have not got at all.
The Gospel talks of ‘mechanicalness’ several times. “Then, said Jesus, I go my way, and ye shall seek me and die in your sins: Whither I go, ye cannot come.”
“Die in your sins” means in the circle of mechanical thoughts and feelings which enclose us.
Jesus answered, “For I know whence I came and whither I go.” We do not know whence we came and whither we go. We do not ‘come’ or ‘go’.
“I am the door of the sheep … By me, if any man enter in he shall be saved and shall go in and out and find pasture.”
“Sheep” represent mechanical people.
“Shall go in and out” means ‘shall be conscious and therefore free’.
“Find pasture” means ‘find fresh growing food’.
“And he said, Therefore said I unto you that no man can come unto me except it were given unto him of my Father. From that time, many of his disciples went back and walked. no more with him.”
The superficial disciples did not like being told they were mechanical. They liked to think they had ‘chosen’ to be disciples.
“Then said Jesus unto the twelve, Will ye also go away? And Simon Peter answered him Lord, to whom shall we go? Thou hast the words of eternal life.”
The real disciples could never be ‘offended’. They knew what they wanted. Their aim filled their minds and drove out all negative objections.
“Words of eternal life” means New Food. The true disciples thought it so precious they were prepared to sacrifice their worldly life in order to find it.
The Gospel talks of “Truth”. “God is a spirit: and they that worship him must worship him in spirit and in truth.”
“Worship in spirit” means secretly, inwardly, in thought and feeling.
“Worship in truth” means ‘true with ourselves.’
“When the spirit of truth is come, he will guide you into all truth; for he shall not speak of himself, but whatsoever he shall hear, that shall he speak, and he will show you things. to come.”
“Spirit of truth” means ‘no self-deception’. The more we try to be true in spirit, secretly, the more chance we have of understanding objective truths.
“For he shall not speak of himself” means ‘he shall no longer be subjective.’
“But whatsoever he shall hear, that shall he speak.” He shall ‘hear’. It is a new faculty. Their machinery makes the noise they imagine they hear. To hear means three separate efforts combined continuously:
First, effort to make silence in ourselves, by stilling the noise made by our imaginings;
Second, effort to listen, to become aware of something outside us;
Third, effort to take in. A new faculty is needed, which will start a new process of thought and feeling.
“He will show you things to come” means the new faculty the conscious man will have acquired will enable him better to understand laws.
Jesus says, “I can of mine own self do nothing. As I hear, so I judge … and my judgment is just, because I seek not mine own will, but the will of the Father which hath sent me.”
Jesus directly followed the Will of God. It cannot reach us except through laws. Each person has a law. Our work of self-observation is simply in order to find out what is our particular law. No one else can tell us what it is.
Jesus says, “He that speaketh of himself seeketh his own glory, but he that seeketh the glory that sent him, the same is true and no unrighteousness is in him.”
“He that seeketh the glory that sent him” means a man who is trying to wake, in order to follow the law that works through him, apart from his feelings.
“No unrighteousness is in him” means no mechanicalness.
“Abide in me and I in you. As the branch cannot bear fruit of itself; except it abide in the vine, no more can ye, except ye abide in me.”
“Abide in me” means ‘obey your law’. The home of the branch is in the vine. It ‘abides’ there. That is where it is fed and kept alive. If we awake, the home of our thought and feeling will be in a new sort of conscience. New food will be drawn from it and life will not be able to be parted from it.
Jesus heals the man who was born blind. No one recognizes him after he is healed. They think he is different – another person. Pharisees and Jews come and question him. They ask the wrong sort of question, ‘How was it done?’ ‘What sort of a man was Jesus?’ They do not really care. They are inquisitive. The man whom he healed simply says, ‘All I know is, I was blind and now I can see’. The result is all that matters.
Saint John is a poet. He gives new meanings to ordinary words. When he speaks of Wine, Bread, Light, Flesh, Blood, he means Foods – New Powers. Food is a key. It is a new force which starts machinery. Food is another name for Power. If we stop feeding for an instant we die.
Innumerable keys turn the wheels which control the circulation of our blood and feed our brain and keep up movement in us continually, which we call life. Our food is light, air, vision, sound and every impression of feeling and sensation drawn from our surroundings. We have an illusion of being active. In reality we depend entirely on our foods and have no more power in ourselves than a windmill without wind.
Self-remembering is an effort to make new power which will be Food for new faculties which otherwise are starved.
Part Two: The Provenance of the Text and Its Purport
The text was published in a small blue booklet by Rodney Collin-Smith in Mexico. His press, Ediciones Sol, is mentioned by Joyce Collin-Smith in her important book Call No Man Master. Copyright was not claimed by the editor, the publisher, or on behalf of the author. Someone purchased the booklet on my behalf in the USA, I think from the late Michael Smyth. However, I never asked Michael about it, although I am proud to say that I was close to him. I do not presently have access to Driscoll’s bibliography or any of my Gurdjieff and Ouspensky books. However, a correspondent who read the first draft of this blog has informed me that according to James Webb’s Harmonious Circle Rodney Collin-Smith found the materials amongst Ouspensky’s papers after his death, and believing Ouspensky to have been the author, published them (with, I might add, a Spanish translation). When he discovered his error, he withdrew the booklet. Why, I wonder, did he just not re-issue it as “Anonymous, Unknown”?
In the first version of this blog, I wrote of this text: “My own view is that it is too concise and too deep to be by Collin-Smith, but may well have been written by Ouspensky.”
I was not sure that it was in fact by Ouspensky, as my wording “may well have been written by Ouspensky” shows. However, the only alternative author I then considered was Collin-Smith. I continued: “Also, we know from odd comments made in A Record of Meetings that Ouspensky believed St John’s Gospel to have been the most extraordinary document, written, he said, by someone who was nourished by Hydrogen 12, if I remember correctly. By this Ouspensky meant that the author could consciously receive the impressions of higher centres. It is difficult to argue. If anything I have seen is inspired, it is the Gospel of St John. If any text warranted Ouspensky’s comments, it is this one. As an aside, in Orage’s unpublished notes in the Brotherton Library is the following scheme: Hydrogen 6 corresponds to I, 12 to sex, 24 to emotions, 48 to air, 96 to magnetism, 192 to air, 384 to water, 768 to food, 1536 to mineral and 3072 to mineral. In other words, St John’s food was the highest possible.” I thought, therefore that the attribution to Ouspensky was reasonable, but I went on to add: “Now, the thing is the commentary as it stands.”
I do not know whether Webb’s information is accurate or not, and unfortunately, as is well known, he gave very few references. He stated that he would leave his references with Thames & Hudson for scholars. I made enquiries, and am informed that Thames & Hudson do not in fact possess any such document. Further, Joyce Collin-Smith tells me that Webb’s wife did not retain any of the documents, and that they are effectively lost.
I do not know who really wrote these notes, but will refer to the author as the Pseudo-Ouspensky. It is a shame we know so little about the Ps-O., but he or she was a very impressive thinker. And this itself is important: in the late 1940s, Gurdjieff apparently disparaged Ouspensky’s teaching, but from the evidence of these notes, at least one student attained to insights of a high order, and possessed a great power of expression.
Modern biblical scholars have only recently started shaking off the dogma of the “higher criticism” in respect of what one may call the “Johannine Corpus” (the Gospel, the three epistles and the Apocalypse). I will just say here that if you have come across the books of writers like Bultmann and Raymond E. Brown on St John, you might bear this in mind. Ellis’s The Making of the New Testament Documents, and Charles E. Hill’s The Johannine Corpus in the Early Church, are, however, well worth the study.
I have no doubt, and neither did those closest to the Apostolic Age that all five documents were written by St John himself, the beloved disciple, even if all or some of chapter 21 has been added to the Gospel to authenticate and perhaps even to supplement the text. I suspect that St John wrote his Gospel chiefly to leave a testament of his own understanding of Jesus’ teaching and ministry, partly also to counter errors circulating about the roles of the apostles, especially perhaps Peter, and partly to supplement what he and others saw as lacunas in the three Synoptic Gospels. My reading of the texts is that John believed he had a special insight into Jesus’ work, and that his wish to share it was genuine, even if he was urged to it by others. He opted, in the event, to write a Gospel which was different: Clement of Alexandria refers to John’s decision to write a “spiritual” Gospel, which was published while he was still alive (see Ellis, esp. 151-4).
John’s first language was Aramaic, the language in which Jesus taught. John’s Greek was either poor or non-existent: certain Greek speakers approached Philip because he did speak Greek, as suggested in John 12:20-1. The Johannine Corpus has come down to us exclusively in Greek, and the Greek of the five documents is identical in style. Perhaps the texts we have were in whole or in part either (1) translated from John’s teaching, whether oral or written, or (2) edited from John’s rather rough Greek. John’s use of an amanuensis, translator or editor would explain discrepancies of style and vocabulary within the corpus, and why the Apocalypse is written in what scholars often consider a very “Semitic” form of Greek (in addition, the influence of its unusual genre should not be forgotten). For the authenticity of the Apocalypse, together with research into why authorship ever became an issue, see the thesis of Michael Michael, The Number of the Beast, available in the University of Sydney’s Fisher Library and elsewhere.
One can infer from our text that it’s purpose was to relate the Gospel of St John to the teaching which Ouspensky had from Gurdjieff, and developed in certain respects. It explains key Gospel words and phrases in terms of the Gurdjieff system. It raises many questions for me: can light be shown on or related to the Ray of Creation? The Pseudo-Ouspensky seems to be saying that light is a very fine hydrogen or series of hydrogens, perhaps even H1. Could this be part of the meaning of the hackneyed phrase “God is Light”? Of course, light is not a simple thing, and I am not qualified to study it the way a tertiary trained scientist could. But I sense that light is of fundamental importance, and I shall have to return to it, many many times. The insight that light is food is striking.
To my mind, one of the most puzzling aspects of Gurdjieff’s Beelzebub’s Tales to His Grandson is its pervasive but eccentric religious aspect. Gurdjieff populates his cosmos with a deity and four ranks of angels, what is effectively hell, heaven and purgatory, and messengers from above bringing revelation. Where is the austere almost clinical universal scheme he sketched to Ouspensky, described in In Search of the Miraculous? I doubt that anyone would find a new religious faith in Beelzebub’s pages, whatever else they may strike there.
On the other hand, the Pseudo-Ouspensky’s comments here are luminous, deep and insightful. Why did Gurdjieff not write something like this? Perhaps, one could guess, because the Gospel wasn’t important to him: but then why did he speak of his system as “esoteric Christianity”, and why did he use the Johannine concept of the logos (the Word), as centrally as he did in Beelzebub (Theomertmalogos: the concept is also found in Views)? Did Gurdjieff wish to leave it to others? Who? I do not think Nicoll’s work is anywhere deep enough to demonstrate essential connections between Gurdjieff’s teaching and Christianity. The Pseudo-Ouspensky’s far briefer notes, however, succeed. No, my conjecture is that Gurdjieff was equivocal about Christianity.
Why did Gurdjieff cease teaching of the kind he had engaged in with Ouspensky? It cannot be because only Ouspensky could understand: many people proved otherwise. I just do not understand why Gurdjieff did not do more to spread his ideas, despite his stated intention of sharing his discoveries. Once more, I wonder if he did not have an equivocal attitude, at least to certain aspects of his ideas, namely, those he had taught to Ouspensky. The movements and the inner exercises, at least, seem to have been in a different category for him, as he continued to invent these until his death. Yet, the Gurdjieff groups profited immensely from the publication of In Search, indeed, it rather than Gurdjieff’s books, filled the Foundation and the Institutions for a period. And the Pseudo-Ouspensky established that they could be developed.
I repeat: why did Gurdjieff not do more to spread and develop his ideas? Because he had written Beelzebub? But he prevented its publication until after his death. Why? To form a nucleus which could support the book? But if the nucleus did NOT do one thing, it was support the book. The book was published, and then not used. I have a transcript of a meeting at Bray where Henriette Lannes is asked a question about something in the book and she replies in words to this effect: “No questions about Beelzebub. This is a rule in all groups, you have your reading of it and that is what is important: you work with that.”
I mentioned that to Mrs Staveley once, and she laughed: why not ask questions about it? And I would add now, that on that basis, “you have your own reading of it”, no questions on any topic would ever be asked in groups. You always have your own experience.
I suspect that from Mme de Salzmann’s point of view, the problem with Beelzebub was far more straightforward: she did not sufficiently understand Beelzebub, and she was too pragmatic to court questions she could not answer. I am told that someone once asked Tracol a question about the book, and his reply was something like: “everything in the book is in the Ashiata Shiemash chapters”. Tracol was dodging. Besides, it is wrong. There is a great deal in other parts of the book which cannot be found in Ashiata.
Some friends have made comments about the first draft of this piece, and I feel obliged to add a post-script. First, my appreciation of this piece is by no means undiminished by knowing that it was almost certainly not by Ouspensky. On the contrary, I now have a new sense of appreciation for the unknown pupil of Ouspensky, and gratitude that he or she left their papers with Ouspensky for Collin-Smith to find.
Second, in a DVD I have seen, Dr William Welch says that not long before he died, Gurdjieff, in the company of a few men, drove to a Russian Orthodox Church and parked outside. There he sat in silence for quite a while before driving off.
To my mind, this perfectly encapsulates what I call Gurdjieff’s equivocal attitude to what we might call “exoteric Christianity”. He felt outside it, and yet he felt attracted to it. He had unfinished business.
I have no doubt that Gurdjieff believed that there was a way not only out of the circle of mechanicalness, but to the vision of God. And it is at that second point, as I see it, that his equivocation begins. Others are entitled to disagree: that is my view.
Joseph Azize has published in ancient history, law and Gurdjieff studies. His first book “The Phoenician Solar Theology” treated ancient Phoenician religion as possessing a spiritual depth comparative with Neoplatonism, to which it contributed through Iamblichos. The third book, “George Mountford Adie” represents his attempt to present his teacher (a direct pupil of Gurdjieff and Ouspensky) to an international audience.